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  • Editing Homecoming

    Editing Homecoming

    May 29, 2019, 8:07 am
    Gordon Sits down with Rosanne Tan, Justin Krohn, and Franklin Peterson to discuss their editing of the show Homecoming.




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  • Other Postings By Member

    • AOTG
      EDITING

      Apple Updates FCPX for Faster Mac Pro Performance

      October 7, 2019, 9:39 pm
      Apple updated Final Cut Pro X today, adding GPU-acceleration support tuned for the forthcoming Mac Pro and Pro Display XDR. The latest Final Cut Pro, aka v

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    • AOTG
      ANIMATION

      AE water color bleed animation tutorial

      October 7, 2019, 9:39 pm
      Ben Marriott works with After Effects and Adobe Fresco to create hand-painted animations. Artists have tons of choices for creating digital illustrations by drawing and painting. A popular choice is ProCreate. A new one is Adobe Fresco. Two strong draws to Fresco are the dynamic brushes that offer a natural experience, and it’s CC suite integration. If you work with either Adobe Fresco or Procreate, check out this new tutorial from Ben Marriott. Ben shows how you can put those hand-drawn illustrations and paintings to animation using After Effects.

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    • AOTG
      SOUND

      Avid Ships S4 Audio Control Surface

      October 7, 2019, 9:39 pm
      Avid is shipping the S4 audio control surface, a compact design that the company said offers a streamlined alternative to the S6. The S4 supports Avid's Eu

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    • AOTG
      EDITING

      AE Classic Course: Hot Looks from Floating Point

      October 7, 2019, 5:56 pm
      We’ve finished with posting movies on individual After Effects plug-ins from our Insight Into Effects course, and are turning our attention back to learning features. To this end, we’re going to be posting sets of movies that focus on individual features that are taken from several of our “retired” courses. These are features that might have been introduced in an older version several years ago, but which are still in the current version and therefore still have ideas applicable to the current version. (Or to that older version you’re hanging onto because you’ve already paid for a perpetual license to it.)

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    • AOTG
      EDITING

      Apple Release macOS 10.15 Catalina - Get Video Out

      October 7, 2019, 5:56 pm
      We have known it has been in beta for a while, but today, Apple released the next macOS - 10.15 Catalina. We answer the questions about 32-Bit apps and legacy media using old codecs, especially Avid's DNX series. But the number one new feature for us is the ability for FCPX to output the viewer video to an iPad using Sidecar!

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    • AOTG
      VFX

      You might be surprised how Thing was made for 'The

      October 7, 2019, 12:55 pm
      Later this week, a new animated version of The Addams Family will be hitting cinemas, care of directors Conrad Vernon and Greg Tiernan, and Cinesite.

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    • AOTG
      EDITING

      FCP.co Live Show 6 - Win a Ticket to the 2019 FCPX

      October 7, 2019, 12:55 pm
      We have a great show this week, not only do we have Steve Martin, Jeff Greenberg and Chris Fenwick on the show to talk about the 2019 Creative Summit, we also have a ticket to give away as well. You must tune in!

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    • AOTG
      EDITING

      Film editor honored by Motion Picture Editors Guil

      October 7, 2019, 12:55 pm
      Looking back at almost 40 years of work in the entertainment industry, Martin Cohen said there is nothing he would change.

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    • AOTG
      EDITING

      Toni Morrison: The Pieces I Am (2019)

      October 6, 2019, 2:08 pm
      The visionary and essential novelist Toni Morrison was born on February 18th, 1931 and died on August 5, 2019. In between, she was a voice of great power and resounding truth, a celebrated writer and editor, a recipient of the Presidential Medal of Freedom and a Nobel Prize winner, a mother of two and a teacher of millions.

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    • AOTG
      VFX

      Phil Tippett: Mad Dreams and Monsters Review

      October 5, 2019, 2:16 pm
      A common complaint in film these days is that there is too much CGI. Computer graphics have not only diminished the effectiveness of monsters in genre films, but they have put practical effects and stop-motion artists out of work. While technological advancements have their perks and their place, many moviegoers believe that practical effects will always give off a more tangible viewing experience, arousing a deeper fear than any creature designed solely on a computer. Writer/director duo Gilles Penso and Alexandre Poncet’s documentary Phil Tippett: Mad Dreams and Monsters reintroduces audiences to a special effects legend while also spotlighting the impact stop-motion animation has had on the movie industry despite the emergence of CGI.

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