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November 30, 2010, 12:05 pm
Terence and Philip discuss the importance of designing workflow as opposed to simply jumping in and cutting. How have the roles of Assistant changed. The inevitable sidetrack covers the role of "independent film" when so many get made but never return their investment, and what’s the better alternative. We also discuss the workflow for reality TV.
November 30, 2010, 10:33 am
FilmLight today announced the release of the latest version of its award-winning Baselight colour grading system. Baselight 4.2 is now available for the entire range of Baselight systems, providing a wealth of new and enhanced functionality - extending the capabilities of the industry’s leading colour grading solution.
November 29, 2010, 2:20 pm
Hello everyone, I'm back from a nice 4 day break. I now have 2 show segments finished as I just completed the second one this morning including color correcting which has become a standard part of the editing process. Personally, I find myself using the gamma control a lot. I usually end up with a ...
November 29, 2010, 1:58 pm
Boris FX, a leading developer of integrated effects technology for video and film, has announced that Boris Continuum Complete v7.0.3 for Sony Vegas Pro is now available. The new Version 7.0.3 release features 3D Objects filters — BCC Extruded Text, BCC Type-On Text, BCC Layer Deformer, BCC Extruded EPS, and BCC Extruded Spline — delivering 3D extrusion capabilities to the Sony Vegas Pro 10 timeline.
November 29, 2010, 12:37 pm
This year we’ve been taking the Bonus Chapter on Expressions from our book Creating Motion Graphics with After Effects and serializing as a set of 12 articles. Now that all 12 parts have been posted, we though it would be useful to provide a central index to the whole series:
November 29, 2010, 12:19 pm
Colin and Greg Strause came to Hollywood to become visual effects artists. They did that — they’ve contributed VFX to a long list of movies including The Book of Eli, Avatar, 2012 and The Curious Case of Benjamin Button. They founded their own visual effects house, Hydraulx, in Santa Monica. And, in 2007, they directed AVPR: Alien vs. Predator — Requiem.The directing bug took; the brothers most recently directed and produced Skyline and have more projects on the way.
November 29, 2010, 9:00 am
At no time during post production is there not a need for substantial tweaking to our ambient audio, narrations, musical soundtrack and the need for some well placed foley effects to supplement our productions.
November 28, 2010, 12:16 pm
A really savvy editor I know will be hosting an online chat this Monday. He has been making the move from Final Cut Pro to Premiere Pro. Chris has lots of opinions... but they are very well informed. Here are the key details:
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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