Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
July 28, 2017, 5:48 am
We just posted a new release, EditReady 2.0.3, which improves playback performance and resolves a handful of issues. It is recommended for all users.
July 28, 2017, 5:48 am
Halon presents their previs work on VALERIAN AND THE CITY OF A THOUSAND PLANETS...
July 27, 2017, 4:17 pm
The article Q&A with Editor Paul Machliss, ACE, on Baby Driver by Timory Burleson appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
July 27, 2017, 4:17 pm
Here’s an in-depth article on the ins and outs of pairing a monitor/recorder – like these from Atomos – with your DSLR camera. Beyond the obvious benefit of a larger preview of your footage, a field monitor and recorder “can’t improve the level of detail that your camera initially captures, they leverage the fact that Read More
The post Why You Want to Shoot with an External Recorder/Monitor appeared first on Videoguys Blog.
July 27, 2017, 4:17 pm
New cloud hybrid rendering and virtual studio platform for VFX and animation studios to be introduced at SIGGRAPH 2017.
July 27, 2017, 12:56 pm
We've just released Pro Media Tools 1.6, a major update to our suite of media management tools for video professionals.
The focus of this release was our camera memory card offloading tool, Auto Transfer.
Reel detection
Auto Transfer will now automatically detect the reel name from RED volumes so you don't have to enter it manually. If you add leading zeroes (e.g. 001) to the default reel number it will now respect them when detecting or incrementing the reel number.
Metadata overh...
July 27, 2017, 12:55 pm
When people tell me to just turn my brain off and enjoy a movie, I wish that it were so easy. I’ve been trained to overthink films as I watch them. I have two degrees in the study of cinema. I can’t ignore what I know or how I’ve been wired to always analyze images I’m seeing on screen as they’re cut together any more than a mechanic can stare at a puttering motor and pretend not to know how to fix it.
July 27, 2017, 12:55 pm
To help convey the “visceral realism” of Christopher Nolan’s “Dunkirk,” the director needed an intense soundscape for the legendary evacuation of more than 300,000 British and Allied troops under German bombardment.
July 27, 2017, 12:55 pm
Two days after wrapping on the $65 million dollar budget film Pete’s Dragon, David Lowery headed home to Texas to make a small film (literally, the aspect ratio is 1.37:1) with a group of friends called A Ghost Story. The budget? $100,000. In itself, the budget is a good marker of how different the films are. And yet in both films, Lowery uses visual effects in a very calculated and affecting way, two qualities that are often lacking in effects-heavy films nowadays. Indeed, many an article has been written about the CGI overkill in Hollywood franchises. In his article for Variety on The Age of Ultron, Brian Lowry argues that “the ability to mount enormous battles featuring multiple super-powered characters, however, has become its own trap. And while the results can be visually astounding, the movies regularly feel as lifeless and mechanized as the technology responsible for bringing those visions to fruition.”
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.
