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June 24, 2019, 9:53 am
There are times when you look at visual effects in a movie and you just know that they don’t look good. However, it can be hard to specifically explain why certain visual effects don’t look good when you don’t know the many tools, terms and work that goes into creating them. That’s where Corridor Crew‘s recent series of videos comes into play.
June 6, 2019, 8:34 am
TBT! Thanks to Studio Canal for the release of this really interesting documentary about the Special and Visual Effects on the original TOTAL RECALL featuring Miniature Effects Co-Supervisor Mark Stetson and CGI Director Tim McGovern!
June 6, 2019, 8:34 am
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
June 1, 2019, 10:13 am
Blackmagic Design's Mary Plummer demoed the innovative Cut page, now available in DaVinci Resolve 16. Designed for speed and quick turnaround, the new Cut page is an innovative addition to the overall Resolve package. She also showed the new editing Keyboard, designed for professional editors who look for faster ways to edit without using a mouse. Then Mary showed some of the powerful new Fairlight tools including bus tracks, automation preview, the Foley Sampler plugin and immersive 3D aud...
May 13, 2019, 5:59 am
EditFest NY 2010 "Cutting Yourself Out of a Corner" Part I with legendary Martin Scorcese editor Thelma Schoonmaker, ACE. For more information go to www.editfest.com.#EditFestny, #artofediting, #joepesci, #RobertDeNiro, #improvisation, #MEWTube, #MartinScorcese, #ThelmaSchoonmaker, #RagingBull, #editing, #MEWShop, #Editor, #ACE, #dialoguescene, #improvisation, #JakeLaMotta, #kitchenscene
Gordon sits down with Michelle Miller to discuss the makeup of PEN15
Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.
Jim Flynn and Gordon sit down to discuss the editing of The Haunting of Hill House.
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