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April 21, 2011, 12:54 pm
When the Yankees shoot a day in the life of Derek Jeter segment for Yankees On Demand, a weekly hour-long program of exclusive Yankees content, they rely on an end-to-end Avid workflow specifically constructed for sports marketers.
April 21, 2011, 9:23 am
If you need to try out different color combinations, be sure to try Kuler from Adobe. This flash-based application lets you browse a wide variety of designer created color schemes as well as create your own. It supports all the major rules from Analogous to Shades.
April 21, 2011, 9:22 am
NAB 2011 products emphasize speed, flexibility for broadcasters. Chyron is another NAB stalwart, and NAB 2011 showed just how far the company has traveled since the days of analog and hardware. Now in the cloud, Chyron highlighted its AXIS Graphics platform for on-demand graphics designed for the broadcast environment with pre-built templates for quick creation. Join Debra Kaufman in her COWs at NAB series of articles for more information on Chyron in the Cloud.
April 21, 2011, 9:21 am
New Jersey-based cinematographer, visual artist and editor Jim Geduldick previously worked as a professional snowboarder, so his work on the feature documentary Snow Guardians combines two of his strongest passions. Geduldkick, who served as editor, postproduction supervisor and one of many videographers on the film, is eager to see it come out because he's proud of the work everyone involved put into the project and because it covers its topic from an unusual perspective.
April 21, 2011, 9:19 am
In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington takes a look at how to integrate still photos into your Premiere Pro timeline to acquire the very popular documentary photo effects style with pans and scans.
April 21, 2011, 9:17 am
Grass Valley is one of the handful of companies that have been in the video/broadcast space for decades, tracking the evolution from analog to digital. Although this company--named for its location in Grass Valley, CA, in the heart of gold country--has had its share of ups and downs, the message at NAB 2011 was: we're here, we're still relevant and we've got a lot of new products to prove it.
April 21, 2011, 9:16 am
You may remember our blog post on the inherent problems with stereoscopic 3D that famed film editor Walter Murch pointed out in an open letter to film critic Roger Ebert. We took Murch's comments as inspiration to explore workflows in the latest release of After Effects that might work around some of Murch's concerns: Namely, getting the eyes and brain to converge and focus on the same object (preferably one the same distance from the viewer as the screen).
April 21, 2011, 9:14 am
NAB 2011 was all about workflow: products, technologies and new developments to enable more efficient and capable ways to go from pre-production through production, post and distribution. Join Debra Kaufman in her COW at NAB series to get the latest news.
April 20, 2011, 5:28 pm
NAB 2011, Las Vegas, USA - April 11, 2011 - Blackmagic Design today announced DaVinci Resolve Lite, a new reduced feature version of DaVinci Resolve that includes many powerful color correction features in a downloadable software package available free of charge.
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
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