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March 19, 2011, 9:31 am
AV3 Software’s Get application was one of the highlights at last year’s NAB. Based on the same Nexidia search engine as Avid’s ScriptSync, Get brings dialogue-based search capabilities to Apple Final Cut Pro and eventually other editing applications. (In fact, Avid has recently introduced PhraseFind, which is Nexidia’s implementation of the same technology within the Media Composer 5.5 application.)
March 19, 2011, 9:29 am
London: March 18, 2011... YoYotta will be showing the latest version of the YoYo postproduction workflow system at NAB 2011 in Las Vegas, April 11-14. Deployed around the world at top commercial post houses, including Framestore, The Mill, Smoke & Mirrors, Glassworks and many others, the YoYo software suite streamlines and automates file-based data management. This year YoYotta is introducing YoDailies, a new system for creating review reels. Visitors to NAB this year can see YoYo at the Cintel...
March 18, 2011, 10:11 pm
Last year the Canadian Cinema Editors (C.C.E.) announced series of workshops covering a varity of topics in post-production. They lined up a great set of instructors currently working in the field to teach everything from the creative elements of storytelling in documentary and drama, through to the essential knowledge for many assistants and editors, codecs and colour correcting.
March 18, 2011, 1:51 pm
Bob Coen is a video producer and global correspondent at UNICEF, the United Nations agency dedicated to upholding the rights of children around the globe. He’s responsible for shooting video and producing stories for UNICEF’s global website about the organization’s work supporting education, health, and sanitation initiatives in developing countries and providing emergency relief in natural and man-made disasters.
March 18, 2011, 1:51 pm
I’m worried. Ordinarily, an industry journalist at this time of year is forced into an undignified clamber over huge drifts of pre-NAB press releases just to reach the mailbox, but this year it’s been suspiciously quiet. More experienced hands tell me that this isn’t necessarily a bad sign, though, and I shouldn’t expect to turn up in Vegas and find that NAB 2011 comprises three people clustered around an Arri Alexa – although if this turns out to be the case, you will read about it here first.
March 18, 2011, 1:50 pm
The long-awaited tutorial, How to key a green screen as arrived. In todays lesson will spend roughly 7 minutes learning a three-step technique to properly key a green screen. If you follow these steps below you should be able to do so.
March 18, 2011, 10:28 am
I’m pretty pleased with the way the latest episode of SMR turned out and there’s quite a lot in it that’s quite interesting so I thought it’d make a good case study looking at the way post-production can bring a project to life. It’s fair to say that the post in SMR is labour intensive, mind-numbingly, insanely post heavy. Each of these episodes is turning into a mini visual FX-laced short film now and we’re looking to push the production value up much higher in the coming months.
March 18, 2011, 7:38 am
Editing a narrative feature is difficult enough. The logistics of it have the potential to be frustrating--the clips aren’t labelled well enough, so you can’t find that one shot you really like, and when you do find it, you can’t use it because Character A’s hair isn’t the same as in the rest of the scene. There’s a dinner scene where Character B’s eyeline is off, but you can’t cut it because then the rhythm gets thrown off and Character B’s confession to Character C in the third act makes no...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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