Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
June 23, 2017, 12:04 pm
Big news for Adobe editors and innovators in 360 degree content! New VR video and filmmaking tools will be at your fingertips shortly with this merger. Check out the details from Adobe Blogs: Adobe is at the forefront of 360 and VR production. While our VR workflows take creators from capture to edit to output, Read More
The post Adobe Acquires Mettle: VR just got 360 degrees better! appeared first on Videoguys Blog.
June 23, 2017, 12:02 pm
Adding secondary motion in an animation doesn’t always mean another pass with the keyframes. In fact, for smaller parts of the character, setting up an automated system can be pretty effective. Take for example the
The Post Adding Easy Secondary Motion in C4D with Soft IK originally appeared and published on %%BLOGLINK%,by lesterbanks
June 23, 2017, 12:02 pm
Encore have released this VFX Breakdown about their work on the episode 207 of LEGENDS OF TOMORROW...
June 23, 2017, 12:01 pm
Pond5 announced a new free plug-in for Adobe Premiere Pro that makes millions of royalty-free HD and 4K video as well as music and sound effects immediately accessible from directly within the NLE.
June 23, 2017, 8:17 am
New Blackmagic Camera Control app for URSA Mini Pro now available for iPad in the Apple app store!
June 23, 2017, 6:23 am
Designed around the new RED IPP2 pipeline, it includes 103 3D LUTs for use in post and in camera (cameras with IPP2 support). You can use these LUTs in REDCINE-X regardless of color science used but they are intended to be applied to footage using the REDWideGamutRGB color and LOG3G10 gamma.
June 23, 2017, 4:17 am
Andrew Roth is a sound designer specializing in installation work– both sound design and engineering. He got his start at Earwax Productions in San Francisco in the late 1990s as an audio editor and expanded into radio, television, film and video games. Nowadays he still dabbles in film, commercial and video game sound, but his […]
June 23, 2017, 4:17 am
Blue Bolt delivered 527 shots for the second season of this Viking-era epic. We created extensive set extensions and locations, bringing 9th century Saxon England to life. Among the most notable creations was a fully CG Viking ship that features repeatedly throughout episode 3, including in a spectacular storm sequence.
June 23, 2017, 4:17 am
On thing that I always try to focus on in my Media Composer tutorials are “hidden” or tucked away features that may have been added to Media Composer, in a point update, but has for the most part gone unnoticed by the community at large and, for me, Mask Margins is definitely one of those features.
June 23, 2017, 4:16 am
In this episode we discuss the summer blockbuster hit Wonder Woman.
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.
