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July 31, 2014, 8:50 pm
(Atlanta, Georgia--July 31, 2014) The Southeast Creative Summit is returning to Atlanta after a successful inaugural year! In our first year, we had over 100 attendees from 12 states attend nearly 80 workshops over three days. This year we have even more talent on the schedule, including Academy Award winning sound mixer Ed Novick (The Dark Knight, Inception), Emmy Award winning editor Jesse Averna (Sesame Street), editor Zack Arnold (Burn Notice, Glee), and many more notable experts in the production and post- production world.
July 31, 2014, 8:49 pm
Adam Epstein is a freelance editor. For the last five years, he’s worked with the Saturday Night Live film unit, editing parody pieces of all kinds. He’s just begun a nationwide workshop tour with “The Cutting Edge Post-Production Tour,” a day-long seminar covering techniques, theories and editing insights.
July 31, 2014, 8:49 pm
(Hollywood, California--July 31, 2014) “Tyrant,” FX’s new drama produced by Fox 21, tells the story of an unassuming American family drawn into the inner workings of a turbulent Middle Eastern nation, a fictional country Encore VFX helped realize through exotic set extensions, extravagant CG palaces and city skylines, subtle environmental work and crowd duplication.
July 31, 2014, 8:49 pm
Burbank-based visual effects specialist Stereo D is planning to shrink its California employee base as part of its upcoming move to open a Toronto office.
July 31, 2014, 4:01 pm
Oscar-winning film editor and sound designer Walter Murch and director Jon Favreau discuss the editing of The Conversation and the viewer response to Chef at...
July 31, 2014, 4:01 pm
According to a recent webinar by MESA "Metadata is the new Gold"
July 31, 2014, 4:00 pm
Avid Everywhere enables world’s best jazz performers to captivate their audiences, capture future monetization opportunities
July 31, 2014, 4:00 pm
Dean first explains the difference between Trapcode Particular, Form and Mir, so this is a very educational introduction to the Trapcode particle generators for Adobe After Effects. This is from a seminar he did for the South Dakota Advertising Federation.
July 31, 2014, 3:59 pm
Paul Trillo’s A Truncated Story of Infinity considers the limitless schema of possibilities that unfold over the course of a series of moments. The eight minute film — recently featured on Short of the Week — also boasts some pretty impressive practical effects for a budget of $10,000. I asked Paul to break down the means behind each technique, which he notes may not “the correct way” to render an effect, even if they look pretty fine to me.
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