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February 28, 2010, 11:27 am
Oscar-winning film editor Hughes Winborne on giving Teen Patti an international look In Los Angeles, when Hughes Winborne, Oscar-winning film editor for Crash, got an offer for Teen Patti, all he knew of Bollywood was that "it makes more films than Hollywood in a year". "That, combined with the chance to visit India for the first time, made me accept the project," he says, over e-mail from the US...
February 28, 2010, 11:26 am
Both Avid and Final Cut have fine basic text generators that allow you to do some pretty cool and simple text work. I’m not talking about the Marquee tool in Avid or LiveType in Final Cut. I’m just talking about the basic text tool that comes with the programs. I think it’s important to learn these tools first.
February 27, 2010, 11:26 am
Although obviously reminiscent of the films of Alfred Hitchcock, the film that Martin Scorsese's latest, "Shutter Island", reminds me most of is Stanley Kubrick's "The Shining" due to my post-screening reaction to the film. It is not a secret that I consider both directors to be two of my cinematic heroes.
February 27, 2010, 11:24 am
Last night I enjoyed being on an Oscar panel at the Writer’s Store (a terrific store with wonderful film folks) in LA with three other writers of film books: Chris Riley The Hollywood Standard - 2nd edition, Marcie Begleiter From Word to Image 2nd edition, and Michael Hauge Selling Your Story in 60 Seconds, and moderator-writer Chris Vogler The Writer’s Journey 3rd edition.
February 26, 2010, 11:24 am
RED’s Scarlet appears to be just around the corner and both Sony and Panasonic seem to be responding to the challenge of the upstart photo manufacturers. No matter what acronym you use – DSMC, HD-DSLR, HDSLR – these hybrid HD video / still photo cameras have grabbed everyone’s attention. 2010 may indeed be the year that hybrid digital SLR cameras hit their stride.
February 26, 2010, 11:23 am
Late last year I edited a multi-camera concert for country artist Gary Allan. It was shot at the House of Blues in Chicago on Canon 5Ds. The 5Ds gave us some really great images that’s kind of unusual in a live show.
February 25, 2010, 11:22 am
Working in the editorial department on Alice in Wonderland, JC Bond was the point of first contact for principal photography, assembling scenes as quickly as director Tim Burton could shoot them. He was also the gatekeeper for the film's extensive visual-effects content, which he received and analyzed before it was cut into the movie. Working on a team led by film editor Chris Lebenzon, Bond made sure thousands of pieces of content fell into place as expected in the editorial pipeline...
February 25, 2010, 11:16 am
Here are my answers to the 5 questions that I read on PostFifthPictures.com. If there are more, just let me know. In some cases I should call the VIZ FX team...but I will give this a shot, first. If you have any questions about my answers, please let me know. -Daryl Baskin
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
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