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October 22, 2018, 8:52 am
Patrick Woo Shows How Easy it is to Create Seamless Looping Noise in Maya With a Few Nodes. No one can overstate how important noise is with computer graphics and 3D. From animation to shading,
October 22, 2018, 8:52 am
This is a guest post by Leonard J. Paul, a composer, sound designer and educator who first got his start working on Sega Genesis back in the ’90s. You can reach him at the School of Video Game Audio (SoVGA.com) or on Twitter @VideoGameAudio at any time. In this four-part article series I’ll be going […]
October 22, 2018, 8:51 am
Rusty Earl returns to FCP.co with another great Final Cut Pro X user story. This time, a story made with a shared workflow with student editors. How did it work and how did they get around project slow downs?
October 22, 2018, 8:51 am
The post Sound Designing and Mixing Immersive Audio for MEGAN appeared first on Avid Blogs.
October 22, 2018, 8:51 am
A film is dated the moment it is released. To exist out of time is an impossibility. You can spot the seams of any “classic” if you watch with a modern eye. You may allow yourself a chuckle or even an eye-roll. That is not to say that the film has failed you, or that it is not worth your attention. It’s just old. Don’t worry, that baller CGI-fest you’re currently praising will sink into history as well. Now, some movies can surprise you. When it comes to the horror genre, more often than not, the practical effect retains an emotional response longer than that of the weightless computer cartoon. We dare any modern film to achieve the horror or the revulsion of the scenes listed below.
October 22, 2018, 8:02 am
Blackmagic Design today announced Weezer’s new music video for their hit song “Africa” was shot using an URSA Mini Pro with the newly announced Blackmagic RAW codec. Post production, including grading and editing, was done using DaVinci Resolve Studio.
October 22, 2018, 4:36 am
Rodeo FX presents their work on ANT-MAN AND THE WASP in this VFX Breakdown...
October 22, 2018, 4:36 am
If you’re looking for an affordable and easy way to get a terrific film look, from film stock to color and grain, FilmConvert is an ideal plug-in every editor should consider purchasing (and it supports quite a few popular NLEs). You simply drop the filter onto your footage, select your camera profile, how it was filmed, the film stock you’d like, and it’ll look great. But you can do some serious color grading in the Camera Controls, and still end up with a terrific film look for your project.
October 22, 2018, 4:36 am
One of the great features of Resolve is that it works in 32bit float. This means that it can cope with a virtually limitless dynamic range, and, most importantly, it will conserve that range however much you raise or lower the video levels from one node to another.
October 22, 2018, 4:35 am
My name is Lucy J Mitchell and I am a freelance Sound Editor and Dubbing Mixer for TV, Film and Computer Games living on the Surrey-London border and have been working in the Audio Post Production industry for almost 10 years. Pro Tools has SO many functions, some of which have been cleverly added over time thanks to user experience feedback, so well done you!
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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