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November 27, 2010, 11:47 am
So important but so hard to notice. That’s how I would describe the work of our best film editors – those cutting artists who blend and juxtapose frames together to make films coherent, establish a flow and also set the mood in a manner that suits the screenwriter’s words and the director’s vision.
November 27, 2010, 8:36 am
he Enhanced Essentials-collection contains 40 of Final Cut Pro's most valuable every-day video filter plugins that were completely redeveloped and greatly enhanced in quality, render speed and functionality.
November 26, 2010, 11:31 am
Yeah, it’s a testy subject for many, so of course Philip Hodgetts and I had to take it up in episode 12 of The Terence & Philip Show. This episode starts with discussion about a potential Adobe and Microsoft merger and its implications. Which leads into a discussion about 64 bit QuickTime. The primary discussion revolves around a discussion on what Philip thinks Apple should be doing with Final Cut Pro.
November 26, 2010, 11:29 am
Shaping compelling and engaging stories in the cutting room is a creative adventure filled with many challenges. From dealing with the dizzying array of media sources and formats to handling truncated deadlines, complex workflows, and last-minute changes, learn how you can work smarter and faster by tuning in to our Pro Video Webinars.
November 26, 2010, 10:57 am
The discussion begins about audio levels and the perception of loudness, in the wake of the recent FCC ruling. This leads to the main discussion of deliverables: aka "pining for PAL vs NTSC"! Formats and deliverable metadata add to the complication that delivering a program has become. The discussion veers into the endless discussion of generalist vs specialist before ending on the value of value.
November 25, 2010, 3:31 pm
For those of you in America, happy Thanksgiving/Black Friday. In the spirit of retailers slashing prices to engender consumer stampedes, I went searching for Black Friday deals specific to filmmakers. I discovered, however, that most pro camera stores don’t participate in such an event, which is apparently constrained to the consumer world. So instead, here are some deals that might apply to filmmakers, at least on the low end (for example, you won’t see someone like RED slashing prices on a $25
November 25, 2010, 3:20 pm
Blackmagic Design has always been on the cutting edge of technology with an eye towards shaking up the status quo. The acquisition of DaVinci, with the port of Resolve to the Mac platform, promises to be just that. Resolve 7.0 is available for both Mac and Linux and comes in three flavors...
November 25, 2010, 11:20 am
This week, we’ll make footage look like it has been shot with a surveillance camera by distorting and degrading it. Plus, when we switch "cameras", we’ll make the image break up for just a fraction of a second.
November 25, 2010, 11:06 am
Learn to better leverage your Boris skills with The Art of Motion Graphics; this video demonstrates the core concepts that every video editor should know about good motion graphic design. You’ll understand how to manipulate color and space to make your motion graphics smooth and sharp, how theme and variation affect the mood of your graphics, and how you can use these tricks to enhance your video.
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
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