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July 4, 2020, 3:05 pm
The Academy of Motion Picture Arts and Sciences, which hands out the Oscars, has invited 819 artists, filmmakers, and executives to join its organization.
July 3, 2020, 7:17 pm
One of the first lessons you learn in Hollywood is that there are many more jobs than you initially knew, and with so many titles, you frequently have no idea what anyone does. But they are all incredibly important to the development of a film or TV show.
July 3, 2020, 5:16 pm
In re-imagining HBO’s “Watchmen” series as a present-day sequel to the graphic novel about a race war tied to the Tulsa massacre, two of the biggest VFX challenges were how to create the reflective mask for Looking Glass (played by Tim Blake Nelson) along with the crucial look for the glowing blue Doctor Manhattan (Yahya Abdul-Mateen II). In fact, many will be surprised to learn that the mask for the Tulsa detective was all-CG, while the quantum-based superhero was a creative hybrid of different techniques.
July 1, 2020, 1:36 pm
By Barry Goch Netflix’s Altered Carbon is now streaming Season 2, with a new lead in Anthony Mackie as Takeshi Kovacs in a new skin. He’s the only surviving soldier of a group of elite interstellar warriors, continuing his centuries-old quest to find his lost love, Quellcrist Falconer (Renée Elise Goldsberry). Continue reading → June 30, 2020 The post VFX supervisor Jay Worth talks Season 2 of Netflix’s Altered Carbon appeared first on postPerspective.
June 30, 2020, 1:27 pm
Marc Rienzo is a Director, VFX Supervisor and Artist. He has over 20 years of experience of working in visual effects, including for studios like Marvel, Disney, ILM, Weta Digital, Digital Domain, Sony Imageworks, and PDI Dreamworks. He’s been a creative Nuke Artist for 18+ years in both film and commercials.
June 30, 2020, 1:25 pm
When the professionals speak, we better listen, especially if we are fans of the movies they worked on. In this short video you will understand the thought process of Tom Cross, the editor of "Whiplash" and "La La Land", when he works on a movie.
June 30, 2020, 1:24 pm
Ron Howard’s Apollo 13 turns 25 this week. The VFX Oscar-nominated film was one of Digital Domain’s landmark early calling cards, full of model and miniature effects and a wealth of nascent CG imagery and digital compositing created by the then-new studio.
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
Doug Abel sits down with Gordon to discuss editing Netflix's hit, Tiger King. They discuss getting through the mounds of ...
Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.
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