Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
March 23, 2010, 12:24 pm
Vancouver film editor Julian Clarke has spent much of the last year hunkered down in an editing room in Toronto, working on a new Rachel Weisz film called The Whistleblower. The catch is, it was filmed in Romania. After each day of filming, film cans were sent by Fed-Ex across the Atlantic, where Clarke loaded them into the computer and went to work. "It created a several day delay, which is not ideal," he said...
March 23, 2010, 12:23 pm
I am currently in the "rough cut" phase of my latest show. And this, to me, is the most difficult part. This is where I need to make something out of nothing. Well, not NOTHING, as there is a lot of stuff there that you use. But this is the part of the phase that I need to look at ALL of my somethings, and cull it down and string it out and arrange it in a way to tell a good story.
March 22, 2010, 12:21 pm
Bill Warnewr is the man who had the vision, he's the man who made this happen. In this, the first of a five part series, Bill explains the frustration he felt at the linear editing process in a tape-based world and how he, turned this frustration to find a solution to the problem. As a result the world of editing has never been the same. Where once tape-based suites and film cutting rooms dominated, now the electronic non-linear way has become the accepted process.
March 22, 2010, 12:20 pm
"Modern movies may be more engrossing-we get "lost" in them more readily-because the universe’s natural rhythm is driving the mind." James Cutting, Jordan DeLong and Christine Nothelfer from their paper on human attention span and film.
March 22, 2010, 12:19 pm
The San Francisco Film Society announced today that acclaimed film editor and sound designer Walter Murch will deliver the annual State of Cinema Address at the 53rd San Francisco International Film Festival (April 22 - May 6) at the Sundance Kabuki Cinemas Sunday, April 25 at 4:00 pm.
March 21, 2010, 12:18 pm
I played around with the new Canon EOS Movie Plugin-E1 for Final Cut Pro this morning and I noticed a few other odds and ends after some discussion about the tool with folks on Twitter. Canon has a very detailed information page of their own which is helpful as well. If you haven’t downloaded yet then you can grab the plug-in here.
March 20, 2010, 12:17 pm
A show is "laffed" after the dialogue mix or after the entire mix. The laughs start after the "laffer" wheels the Laff box in. Whoa... hold the press...That was then. Now Charley Douglass’s original machine from the ’50s, like everything else, comes in a digital format. Still, it contains titters, guffaws, snickers, and chuckles of varying lengths.
March 20, 2010, 12:16 pm
We all know this fact: The Canon DSLRs (5D, 7D, 1D) use the H.264 codec for the video they shoot and wrap that into a .mov QuickTime. While Final Cut Pro does work with .movs, these H.264 versions are clunky to edit requiring much rendering when in a FCP timeline. H.264 wasn’t designed to be a robust edit format anyway so the files need to be transcoded into something more edit friendly.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.