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May 29, 2020, 1:06 pm
“The most important thing was authenticity,” says visual effects supervisor John Heller of his recent television work. He crafted effects for Showtime’s noir period piece “Penny Dreadful: City of Angels” as well as HBO’s detective thriller “The Outsider.” Both series uniquely demand that he deliver supernatural elements within stories that are grounded in reality. Watch the exclusive video interview above.
May 26, 2020, 2:22 pm
THE DARKROOM EDITING CHALLENGE: https://thisguyedits.com/darkroom (Rules and Instructions further down...) Take the 60 sec. editing challenge and win from a boatload of prizes: over $3000,-. (Be sure to read the tip at the bottom to increase your chance of winning.) For this editing challenge, I partnered with Epidemic Sound, which is a premium library with 30,000 music tracks and 60,000 sound effects. WOULD YOU BELIEVE ME when I tell you that sound is the most important part of ed...
May 20, 2020, 1:40 pm
Join award-winning live sound engineer and Avid Senior Product Specialist Robert Scovill as he takes Q&A on the previous Lab #4 and demonstrates building a show file from a pre-built template. ▶️ https://www.avid.com/s6l See all upcoming and past live sound webinars at: ▶️ https://www.avid.com/live-sound-webinars Follow Avid Live Sound: https://facebook.com/avidlivesound https://instagram.com/avid.livesound https://twitter.com/avidlivesound https://www.linkedin.com/...
May 10, 2020, 7:07 pm
Kuleshov is WRONG! Take the DarkRoom Editing challenge with Epidemic Sound and win a boatload of prizes: https://thisguyedits.com/darkroom (Rules and Instructions further down...) Additional prizes by BenQ: https://amzn.to/3ftXOgd and The Go-To Editor course: https://thegotoeditor.com "The Science of Editing" series is by @ThisGuyEdits and Dr. Karen Pearlman, based on her book "Cutting Rhythms - Intuitive Film Editing": http://amzn.to/2cqkz5J ---------------------------- D...
May 4, 2020, 12:33 pm
Join Avid’s Robb Allan (Massive Attack, Coldplay, Radiohead) as he hosts a group of world-class monitor engineers, including Charles Bradley (Duran Duran, Harry Styles, Shakira), Paddi Krause (In Flames, Korn, Toto), Austin Stillwell (Radiohead, Thom Yorke, Pat Metheny), and Adam Taylor (Muse). ▶️ https://www.avid.com/s6l See all upcoming and past live sound webinars at: ▶️ avid.com/live-sound-webinars Follow Avid Live Sound: https://facebook.com/avidlivesound https:/...
April 17, 2020, 1:44 pm
Early into Once Upon a Time in Hollywood, stuntman turned right man in the wrong place Cliff Booth (Brad Pitt) drops his movie star boss Rick Dalton (Leonardo DiCaprio) off at his Beverley Hills home. Then, after switching over to his comparatively dinky Volkswagen Karmann Ghia, Cliff drives off to his trailer park. The montage that follows is laidback and rich with detail; a feast of lights, sounds, and a veritable “hell yeah” for anyone partial to lazy late-night drives with the radio up and the windows down.
April 14, 2020, 5:24 pm
Most of us have a pretty good grasp of the basic principle of animation: still images, when played in succession, give the impression of motion and make cartoons move. Of course, it’s much more complicated than that. But “How Does Animation Work?” — a succinct explanatory video outlining the key differences and similarities between various animation techniques — makes learning a breeze. The video has a relaxed fit and an easy-going vibe that make it easy to sit back and nod along to cooly delivered demonstrations of how 2-D rigging works compared to its 3-D counterpart; what tweening is, and how both stop-motion and computer animation make use of armatures. That the video manages to pack as much information as it does into just over two minutes, without breaking a sweat, is wildly impressive.
Celia Haining, editor of The Crown, joins Gordon Burkell to discuss editing for story.
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames ...
Gordon sits down with Ivan Victor to discuss his work editing 68 Whiskey.
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