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November 21, 2017, 11:19 am
Courses have started for the Fall term, but CGMA hasn’t let up on giving students access to the best resources an aspiring artist could ask for. CGMA, one of the leading providers for a digital arts education, has been working hard to make sure students are well-equipped to enter into the industry with all the skills they need. Admissions help, award-winning instructors, and payment plans starting at $50 to claim your seat are just some of the perks of becoming a CGMA student.
November 21, 2017, 9:27 am
Mark Henry Phillips is a composer, sound designer and producer who has worked on a variety of podcasts, films, radio and TV shows. He trusts NUGEN Audio and its VisLM-H2 loudness meter and ISL 2 real time, true peak limiter for all of his loudness needs. This encompasses several seminal podcasts including the first seasons of Serial, Homecoming, and StartUp.
November 21, 2017, 6:03 am
When Valerian and the City of a Thousand Planets was released, I got the opportunity to talk to both overall VFX supe Scott Stokdyk and ILM supervisor Philippe Rebours about the Big Market sequence. Now with the film set for home entertainment release, there’s a snippet of one of the featurettes available on the Big Market sequence.
November 20, 2017, 6:43 pm
En el marco del 32˚ Festival Internacional de Cine de Mar del Plata, la SAE organizará una Entrevista abierta a Juan Carlos Macías (SAE), socio fundador de la asociación y uno de sus máximos referentes. Además, luego de la charla Macías recibirá el Premio SAE a la Trayectoria.
November 20, 2017, 6:43 pm
The highest resolution most feature films and high-end TV shows need to be delivered in is 4K - 4096 by 2304. That doesn't mean there aren't benefits to shooting at higher resolutions. The advantage of using cameras such as the ARRI 65 is that 6K allows for reframing in post. The camera operator can shoot with a very loose frame knowing that editors can choose which part of the 6K frame to include in the 4K master. Also VFX can benefit from the pixels from outside the visible frame. In...
November 20, 2017, 6:42 pm
Race and poverty intertwine in director Dee Rees’ powerful Oscar contender, “Mudbound” — a potential game changer for Netflix. But Rees and her “Pariah” editor Mako Kamitsuna decided early on that their sprawling movie about a black and white family in the 1940s Mississippi Delta was getting lost in the interlocking narratives. They needed to find the connective tissue that united them in their struggle for the American Dream.
November 20, 2017, 4:33 pm
The Hollywood Professional Association (HPA) bestowed the 2017 HPA Awards tonight, during a sold-out gala celebration at the Skirball Cultural Center in Los Angeles. The HPA Awards have become the banner awards ceremony for the professional media content, recognizing individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world.
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
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