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July 25, 2015, 9:34 pm
Years ago, I edited a music video containing shots of the artists walking down various sidewalks and alleys until they ran into each other. The song was a hipster-ish, minimally produced track, and I started experimenting with jump cuts of the artists walking on specific beats of the music track. It worked pretty well, and […]
July 25, 2015, 10:09 am
En este vídeo de unos 20 minutos os mostramos las principales novedades de DaVinci Resolve 12, el programa de edición y corrección de color de Blackmagic Design. Con casi 100 nuevas opciones, una interfaz totalmente renovada y un módulo de montaje avanzado, Resolve 12 es una herramienta total que se va a convertir en omnipresente en todos los [...] La entrada VÍDEO: Novedades de DaVinci Resolve 12 aparece primero en finalcutpro.es.
July 25, 2015, 10:08 am
Sometimes our retrospectives have been a bit narrow in scope, so here is the first of a few "special edition" videos you'll see that will include footage not previous shown for specific projects. It also seemed appropriate to begin with our build of Meryl Streep's "headtwist" animatronic puppet from DEATH BECOMES HER as our friend, Brock Winkless, passed away recently after a battle with a long illness.
July 24, 2015, 11:38 pm
Join our friends from AOTG.com for their Annual Post Pro Pub Night on Sunday, August 2nd. Come wrap up EditFest weekend with a pint, a game of darts, and some good post talk. They’ll be congregating at Fox and Hounds from 6 till 9 pm, and raffling off prizes throughout the night. Location: Fox and […]
If you saw the article on Film School Rejects about The lazy backlash against CGI, I want to know your thoughts? Is the au...
We all know multiple NLE's these days, if you have a choice on a project, what NLE do you choose and why?
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now ...
The latest film post production news in under 5 minutes. This week's news includes Sennheiser fiscal, Disney honours, Aa ...
Probably the most frequent question I get from editors is about a target level for their audio mix. I hear numbers such as 0 ...
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