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May 17, 2019, 8:03 pm
In a nod to the increasing demand for top-shelf color services in the era of peak TV — especially from the 4K-friendly and HDR-hungry likes of Netflix and Amazon Prime — Santa Monica VFX studio A52 has launched a new color-grading and finishing department, A52 Color. Colorists Paul Yacono and Daniel de Vue will be operating […]
The post A52 Ups Its Color Game with Paul Yacono, Daniel de Vue, and Dedicated, HDR-Ready Studio Space appeared first on Studio Daily.
May 17, 2019, 8:02 pm
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films as Jurassic Park III and Terminator 3: Rise of the Machines. His work as a VFX editor or assistant editor include work on Sky Captain and the World of Tomorrow, Rocky Balboa and Pan’s Labyrinth, Rambo,...
The post ART OF THE CUT with Evan Schiff, editor of “John Wick 3” appeared first on ProVideo Coalition.
May 17, 2019, 8:02 pm
Qiq Tools Rigger auto-rigging tool for Maya adds some nice new features. Rigger is a 3D character setup plugin for Autodesk Maya. Perhaps you’ve seen some of the flashy demo vids out there that show
May 17, 2019, 8:02 pm
The new Content-Aware Fill feature present in After Effects is ideal to clean mistakes made during video production. Adobe just demonstrated it, by cleaning the Starbucks cup from Game of Thrones. No, the Starbucks cup that appears in a recent Game of Thrones episode (Season 8, Episode 4), wasn’t there to confirm that Starbucks is...
The post Adobe After Effects fixes Game of Thrones Starbucks cup goof appeared first on ProVideo Coalition.
May 17, 2019, 6:58 am
Blackmagic Design announced today that TBS SPARKLE, Inc. has installed a Cintel Scanner and DaVinci Resolve Studio to digitize a huge amount of 16mm footage from 1955 to the 1980s. This will include the digitization of more than 3,000 films, documentaries and news shows, as well as other footage shot by TBS SPARKLE, Inc.
May 17, 2019, 6:40 am
Adobe’s recent decision to scrap its smaller price plans for Creative Cloud angered many of its loyal customers. The company then discontinued older versions of its applications and restricted the software available for download. Now, to make matters worse, customers using older versions are being warned they may face legal action.
May 16, 2019, 5:39 pm
MEXICO CITY — Cinematic Media (www.cinematicmedia-mx.com), one of Mexico City’s largest, full-service post production facilities focused on television and cinema content, is teaming up with two-time Academy Award-nominated supervising sound editor Martín Hernández to bring Hollywood-caliber sound services to region. Hernández, sound supervisor for such films as The Revenant,
Birdman and
Pan’s Labyrinth, is overseeing construction of a new sound division at Cinematic Media...
May 16, 2019, 5:39 pm
Panavision’s Light Iron said Jeremy Sawyer has come back to Light Iron as a senior colorist. A 20-year veteran of the color suite, Sawyer has been a reliable presence in the era of peak TV, working on high-profile series including AMC’s The Walking Dead, Showtime’s The Affair, and Netflix’s Easy. Sawyer’s time in the industry includes stints at Finish Post […]
The post Colorist Jeremy Sawyer is Back at Light Iron appeared first on Studio Daily.
May 16, 2019, 5:39 pm
If you don’t watch Netflix’s The OA, you might not understand why this woman is getting groped by this octopus
The post VFX Breakdown: The OA appeared first on Studio Daily.
May 16, 2019, 5:38 pm
Calder Moore covers the Arnold Toon Shader in Cinema 4D in this new series of tutorials. A while back Calder Moore posted a render that tried (and succeeded) to get the style of “Akira.” He
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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