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December 11, 2017, 8:57 am
Blackmagic Design has today announced that the final Digital Intermediate (DI) for Channel 4’s graphic novel adaptation, “The End of The F•••ing World” was completed in DaVinci Resolve Studio by London post house CHEAT.
December 11, 2017, 8:54 am
Blackmagic Design today announced that its DaVinci Resolve Studio was used to manage the color pipeline, including onset dailies and final grade, on Kenneth Branagh’s adaptation of Agatha Christie’s classic, Murder on the Orient Express.
December 6, 2017, 7:57 am
Blackmagic Design today announced that Blackmagic URSA Mini Pro and DaVinci Resolve Studio were used for popular singer Kana Nishino’s new music video for her song “Girls.” Nobu Sueyoshi both directed and shot the video, and Toru Miura, a colorist and DIT from Spice Inc., provided color correction.
December 5, 2017, 8:16 pm
Take a crash course on the history and technology of Technicolor, from the company’s founding in 1914 through the use of its technology in films including The Wizard of Oz and Singin’ in the Rain, in this video by Vox’s Phil Edwards. The post How Technicolor Changed Movies appeared first on Studio Daily.
December 2, 2017, 3:29 pm
Lately, LUTs have become very popular with many people talking about them, why is that? It’s essentially a color preset that you can use in any of your work that easily changes the overall look. You can create your own LUTs or find one of the several premade ones to download from several sources online. If you are looking for a fast and easy way to get a more cinematic color grading in your next video project but not sure how to apply LUTs in your work stay tuned.
November 30, 2017, 1:19 pm
FilmLight has hired colorist Andy Minuth as color workflow specialist. Minuth, originally from Germany, was most recently lead colorist at 1000Volt Post Production in Istanbul. There he was responsible for the grade of commercials as well as feature films, and worked on FilmLight Baselight. He brings a deep technical knowledge of image processing and color management to the job, Continue reading → November 30, 2017 The post FilmLight adds colorist Andy Minuth as workflow specialist appe...
November 29, 2017, 7:53 am
Blackmagic Design today announced that a variety of its production and post products are being used by DPs, DITs, VFX artists, online editors and colorists to complete many of the fall 2017 season’s new and returning television shows and streaming series. More than 40 shows rely on Blackmagic Design’s digital film cameras; Fusion Studio visual effects (VFX), compositing, 3D and motion graphics software; and DaVinci Resolve Studio editing, color correction and digital audio software.
November 29, 2017, 5:21 am
[29 November 2017] Well-known colourist joins FilmLight to provide seasoned and highly technical support FilmLight, the leading provider of professional colour grading solutions, has recruited colourist Andy Minuth as Colour Workflow Specialist. He brings a deep technical knowledge of image processing and colour management as well as a long and successful track record in colour ...
November 25, 2017, 7:58 am
A sunny, hopeful yellow. An introspective turquoise. An arresting, violent red. When you see a color in a film, what you see is no accident — filmmakers carefully compose each frame and make color decisions that affect your experience of watching, even if you don’t realize it. Here are the ways in which filmmakers use color to deepen narrative.
Gordon Burkell sits down with William Hoy ACE to discuss editing War of the Planet of the Apes.
Gordon sits down with the directorial team of Christopher Radcliff and Lauren Wolkstein to discuss their first feature film & ...
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
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