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December 10, 2013, 10:59 am
“Nothing is sacred.”
Twelfth century England. An era ruled by strife, anarchy – and ...
December 10, 2013, 10:59 am
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to use shape masks to isolate color corrections in Final Cut Pro X.
As opposed to a color mask, which limits a color correction to a selected range of luminance and hue values (for example, the...
December 10, 2013, 10:59 am
Qube Cinema announced that it will release a software update early in 2014 that will add support for Dolby Atmos sound. Atmos unleashes the potential of sound in storytelling by giving filmmakers the ability to precisely place or move sounds anywhere in the movie theater, even overhead, to create a more engaging cinematic experience.
December 10, 2013, 10:59 am
Animation studio Clockwork VFX has added veteran agency producer Nina Davenport to its team. Davenport comes aboard the eight-year-old studio, following nearly five years as a producer at UPROAR!, a New York-based family-centered marketing agency.
December 10, 2013, 10:58 am
Optimus editor Ruben Vela II recently cut three PSAs that were the focal point of the "Feed the Pig" financial literacy campaign created pro bono by KBS+ for the Ad Council and the American Institute of CPAs (AICPAs). KBS+ recently earned the Ad Council’s Gold Bell for creative excellence for the campaign. The spots encourage young adults to take control of their finances and add saving to their lifestyles by humorously portraying young adults in various settings talking with their friends...
December 10, 2013, 10:58 am
Supervising editor/re-recording mixer, Skip Lievsay, and production sound mixer, Peter Kurland, have been working with Ethan and Joel Cohen since their first film. Mixer Greg Orlof joined the team on O Brother, Where Art Thou? The long-term working relationships on the brothers’ films are a major benefit to his working in the industry, according to Lievsay. “They’re my friends. We’ve been through a lot together. We’ve had good times and some bad times and we’re all the better for...
December 10, 2013, 10:58 am
Color grading with on-screen color wheels.
FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects.
http://fxfactory.com/fxfactory/
December 10, 2013, 10:57 am
In a tutorial for people just starting out in Cinema 4D, Ben Watts takes a look at creating and rendering a stack of business cards paying particular attention to providing a process that can remain flexible while still providing a fairly realistic result.
December 10, 2013, 10:57 am
Popular Renderer for Rhino Gets Major Overhaul Across the Board; Speed, Workflow, Lighting, and Material Improvements; Free for V-Ray 1.5 for Rhino Customers...
December 10, 2013, 5:43 am
Canon; Black Magic Cinema Camera (BMCC); 5D; GoPro; Panasonic, etc. are all cameras that we come across in the Editorial. This is not a new phenomenon, but I feel every time I turn around there is a DOP playing with a new camera.
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Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest NY pl ...
Editor Tom Haneke discusses the importance of cataloging using examples from "My Generation." For more information ...
Editor Robert Eisenhardt, A.C.E. discusses the importance of choosing the correct tone as seen in "Valentino: The Last E ...
In this episode, Dan Dome sits down and talks to Gordon about working with Conan O’Brien and posting a daily show. Chec ...
Dan Dome has been cutting since the 90′s and comes from an editing lineage choosing his destiny before he even knew it. ...
Here's the final part of our panel with Evan, Adele, and Oscar, talking about interactive media and building an audience.
