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March 29, 2010, 12:42 pm
If an editor - standing in for the viewer - is a movie’s eyes, are those the eyes of someone suffering from Attention Deficit Disorder? Since 1981 and the birth of MTV, filmmakers have been complaining, arguing, and embracing the effect of MTV on cutting. This week I’ll look at the pros and cons. Feel free to chime in!
March 29, 2010, 12:41 pm
The twenty-fourth episode of THE EDIT BAY is now available for download. Just when you thought a show was done...they PULL you back in! Creative notes given after the show was onlined and fully mixed.
March 29, 2010, 12:40 pm
Cue sheets are a fairly bread and butter part of an online editor's life. The last thing I do when I've completed an online job is to printout a copy of the show's cue sheet and place it in the box with the tape.
March 28, 2010, 12:39 pm
I’ve always been interested in understanding the technical side of post-production and the assistant editor job is becoming increasingly technical. It’s probably where I can make the biggest contributions on a project.
March 27, 2010, 12:38 pm
To Appreciate the Art of Film Editing, You Have to Start With a Frame of Reference. How do we know within the first 10 minutes of "Slumdog Millionaire" that it's going to be a fanciful, time-shifting, rag-to-riches fable about a plucky orphan boy set in the slums of Mumbai?
March 27, 2010, 12:38 pm
The Canadian Cinema Editors proudly announces a series of workshops developed in association with The Chang School of Continuing Education at Ryerson University. We will be presenting 5 C.C.E. approved weekend workshops starting in April, with the last workshop in August.
March 26, 2010, 12:37 pm
After getting a lot of hits on my post titles "I will judge you be your sequence," I decided to dip into more of my editing ideology. I’ve thought about what topic it should be for a while and came up with the "L" cut.
March 26, 2010, 12:36 pm
While I prefer to focus on the positive, I know from being on the planet a few decades that a lot can be learned in life and postproduction from the not-so-hot - the downright painful, and the tragic. So here’s a good example of bad editing.
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
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