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February 21, 2020, 1:42 pm
RANCHO MIRAGE, CA — Colorfront (www.colorfront.com), the developer of high-performance dailies and transcoding systems, is showcasing the abilities of its products to enable color-consistent 4K/6K/8K SDR/HDR acquisition-to-post workflows during the 2020 HPA Tech Retreat, taking place this week. The company also participated in the cloud-based, live production of The Lost Lederhosen short film, and shared details of its role in the making of this mini-movie during the Retreat’s “HPA M...
February 18, 2020, 2:12 pm
Developed by SGO, the new game-changing media management, transcoding and delivery application Mistika Workflows will be deployed at HPA Tech Retreat 2020 as a part of their Supersession video production pipeline. At the event, Mistika Workflows will be used to optimize resources and automate media creation, its packaging and delivery to online services and collaborative [...]
February 17, 2020, 4:08 pm
When working as a one-man band, you often need to take on all aspects of a production – this includes colour grading. Grading can be an especially time-consuming process. When building a look from scratch—and when you have a tight deadline to meet—you need a way to get your footage looking great as efficiently as possible, without skimping out and settling for a video that looks subpar in the colour department.
February 15, 2020, 2:47 pm
This New York based colorist, who worked on four Super Bowl spots this year, talks workflow, inspiration and more. Name: Maria Carretero Company: Nice Shoes What kind of services does Nice Shoes offer? Nice Shoes is a creative studio with color, Continue reading → February 14, 2020 The post Colorist Chat: Nice Shoes’ Maria Carretero on Super Bowl ads, more appeared first on postPerspective.
February 14, 2020, 1:39 pm
Avid has announced that the EUCON 2020.1 software update is now available for download, designed to bring improvements and fixes to the Avid S1 and Avid Control app, as well as bug fixes for other surfaces like the S3, S4, S6 and the Dock.
February 14, 2020, 1:39 pm
Whether you are trying to change a color scheme on a stock clip to match a company’s branding or you’d just simply like a different color on an actor’s outfit, knowing how to change colors within your footage is a very important tool for correcting footage.
February 12, 2020, 1:16 pm
I always find that rendering/exporting/outputting out of any application to be very hit and miss. Obviously, the less options there are, the easier it is, however, in the case of...
February 8, 2020, 5:50 pm
Continuing to Expand the Scope of its Capabilities, The Editorial, Design, Post Production Company Caps off the Year with the Hiring of Gaida and the Addition of a New Color Grading Division Helmed by The Experienced Colorist The Colonie continues to grow its roster of talent and services with the addition of Colorist Jennifer ... The post The Colonie Adds Colorist Jennifer Gaida To Head Its New Color Grading Department appeared first on NAB Show News | 2020 NAB Show Media Partner and Pr...
February 4, 2020, 2:05 pm
In this video tutorial, we go over how you can color-match the profiles of a GoPro, an a7III, a cellphone, and a Mavic 2 Pro.
February 3, 2020, 1:27 pm
Our previous article showed the basics of creating a primary colour correction and why primary colour correction is essential for an outstanding final grade. Our next step is to apply secondary colour correction. Secondary colour correction is essentially the selection and changing of a single colour within the picture without altering anything else or disturbing the general look we want to create. Colour CorrectionColour GradingDavinci ResolveBlake Jones
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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