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February 28, 2011, 3:15 pm
IAVE 09 WallDickensBaxterGraham - Panel interview with Academy Award nominees for best editing Angus Wall and Kirk Baxter (The Curious Case of Benjamin Button), Chris Dickens (Slumdog Millionaire), and Elliot Graham (Milk).
February 28, 2011, 3:11 pm
DaVinci Resolve 7.1 now adds clustered multi GPU processing to Mac OS X systems, improved support for Tangent Wave control panels, support for the JL Cooper Eclipse CX control panel and new file formats and codecs including support for Arri Alexa ARRIRAW, Phantom Cine, high dynamic range OpenEXR and more.
February 28, 2011, 3:10 pm
Been awhile again. Doing much better than my past blog attempts before here, anyway. We've actually been pretty slow over all the past few weeks at the ranch and not much to report. The big news is our old folks show we did last fall is coming back!
February 28, 2011, 3:09 pm
In one of the earlier Quicktips I showed scrubbing through clips in a Final Cut Pro bin via the Thumbnail bin column. In Avid Media Composer there’s a tab at the top of the bin marked Frame. That’s a quick way to view Avid clip thumbnails in a bin. Plus you can playback and JKL scrub the clips as well.
February 28, 2011, 2:21 pm
Last week Avid announced that they would be releasing and shipping the newest version of Media Composer on March 8th - a full month before NAB! This is very exciting news and it created a flury of tweets, blog posts and discussions in user groups and forums.
February 28, 2011, 2:20 pm
Jack Tunnicliffe is the owner-operator of two successful companies in Western Canada that serve broadcast clients along both coasts. His post-production facility Java Post Production provides editing and visual effects for broadcast TV, commercials and ad agency productions. Caffeine Commercial Productions is an award-winning production company that works alongside Java Post with their commercial and corporate clients. Sounds like Jack also serves up a mean cup of dark roasted brew.
February 28, 2011, 12:22 pm
Rick Young demonstrates Final Cut Pro editing and workflow techniques; recorded at The Frontline Club; UKFCUG meeting, Feb. 24, 2011.
February 28, 2011, 12:21 pm
Congrats to Kirk and Angus for recieving the Editing Oscar statuette for their work on The Social Network. Shot with MX Reds, edited on FInal Cut Pro, the norm for Angus for the last few years, with DI by Michael Cioni at LightIron digital. This proves that FCP is no longer relegated to second class status.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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