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October 13, 2020, 12:29 pm
A classic visual effects job is to place a place one planar object (such as a new sign, a video screen, etc.) onto another planar object (such as a wall, a laptop, a cell phone, etc.) while either the camera, the target object, or both are moving. This requires some form of tracking. In the [...]Read More...
October 10, 2020, 2:12 pm
Some time has passed since I told you that I’m back in the game. And in the meantime this happened: Cinema Grade for Windows. As you can see, I am again directly involved in reducing your pains in using color grading tools during editing. Take a look at that Kickstarter … see more →
October 10, 2020, 2:12 pm
Color correction plug-ins are certainly fun to use, but Final Cut Pro X has plenty of horsepower on its own. There are also a number of features and techniques that often get overlooked. Here are five simple tricks you can use to enhance the look of your videos.
October 10, 2020, 2:11 pm
Remote workflows didn’t start with COVID, but that certainly drove the need home for many. While editing collaboration at a distance can be a challenge, it’s a far simpler prospect than remote color grading. That’s often a very interactive process that happens on premises between a colorist and a client, director, or cinematographer. Established high-end […]
July 14, 2020, 4:57 pm
“Clients need to have the confidence that no matter what problems arise you have the skills, to provide intelligent solutions and deliver the project to their liking,” says colorist Rob Pizzey. What Company do you work for? Goldcrest Post Production London Can you describe Goldcrest and the services it provides? Continue reading → July 13, 2020 The post Behind the Title: Goldcrest London colorist Rob Pizzey appeared first on postPerspective.
July 2, 2020, 1:02 pm
SGO and Digital Vision World have launched DVO Tools for Mistika - a seamless integration of the world-class image processing tools for both of SGO’s full-finishing solutions - Mistika Ultima and Mistika Boutique. It can also be used in conjunction with Mistika Workflows for batch processing of media files. Mistika users are now able to [...]
June 30, 2020, 1:26 pm
Creative color grading can change the storyline and create a clear visual juxtaposition between good and bad, rich and poor, success and failure.
June 23, 2020, 1:31 pm
Color is one part of the creative process that has distinct advantages to being completed in person. Typically, you’re working with the original footage, which can be quite large and hard to transfer over the internet. If you’re the client, it’s best to see exactly what the colorist is seeing. If you’re the colorist, you definitely want your client approving the color on your color calibrated monitor.
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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