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March 23, 2011, 11:32 am
Adobe recently published (with the help of Richard Harrington) a new collection of Adobe Creative Suite 5 Production Premium tips and tricks. This document was created to support DSLR workflows with Creative Suite Production Premium, but there are tips in here that are of use to just about everyone.
March 23, 2011, 11:29 am
Matrox Video Products has announced that Matrox MAX H.264 Capture is now available. Matrox MAX H.264 Capture is a stand-alone Windows application that lets users capture directly to H.264 files for use on smart phones, iPad, the Web, and Blu-ray discs using any Matrox MXO2 product equipped with Matrox MAX technology. Material can be captured from video and audio input on an MXO2 device and simultaneously monitored. Matrox MAX H.264 Capture is quick and easy-to-use with default presets for...
March 23, 2011, 9:17 am
Stephen Holt talks with legendary Film Editor Bill Anderson in Boston as part of "Boston Summer Getaway" programs. They discuss his life and work with film editing legend Dee Dee Adams, Oscar winner Thelma Schoonmaker and Al Pacino on "Looking for Richard."
March 23, 2011, 8:43 am
So you have done some editing in Final Cut Pro. Now it's time to take it up a notch. In this one-day, hands-on workshop from Boulder Digital Arts, you will go beyond editing a simple one track video project. Learn how to animate in Final Cut, pull in graphics from Motion, tweak a look in Color and remove noise with Soundtrack Pro.
March 22, 2011, 7:53 pm
Matrox Video Products today announced that Matrox MAX H.264 Capture is now available. Matrox MAX H.264 Capture is a stand-alone Windows application that lets users capture directly to H.264 files for use on smart phones, iPad, the web, and Blu-ray discs using any Matrox MXO2 product equipped with Matrox MAX technology. Material can be captured from video and audio input on an MXO2 device and simultaneously monitored. Matrox MAX H.264 Capture is quick and easy-to-use with default presets for...
March 22, 2011, 7:52 pm
In the first quarter of fiscal 2011, Adobe achieved record revenue of $1.028 billion, compared to $858.7 million reported for the first quarter of fiscal 2010 and $1.008 billion reported in the fourth quarter of fiscal 2010. This represents 20 percent year-over-year revenue growth. Adobe’s first quarter revenue target range was $1 billion to $1.05 billion.
March 22, 2011, 7:52 pm
I don’t do a lot of XDCAM work. Before the Canon revolution it seemed there was a lot more Panasonic HXV200 shooting than XDCAM in my market. But that recently changed as two Sony EX-1 projects came on board. As I was figuring out workflow for the first time I was researching the best way to get the media to ProRes for a Final Cut Pro edit. It seemed it was a two step process: re-wrap the original media to XDCAM .mov files and then convert those to ProRes.
March 22, 2011, 5:21 pm
In case you ever wondered how a 1-hour TV drama gets cut, here’s a time lapse video of a typical 14-day schedule, starting with the first day of dailies. It shows the editor progressing through the editor’s cut, the director’s cut, adding sound and music, and finishing with the network cut.
March 22, 2011, 3:07 pm
I got my hands on an AJA IO Express and so far I am loving it. As I have explained before, I decided to go with a the 17 inch MacBook Pro for my home editing system because I usually work in other offices where Mac Pros are provided. The AJA IO Express is a great upgrade for my system. It’s takes it up a step or two in terms of making me feel like I have a complete system on the go or in the office. So far I have used it with Avid Media Composer 5.5...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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