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November 17, 2020, 6:46 pm
Maxon Drops Two Massive Suite Updates at Once: Trapcode Suite 16 Delivers All-New Physics for 3D Motion Graphics and VFX; Magic Bullet Suite 14 Brings New Color Workflows and More for Color Correction, Finishing and Film Looks.
November 12, 2020, 6:49 pm
Blackmagic Design today announced that the new thriller “BAB” was shot exclusively using the URSA Mini Pro digital cinema camera. The film, which premiered at the recent 2020 focused Nightmare Film Festival and won Best Overall Feature and Best Cinematography at the festival, completed color correction and VFX work using DaVinci Resolve Studio as well.
October 14, 2020, 2:43 pm
Blackmagic Design today announced that MR Factory has deployed six URSA Mini Pro 4.6K G2 cameras, each paired with an Ultimatte 12 compositing processor, as the live action element of its 4K virtual production system.
October 6, 2020, 5:36 pm
New Film from Maxon Written, Directed, Illustrated, and Narrated by 9-Year-Old Eva Worley, Animated by Dad Seth Worley and Featuring a Cameo from Emmy Award-Winner Tony Hale Out Now on YouTube.
September 22, 2020, 6:53 pm
Motion Array is pleased to share their newest native drag and drop effects plugins! Each of the six plugins is a very different, individual effect and can be applied to any footage or text asset in your video. If you’re working across an entire sequence, apply the effects to an adjustment layer to alter multiple assets: 1. Camera Shake 2. Bad Signal 3. RGB Offset 4. Extreme Flicker 5. Slasher 6. Chromatic Aberration For more details, check out our short video and our recent article:
August 27, 2020, 3:53 pm
Bitmovin, a leading provider of video infrastructure for digital media companies around the world, has partnered with Teleport Media, a decentralized video delivery technologies provider, to implement a wide array of technological solutions for Okko, one of the largest Video on Demand (VoD) services in Russia.
August 21, 2020, 3:49 pm
VFX Legion, a pioneering remote boutique-style global company, has opening of a division in British Columbia. An early proponent of the virtualization of visual effects, industry veteran James David Hattin launched the company in 2013, introducing a groundbreaking collaborative work-from-home business model almost a decade before COVID-19 made social distancing essential. Headquartered in LA, the company’s new Kelowna-based division takes its road-tested remote VFX services to the next level.
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people ...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
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