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February 3, 2009, 11:16 am
Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text (.txt) file — break down the script into scenes and save each scene as a separate text file. Hint: Try to grab as much blank space at the top and bottom of a scene in order to have room for clip images.
January 31, 2009, 7:12 am
Since first winning acclaim at the Toronto International Film Festival in September 2008, Danny Boyle’s Slumdog Millionaire has gone on to win the hearts of audiences the world over. It’s the tale of Jamal, a young boy from the slums of Mumbai, who becomes a national phenomenon when he wins India’s version of "Who Wants to Be A Millionaire?" The timeline of the movie, which relates each of Jamal’s game show questions to an instance in his troubled past, is a key to its popularity. The clever...
January 29, 2009, 7:12 am
The intricate film has nearly 600 visual effects shots and was shot using a range of source formats, including HDCAM and Super 35mm film. To help achieve its distinctive visual appeal, the film's conceptual art and design was created by a team of artists behind the Star Wars trilogy (Iain McCaig and Ninth Ray). The film was edited entirely in HD on four Avid Media Composer systems using the DNxHD codec.
January 28, 2009, 7:10 am
The first thing you need to do in this compression workflow is open Episode and navigate to the By Workflow templates folder and copy the iPod_H264_640x480 preset located in the iPod Video (Classic and Nano) templates folder within Devices. Select the preset and control-click to get a contextual menu; select Duplicate. You now have a preset called iPod_H264_640x480 copy. Double-click the preset to open it.
January 21, 2009, 7:02 am
Using advanced functional imaging methods, New York University neuroscientists have found that certain motion pictures can exert considerable control over brain activity. Moreover, the impact of films varies according to movie content, editing, and directing style. Because the study, which appears in Projections: The Journal for Movies and Mind, offers a quantitative neuroscientific assessment of the impact of different styles of filmmaking on viewers' brains, it may serve as a valuable...
January 21, 2009, 7:00 am
John Lyons is not the kind of editor to remain satisfied working in solely one genre. After working as an assistant editor on such wildly diverse movies as Wag the Dog, Sphere, The Siege, Keeping the Faith and Gosford Park, he made an impressive transition to editor on Savage Grace, starring Julianne Moore. The latest proof of Lyons’ editing prowess can be seen in Adam Salky’s Dare, which premieres at this year’s Sundance Film Festival. The movie follows three vastly different teenagers...
January 20, 2009, 6:59 am
For The Greatest, the new Pierce Brosnan/Susan Sarandon drama in competition at this year's Sundance Film Festival, editor Cara Silverman found a new way of working — based in Los Angeles while the production shot in New York, Silverman let her assistant run the Avid Adrenaline while she cut footage on a laptop loaded with the software version of Avid Media Composer. Being untethered to a heavy desktop system has a freeing effect on creativity, too (especially on low-budget films, which...
January 19, 2009, 6:58 am
Fifty-seven years after landing on Earth, in an ill-fated mission of peace, the alien Klaatu and his super-robot companion Gort have just made a return visit, touching down upon our planet again on December 12––when the remake of The Day the Earth Stood Still was released worldwide by 20th Century Fox.
January 19, 2009, 6:57 am
Clint Eastwood has a fondness for editing––and editors. According to the filmmaker, he has worked with only a half-dozen editors in the 38 years he’s been directing motion pictures, starting with Carl Pingitore, who passed away in January 2008. The two met on Don Siegel’s 1971 film The Beguiled, and Pingitore edited Play Misty for Me, Eastwood’s feature directorial debut, that same year. It was the only film they did together.
Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava D ...
Lawrence Jordan joins Gordon to discuss editing, 2-pop, and his new venture Master the workflow.
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