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January 29, 2011, 9:26 am
He describes his transition into full-fledged editing as the editor for Collier Young and Ida Lupino's Filmakers production company, where he edited such films as "The Bigamist". Tischler talks about his entry into television on such series as the dramatic anthology "TV Reader's Digest".
January 29, 2011, 9:25 am
In his 4-part oral history interview (each 30-minute segment is posted separately), editor Stanford Tischler talks about his early start in the business as an apprentice sound effects editor at RKO Studios. He speaks in detail about the regime at RKO presided over by Howard Hughes and about his personal experiences working on the film "Hard, Fast, and Beautiful", directed by Ida Lupino.
January 29, 2011, 9:24 am
National Screen Institute - Canada (NSI) http://nsi-canada.ca - In part four of this National Screen Institute interview series, Paul Gross discusses the editing process, looking at whether you can fix a bad movie in editing and how editing can make a good film great. (Recorded June 2008)
January 29, 2011, 9:23 am
As you are probably aware by now, we’re going through our book Creating Motion Graphics with After Effects 5th Edition ("CMG5" for short) and pulling out a few "hidden gems" from each chapter. These will include both essential tips for new users, as well as timesaving gems that experienced users may not be aware existed.
January 29, 2011, 9:21 am
The Talk Cinema Lincoln Center audience enjoyed a preview of Winter's Bone at Talk Cinema Lincoln Center on April 25, 2010 at the Walter Reade at Lincoln center The Talk Cinema host who conducted the interview is Glenn Kenny The audience enjoyed the post screening Q&A with special guests Anne Rosellini - the screenwriter of the film, and Affonso Goncalves - the film's editor
January 29, 2011, 9:19 am
Your goal with your rough cut is to lay down your shots in the order in which you wish to tell your story. Chances are, if you’re producing a narrative, you decided the order of your scenes in pre-production, and you now just need to follow your storyboard as if it were a recipe and assemble the clips accordingly, picking the "best" take for each scene. Many documentaries "write themselves," as the characters describe the subject matter. Either way, in the rough cut...
January 28, 2011, 6:17 pm
Editor Anne McCabe is profiled in MovieMaker for her work on the 2011 Sundance film The Ledge ("U.S. Dramatic Competition" category). McCabe's background has typically been in comedies and dramatic films, so The Ledge is a shift into a new genre - thriller. As a highlight, McCabe is quoted saying:
January 28, 2011, 6:16 pm
The rate stretch tool is probably the most fun tool in the Premiere Pro toolbox and can be used in both subtle and obvious ways to play with the timing of your clips - while the razor tool should always be used sparingly and only when no other option will work. In this tutorial, Andrew Devis demonstrates how these tools work to both speed-up parts of a clip as well as slow-down parts of another clip. Andrew also shows how to affect...
January 28, 2011, 3:17 pm
Quantum Corp., a global specialist in backup, recovery and archiving solutions, announced DXi 2.0, the next generation software platform for its DXi-Series disk backup and deduplication solutions. DXi-Series models running DXi 2.0 software, beginning with the latest generation SMB and midrange systems, will deliver the highest deduplication speeds available for any open protocol inline appliance in their respective classes, doubling the performance over earlier generation DXi products with no...
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
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