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  • Tony Kearns on Editing Bandersnatch

    Tony Kearns on Editing Bandersnatch

    June 23, 2019, 7:22 am
    Gordon sits down with Tony Kearns to discuss editing Black Mirror: Bandersnatch.





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  • Other Postings By Member

    • AOTG
      SOUND

      Experienced Foley Artist Alyson Dee Moore talks to

      July 28, 2020, 1:16 pm
      Experienced Foley artist Alyson Dee Moore worked on films such as Inception, The Dark Knight, the upcoming Tenet and many (many!) more - and you can learn more about her work and her approach to Foley in this great interview by George Haddad.

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    • AOTG
      SOUND

      EQ Is Not Just A Sweetener - Free Audio Post Produ

      July 28, 2020, 1:16 pm
      In the first of a series of articles aimed at music mixers who are learning about post production we examine what EQ can and just as importantly cannot do.

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    • AOTG
      VFX

      Everything you wanted to know about the history of

      July 28, 2020, 1:16 pm
      When Foundry introduced Smart Vectors in Nuke in 2016, it was as if the company had brought a brand new kind of magic to its compositing software. Smart Vectors gave artists the ability to track images onto complex moving surfaces, doing so by generating motion vectors to push or warp an input image sequence across a range of frames.

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    • AOTG
      EDITING

      Foreign language editing using SRT files by Timoth

      July 27, 2020, 4:43 pm
      My new film The Right Girls is coming out soon. It is about three transgender women who were part of the migrant caravan coming up from Central America during the run-up to the 2018 midterms. I shot the entire film in Spanish using translators or google translate on my phone. Journalists and filmmakers do this all the time working abroad. The real discovery came in post-production.

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    • AOTG
      VFX

      Master natural environment creation for visual eff

      July 27, 2020, 1:07 pm
      The Gnomon Workshop has released Natural Environment Creation Techniques, a new workshop on creating large-scale environments for visual effects projects in Clarisse iFX, Houdini and Terragen.

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    • AOTG
      ANIMATION

      Foundry ships Modo 14.1

      July 27, 2020, 1:07 pm
      Foundry has shipped Modo 14.1, the latest version of its 3D modelling, animation and rendering software, and the second of the three linked releases that will form the Modo 14 Series.

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    • AOTG
      VFX

      How you can implement a VFX workflow completely in

      July 27, 2020, 1:07 pm
      With so many of us are now working remotely, there are plenty of new ways to think about how VFX production can occur. You might already be familiar, for example, with Conductor Technologies and its cloud rendering solutions.

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    • AOTG
      VFX

      CURSED: Main Titles by Momoco

      July 24, 2020, 1:33 pm
      London based studio Momoco presents their work on the main title for the Netflix series, CURSED...

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    • AOTG
      VFX

      Weta Digital Streamliner Launches Virtual producti

      July 24, 2020, 1:33 pm
      New Zealand’s Weta Digital, Streamliner Productions and Avalon Studios have announced a new LED-stage virtual production service, based in Wellington. The service brings together live stage expertise and expert screen production capability to offer a new production methodology. The recent growth in real-time visual effects capabilities along with the health and safety benefits of working in New Zealand prompted the three elite players to put together a ready-to-use package for productions of all sizes.

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    • AOTG
      EDITING

      'Zootopia' editor Fabienne Rawley shares her mantr

      July 24, 2020, 1:32 pm
      Animation Masters Summit 2020 is a boon to the industry and animation enthusiasts indeed. With amazing talents talking to the audiences through virtual conferences, the sessions everyday only keep getting better. Day three of AMS 2020 started with an informative session with Walt Disney editor Fabienne Rawley.

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