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August 27, 2010, 7:01 pm
Back in May, I wrote about FcpReconnect as one answer to Apple Final Cut Pro’s less-than-robust media management. In this entry, I’ll cover Matchback Magic, a handy application developed by Philip Hodgetts and Dr. Gregory Clarke of Intelligent Assistance to make FCP media bullet-proof. Through the Assisted Editing product line, they’ve developed a number of workflow tools that leverage the power of XML for Final Cut Pro users.
August 27, 2010, 2:59 pm
For Assistant Editor Appreciation here is our review of <i>Make the Cut</i> written by Lori Jane Coleman, A.C.E. and Diana Friedberg, A.C.E. If you are interested in getting into editing or into assisting this is a great start to your knowledge base.
August 27, 2010, 2:43 pm
The August Editors' Lounge is all about networking! Come and join us for a casual Hawaiian Friday and bring someone new with you: an Editor, a Producer, a Writer, a good friend... preferably someone who's never attended the Lounge before. We're going to mix and mingle old-school—no sales pitches or long speeches, just friends and peers gathering for a good time.
August 27, 2010, 11:21 am
Sharp dialogue. Splintered chronology. Bursts of extreme violence. Obscure film references. Quentin Tarantino burst onto the American film scene in the early 90s, like an adrenaline shot to the heart. He won an Oscar and a BAFTA for the screenplay to Pulp Fiction (with Roger Avary), and was nominated for Best Director, with BAFTA nominations for Best Director and Best Film. Editor Sally Menke was nominated for the Oscar and BAFTA, and has been there every step of the way, providing the brilliant
August 27, 2010, 11:09 am
Back in the late 90s I edited a few national Home Depot commercials, and after this was one was produced I made this fun little video explaining the process. I love a good behind the scenes / how-to / how we did it piece that breaks down a complex shot or goes into some detail on how a visual effects sequence was created.
August 26, 2010, 3:27 pm
First off I have to apologize. In my excitement to start doing these breakdowns I chose a scene from a movie I had seen in the last couple days. That is not why I am apologizing. I have gained a lot from doing this exercise; there is a lot of power in analyzing something shot by shot that you don’t get from just watching the scene play out as a part of the whole feature and even from watching the scene over and over by itself. I am apologizing because it’s a long one.
August 26, 2010, 3:25 pm
HOFFMAN ESTATES, IL – Class on Demand has released a new training course titled "Avid Media Composer for Final Cut Pro Users." The company worked closely with Avid to translate Final Cut Pro editing concepts to comparable solutions within Media Composer 5. (8/26/2010) "The easy-to-comprehend training allows anyone in the industry, especially those familiar with Final Cut Pro, to tap into Media Composer’s open, flexible workflow options — from native support for the industry’s most popular...
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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