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January 25, 2012, 11:50 am
Eye Scream Factory have launched 74 DVE effects for Boris Red and that means they will work in our old friend Final Cut Pro 7. As we have said before, the introduction of FCPX didn't kill off the legacy versions of Final Cut Pro overnight.
January 25, 2012, 11:48 am
One question that always comes up at the Guerilla Film Makers Masterclass is which editing tool should I use? There is no straight answer to this, and we get into the detail in the masterclass, but this video above gives a great and indepth view into both Avid and FCPX systems.
January 25, 2012, 11:46 am
Here's a quick report on last night's Boston Creative Pro User Group meeting held at Emerson College's Bright Family Screening Room. Dan Berube began the evening by recounting the history of the Boston Final Cut Pro Users Group, which began about 11 years ago. But he said that since 2008, the focus has moved increasingly away from Final Cut Pro.
January 25, 2012, 11:44 am
I had blogged awhile back detailing the challenges of creating a production's deliverables (editorial media, iPad dallies, etc) on the set. One of the most potentially time and labor intensive aspects of this process is syncing sound to the video files to create independent clips with embedded audio.
January 25, 2012, 11:41 am
CUPERTINO, California—January 24, 2012—Apple today announced financial results for its fiscal 2012 first quarter which spanned 14 weeks and ended December 31, 2011. The Company posted record quarterly revenue of USD46.33 billion and record quarterly net profit of USD13.06 billion, or USD13.87 per diluted share.
January 25, 2012, 11:38 am
Here's a tutorial from Wide Open Camera's Chris Marino about how to do detailed color-grading using both the free REDCINE-X and Premiere Pro. Says NoFilmSchool.com, If you have Adobe Premiere Pro CS5.5, the changes you make to your shots in REDCINE update in Premiere Pro losslessly. Premiere Pro correctly interprets the metadata and you can then use, say, Colorista for secondary color correction on top of the native .R3D files.
January 25, 2012, 11:36 am
The Grass Valley ADVC G-Series of affordable, multi-purpose digital video converters are at the leading edge of technology, and the latest additions to the renowned ADVC family. Housed in a practical and compact 1/3 RU form factor, these four converters tackle a variety of different A/V tasks and are particularly well suited to events and staging, corporate AV centers, and broadcast display applications.
January 25, 2012, 11:35 am
PreSonus is now shipping new and improved versions of two of its classic tube preamplifiers: the BlueTube DP V2 and TubePre V2. Enjoy solid-state clarity or tube warmth with the BlueTube DP V2 dual-path mic/instrument preamp. The solid-state path feeds PreSonus' Class A XMAX mic preamplifier with 80 dB of variable gain-an upgrade from the original BlueTube DP.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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