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February 18, 2017, 4:42 pm
Oscar nominated for their labors on Marvel’s Doctor Strange, visual effects supervisors Stephane Ceretti and Richard Bluff are emblematic of the magic their craft can bring to big screen endeavors. Injecting magic into the Marvel Cinematic Universe with the Benedict Cumberbatch-starring film, the pair had an important part to play in the future of the studio, creating the looks for several mystical dimensions that may appear in future Marvel movies.
February 17, 2017, 7:12 pm
The Oscar nomination for visual effects in Laika’s stop-frame animated film Kubo and the Two Strings is Steve Emerson’s first. He joined Laika in 2008 to work as a 2D supervisor for that studio’s Coraline, became compositing supervisor on ParaNorman … more » The post VFX Supervisor Steve Emerson on Kubo and the Two Strings appeared first on Studio Daily.
February 17, 2017, 1:50 pm
Shortly after his return from the Dubai International Film Festival (DIFF), we caught up with Lewis Smithingham, president of 30ninjas at CES in Las Vegas where he was busy shooting and producing VR (virtual reality) content for a number of the leading firms that were unveiling new VR products. Smithingham had been invited to DIFF ...
February 17, 2017, 10:52 am
Imagine William Gibson’s cyberpunk universe and sci-fi products like Blade Runner, Terminator, Escape from New York, Aliens, Akira or Tetsuo the Iron Man and you’ve the inspiration for the short film from filmmaker Nicola Piovesan. The Kickstarter campaign has now 11 days to go, and reached close to €14,000 of a €18,000 goal, with nearly The post Attack of the Cyber Octopuses: Sci-Fi without CGI appeared first on ProVideo Coalition.
February 17, 2017, 10:49 am
9In scooping a visual effects Oscar nomination, Travis Knight’s Kubo and the Two Strings became the first animated film to do so since 1993’s The Nightmare Before Christmas—a recognition due, in part, to the work of visual effects supervisor Steve Emerson, who also this month received the VES Award for Outstanding Visual Effects in an Animated Feature, alongside Knight, producer Arianne Sutner, and Brad Schiff.
February 17, 2017, 5:23 am
Our FX simulation team won a VES award for their beautiful “Naturalistic effects’ work on Disney’s The Jungle Book. In computer graphics, FX artists simulate physical phenomena such as fire and water, as well interactive elements such as debris, dust and atmospheric effects.
February 16, 2017, 1:15 pm
If you do any compositing work in After Effects, you know how important it is to manage your project to ensure that the application continues to run at peak performance. After Effects definitely uses a lot of computer resources, and before you know it, the complexity of compositions, the number of applied effects, and the sheer volume of assets will start to slow down the software.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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