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August 17, 2017, 1:08 pm
Last April, postPerspective announced the debut of our Impact Awards, celebrating innovative products and technologies for the post production and production industries that will influence the way people work. We are now happy to present our second set of Impact Awards, celebrating the outstanding offerings presented at SIGGRAPH 2017.
Now that the show is over, Continue reading →
August 17, 2017
The post postPerspective Impact Award winners from SIGGRAPH 2017 appeared first on Randi Alt...
August 17, 2017, 12:58 pm
Blackmagic Design announced today that Canal 13, Chile’s second oldest television station, upgraded its broadcast cameras to URSA Mini 4K digital film cameras to shoot its hit telenovelas. The broadcaster also uses Blackmagic 3G-SDI Arduino Shield for camera control, DaVinci Resolve Studio for editing and color grading and Teranex 2D Processor for standards conversions.
August 17, 2017, 10:03 am
Alan Heim is an American film editor with more than thirty feature-film credits. He had an extended collaboration with the director Bob Fosse; Heim's editing of Fosse's film, "All That Jazz" (1979), was honored by the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the American Cinema Editors Eddie Awar...
August 17, 2017, 10:02 am
Color correction and color grading are part art, part science and part applied technology. With the recent addition of the...
August 17, 2017, 10:02 am
Color correction and color grading are part art, part science and part applied technology. With the recent addition of the ...
August 17, 2017, 10:02 am
Ian Waters shows how you can focus on performance by accessing MASH point data through Maya’s API. Maya’s motion graphics toolkit, MASH, lets you access all default data types through its Breakout and Python nodes.It
The Post How to Access MASH Point Data Through the Maya API originally appeared and published on %%BLOGLINK%,by lesterbanks
August 17, 2017, 10:01 am
If you're looking for some excellent After Effects tutorials, whether you are a beginner or an advanced user, take a look at Video Copilot. A few years ago I came across this quick tutorial on how to create 3D titles that appear to live inside your frame, along with your footage. This method will give a unique look to your titles and definitely sets them apart from most titles that lay flat across the frame.
August 17, 2017, 10:01 am
Ongoing experiments using film to drive procedural content.
August 17, 2017, 6:06 am
Adobe is the global leader in digital marketing and digital media solutions. Their tools and services enable their customers to create groundbreaking digital content, deploy it across media and devices, measure and optimize it over time, and achieve greater business success. www.adobe.com/au
August 17, 2017, 6:06 am
By Mel Lambert
For William Hoy, ACE, story and character come first. He also likes to use visual effects “to help achieve that idea.” This veteran film editor points to director Zack Snyder’s VFX-heavy I, Robot, director Matt Reeves’ 2014 version of Dawn of the Planet of the Apes and his new installment, Continue reading →
August 17, 2017
The post Editor William Hoy — working on VFX-laden War for the Planet of the Apes appeared first on Randi Altman's postPerspective.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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