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April 9, 2010, 5:54 pm
The rumors are true! Mercury’s blazing fast performance is something to see to believe. The completely redesigned playback engine in Adobe Premiere Pro CS5 delivers native 64 bit performance, multicore, and GPU-acceleration to provide an amazingly fluid, real-time editing experience. The above video highlights what beta testers have been saying about Adobe Premiere Pro CS5.
April 9, 2010, 5:54 pm
Cut + Run editor Dayn Williams, who previously collaborated with Rinsch on projects for Hiscox Insurance and Sci-Fi channel, calls Podarok: "an amazing opportunity to edit commissioned film with incredible scope, brilliant imagery and feature film pacing." He adds, "Plus I got to work with Carl and Dan Swietlik, ACE. It doesn't get better that that."
April 8, 2010, 5:53 pm
Changes coming fast and furious in the editing software world. Adobe back and better! FCP on its last legs? Smoke 2010 on the Mac! AVID streamlining, relevant again, and promising an uber-surprise at NAB!
April 8, 2010, 5:52 pm
If you’re attending NAB and interested in getting a closer look at what’s new in CS5 Production Premium, check out the Post-Production Conference sessions going on that week. A small sampling of what’s being highlighted include...
April 8, 2010, 5:51 pm
Don’t miss the exciting Adobe CS5 launch event on Monday morning 8AM PST. Viewers will be among the first to hear from Adobe executives about how CS5 can help companies and creative professionals build profitable businesses around digital content. Famed Adobe Evangelists—Terry White, Jason Levine, Greg Rewis, and Julieanne Kost—will demonstrate their favorite CS5 features for design, video, Web and photography. You can also get in on the conversation on Twitter #cs5 conversation.
April 8, 2010, 5:50 pm
In this episode, we’ll severely change the white balance of an image to correct an underexposed, wrongly balanced clip and make it look decent. We’ll use the curves in Avid’s Color Correction to do it.
April 8, 2010, 5:49 pm
Over 20 years ago Avid began with a shift away from linear purpose-built hardware by harnessing the power of non-linear software, running (eventually, as they increased in power) on commodity workstations. Today, the network--extending beyond the local network to the internet--is the platform ready to be harnessed.
April 8, 2010, 5:48 pm
Cutting 3D is a boon to editors because they get to participate more in the creating of the whole picture - its look, characters, their lines and the story - over a longer period, beginning with storyboarding in pre-production.
April 8, 2010, 5:47 pm
A recent email blast for a new Sony camcorder loudly proclaims: "A new year. A new format." It sometimes feels that way, doesn't it? For prosumer video camera codecs, the current "belle of the ball" is AVCHD (Advanced Video Codec High Definition) in all its many flavors.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part seri ...
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