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March 14, 2011, 1:50 pm
Google dropped a bomb on the online video world a few weeks back with the declaration that they will drop H.264 support from their popular Chrome Web browser. This triggered an unsurprising firestorm of debate in the tech community about open vs. proprietary standards — but for the less technically inclined, it elicited the question: what exactly does this mean?
March 14, 2011, 1:48 pm
Grass Valley, a Nevada City, Calif. provider of professional broadcast solutions, is set to unveil the latest software for its line of Kayenne Video Production Center (v3.0) and Kayak (v7.0.4) high-definition switchers. Both new software versions streamline production workflows, making crews more productive by providing the technical director (TD) with more control over camera settings, macro editing and signal routing, according to Grass Valley.
March 14, 2011, 11:21 am
A preview of Roger Crittenden and film editor (Twelve Monkeys, Harry Potter and the Goblet of Fire, Interview with the Vampire: The Vampire Chronicles) Mick Audsley's 'Introduction to Editing' at the Imaginox Online Creative Academy of Film and Television. The two discuss editor prep.
March 14, 2011, 10:38 am
There has been a good deal of talk about the IIF/ACES system, but there seems to be a lot of misunderstanding as to exactly what it is. A lot of the early talk centered around the proposed file format to contain ACES information, but the file format is only a very small part of what the system is intended to be, and one of the least significant.
March 14, 2011, 9:38 am
I changed over those ... years. (Really think I am going to put that out there? Seriously?!) Sometimes for the better, sometimes for the worse, but I like to think of myself as a work-in-progress and it probably wouldn’t hurt to think of Avid the same way.
March 14, 2011, 9:36 am
Extruding 3D text and shapes can be done in a number of different ways in After Effects using either native tools or 3rd party plug-ins. In this first tutorial, Andrew Devis shows how to use the duplication method which uses numerous layers of the same item to create the illusion of depth. Andrew shows the simple expression to use to make the job quick and easy as well as showing how to change the source layer to animate shapes.
March 14, 2011, 7:40 am
Red Giant was gracious enough to allow me to test-drive Colorista II. Building and improving on the original in every way, Colorista II is ac color grading plug-in for Final Cut Pro users. Colorista II also supports Adobe After Effects and Premier.
March 14, 2011, 7:09 am
By the time Sergei Eisenstein completed Ivan Groznyy (Ivan the Terrible Part I) in 1944, the widespread experimentalism that had characterised the Soviet arts of the 1920s was a distant, long-suppressed memory. The Soviet Union of the 1920s represented a rare historical instance in which a state openly supported avant-garde art as a force for socio-political change, having fostered futurist and constructivist movements that dexterously combined anarchist sentiment with the pressing Bolshevik...
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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