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December 14, 2012, 1:22 pm
Dynamic Link is a key selling point of the Adobe suite that many people rely on for their workflows. Here's what to do if it doesn't work as expected. This article is mainly aimed to dynamic linking between After Effects and Premiere but many of the suggestions will apply to the other applications in the suite.
December 14, 2012, 1:22 pm
Editing a documentary – Director & Editor Interview Johan Walters has a superb interview with Marshall Curry & Matthew Hamachek who both wrote and edited Oscar nominated documentary If a tree falls which tells the inside story of the Earth Liberation Front. … Continue reading →
December 14, 2012, 1:14 pm
As 2012 comes to a close, we want to let you know of some of the exciting stuff we are working on for Razuna 1.5.5. Some of the features mentioned below are done and some are in the making. In case you didn’t know you can pull the latest development release by pulling the latest code base directly from the Razuna Github account.
December 14, 2012, 1:13 pm
Hollywood post-production powerhouse Modern VideoFilm has chosen a UTAH-400/XL routing switcher from Utah Scientific to serve as the core of its infrastructure in its new 96,000sq-ft facility in Burbank, CA, which is the headquarters for its multi-city operation. Modern VideoFilm is using the new router to interconnect the facility's equipment and systems that record and monitor SDI video with embedded audio and timecode.
December 14, 2012, 1:11 pm
Drobo, maker of award-winning data storage products for businesses and professionals, has announced the Drobo 5N, the latest in their new lineup of ultra-modern, high-performance storage systems. The Drobo 5N, a sophisticated, network-attached storage (NAS) device, extends Drobo's traditional ease-of-use with increased performance and data protection enhancements for personal and professional users who want a fast, easy, and ultra-reliable file sharing and backup experience over the network.
December 14, 2012, 1:09 pm
Toronto, Canada -- eyeon Software announced that eyeon Connection version 1.5 has shipped worldwide, expanding on to company’s promise to bridge the AVID editing and VFX workflow via the AVID AVX2 architecture. This marks eyeon's second Connection release in less than six months, underscoring eyeon's development tradition of continuously driving technology improvements.
December 14, 2012, 7:49 am
Currently, the Media Encoder (and, by association, Premiere Pro) doesn’t ship with presets for 4k H.264 output, simply because it’s not a common enough format. But it’s reasonably simple to make your own. I won’t go into all the details of H.264 encoding here, but the key thing to know is that the encoder settings include something called Profile and Level.
December 14, 2012, 7:47 am
In the fierce competition to achieve stunning creative, Aframe's ability to ingest, store, transcode, and deliver a link to a full day's high-res footage to a 20-person team, in just hours let the artists focus on their art. After years of teams tolerating the delivery of raw footage from location shoots via overnight shipments a day or two later, Aframe's private cloud finally made the term "dailies" true to its name.
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