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December 12, 2013, 5:33 am
BOSTON – Zero VFX has brought on Sarah Spitz as executive producer. In her new role, she will be charged with expanding Zero’s (www.zerovfx.com) global commercial business, as well as with overseeing content production for Zero’s existing client base. Spitz will work directly with Zero’s founding executive/creative team, Brian Drewes and Sean Devereaux. “Sarah joins Zero […]
December 12, 2013, 5:32 am
This two-day hands-on course focuses on advance compositing and visual effects. You will learn keying; color correction and tracking techniques that will help you achieve complex composites with professional results. As well you will create 3D scenes that take full advantage of Smokeâs powerful 3D compositing environment and 3D tools. This course complements the Smoke 101 course.
December 12, 2013, 5:32 am
Award-winning editor Scott Gibney is the latest to join Cutters Studios’ growing NYC office. Some of his credits include Verizon, Ritz Crackers, Time Warner Cable, Doritos and Clearasil.
December 12, 2013, 5:31 am
Premiumbeat.com has put up this cool tutorial on how to create animated spiral banners for motion graphics in Adobe After Effects...
December 12, 2013, 5:31 am
Location shoots require swift methods of getting content to partners hours or days away, which can mean time, cost and complexity - especially with high end cinematic camera where the file sizes are large, it usually means there is no easy way to get dailies into cloud-based workflows.
December 12, 2013, 5:31 am
I have been on the quest to have the Avid automatically change the link to essence method from "Source File" to "Tape" metadata. This would fix a major issue in what I like to call "Now-Proof and Future-Proof". A solution, a batch method much like how one can use merge import option with an ALE. Visuals (picture/file based/tape-less/non-tape sources), AMA and what I like to call legacy "File>Import" do not display populated metadata in the "Tape" column of the Avid bin for master clips by default.
December 12, 2013, 5:31 am
... As 2013 draws to a close, Adult Swim, Turner Broadcasting’s signature network for young adults, is on track to set new records with its most-watched year in its history among targeted adults 18-34, 18-49 and men 18-34, according to preliminary data from Nielsen Media Research. For the 9th year in a row, Adult Swim also will rank #1 on basic cable in Total Day among adults 18-34 and men 18-34, as well as rank #1 among adults 18-49 and men 18-49.
December 12, 2013, 5:31 am
Mercenaries Engineering announces the release of the new Guerilla Render, the next-generation renderer focused on production requirements.
December 11, 2013, 5:47 pm
Here is Part 1 of 3 on a case study of the shot compositions from Pixar's film "The Incredibles, I'll go over how the relationships of all the visual elements on screen were meticulously crafted to form a point focus in every shot. It is through the arrangement and control of all the elements on screen that the filmmakers were able to guide the sight, thoughts and emotions of the audience. All images used here are ©Disney/Pixar (unless otherwise stated).
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Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest NY pl ...
Editor Tom Haneke discusses the importance of cataloging using examples from "My Generation." For more information ...
Editor Robert Eisenhardt, A.C.E. discusses the importance of choosing the correct tone as seen in "Valentino: The Last E ...
In this episode, Dan Dome sits down and talks to Gordon about working with Conan O’Brien and posting a daily show. Chec ...
Dan Dome has been cutting since the 90′s and comes from an editing lineage choosing his destiny before he even knew it. ...
Here's the final part of our panel with Evan, Adele, and Oscar, talking about interactive media and building an audience.
