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January 11, 2013, 3:40 pm
Avid has announced on its official blog that they are offering free training excerpts of their Sibelius certification program to music educators attending the Winter NAMM Show in Anaheim, California. The sessions are January 25, 26, and 27, 2013, at 11 a.m. and 1 p.m. Says Avid: Master instructor Jenny Amaya will present training excerpts...
January 11, 2013, 3:40 pm
Check out this informative video tutorial demonstrating a cool ripple effect created in Adobe After Effects! A quick way to add style to your logo animations.
January 11, 2013, 3:40 pm
Does RAMP's MetaQ meet the need for automatically generated metadata?
January 11, 2013, 3:36 pm
We speak with Zack Arnold and Alan Bell. We have a short conversation, which includes how we think about indie filmmaking and the traps filmmakers can fall into. Alan has to leave early, because #postdontstop.
January 11, 2013, 3:36 pm
Create movie credits with little effort and countless options for customization. Movie Credits is compatible with Final Cut Pro, Motion, After Effects and Premiere Pro.
January 11, 2013, 3:36 pm
Frame your footage with Borders, designed for use in Final Cut Pro X.
January 11, 2013, 3:35 pm
The American Cinema Editors (ACE) announced the nominations for the 63rd annual ACE Eddie Awards recognizing outstanding editing in nine categories of film, television and documentaries. Winners will be revealed at ACE's annual black-tie awards ceremony on Feb. 16 in the International Ballroom of the Beverly Hilton Hotel.
January 11, 2013, 3:35 pm
Cut+Run's Georgia Dodson has officially taken the editor's chair. Dodson's passion for documentary and docu-style editing is evident in her contribution to last year's Super Bowl Campaign for Prudential via Droga5 and the award-winning short documentary Meaning of Robots. At 21, she found herself serving dinner to David Lee Roth during a blizzard on the Lower East Side. Bitten by the editing bug, she launched her career at Final Cut, where she first met Rana Martin, now EP of Cut+Run NY.
January 11, 2013, 3:32 pm
The American Cinema Editors announced nominations for the Feb. 16 ACE Eddie Awards in film, television and docs...
January 11, 2013, 3:31 pm
For me, the biggest issue of secondary color correction is qualification. I’m not talking about whether the colorist is skilled enough to do it. I’m talking about what portion of the image you are trying to qualify—in other words, “choose”—as the section in which you make alterations. “To qualify” or “qualification” means that an area of the picture is specifically isolated for a correction by any number of methods.
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Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest NY pl ...
Editor Tom Haneke discusses the importance of cataloging using examples from "My Generation." For more information ...
Editor Robert Eisenhardt, A.C.E. discusses the importance of choosing the correct tone as seen in "Valentino: The Last E ...
Bryan Atkinson and Gordon Burkell sit down to discuss his article on the making of Hannibal.
Christopher and Gordon discuss Moneyball and Capote.
In this episode, Gordon talks to Christopher about editing the movie Kids and talks about Art and photography’s influen ...
