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January 21, 2019, 6:56 pm
FX TD Fabricio Chamon shows how to create a UV-based wetmap in Houdini that is independent of a geometry’s resolution. Maps really drive a lot of 3D work from a cavity, occlusion, and normal maps
January 21, 2019, 6:53 pm
I just started using Rizom UV and spent some time working out a possible workflow between Cinema 4D and Substance Painter via Rizom UV. Check out Part 2 to see how I solved the multiple UV Set issue and also more detail on the Substance Painter Live Link workflow.
January 19, 2019, 2:17 pm
Character Artist Danny Mac helps new artists “find their feet” with Xgen in Autodesk Maya. Sometimes with 3D characters, it is all about the details. Details in the eyes, clothes, and hair can make or
January 19, 2019, 9:37 am
Tyler Bay shows how to work with Reshift and Houdini Pyro to get great looking and fast renders. Redshift offers users a great experience through simply how fast everything is from shading all the way
January 19, 2019, 9:37 am
Maxon’s Glenn Frey shows a simple way to get rid of the artifacts that might occur when using Volume Builder. If there seems to be a literal ton of C4D volume builder tutorials and tips
January 19, 2019, 9:36 am
In this premium video tutorial, Pro Tools Expert team member Julian Rodgers looks at the possible uses for half speed record in Pro Tools. Is it useful for more than creating octave up special effects?
January 18, 2019, 11:42 am
Davide Alidosi’s May9 Next gets some polish but also includes new workflows and features for Maya 2019. Along with the release of Maya 2019, Davide Alidosi decided to celebrate by rolling out a new version
January 18, 2019, 6:25 am
Miquel Campos releases mGear 3 adds new components, a new guide manager and much more. mGear is the much valued and free rigging framework for Autodesk Maya hits a new milestone with version 3.0. The
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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