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October 22, 2018, 8:52 am
This is a guest post by Leonard J. Paul, a composer, sound designer and educator who first got his start working on Sega Genesis back in the ’90s. You can reach him at the School of Video Game Audio (SoVGA.com) or on Twitter @VideoGameAudio at any time. In this four-part article series I’ll be going […]
October 22, 2018, 8:51 am
The post Sound Designing and Mixing Immersive Audio for MEGAN appeared first on Avid Blogs.
October 22, 2018, 4:35 am
My name is Lucy J Mitchell and I am a freelance Sound Editor and Dubbing Mixer for TV, Film and Computer Games living on the Surrey-London border and have been working in the Audio Post Production industry for almost 10 years. Pro Tools has SO many functions, some of which have been cleverly added over time thanks to user experience feedback, so well done you!
October 19, 2018, 12:10 pm
What Is Krush? With its bit crushing and downsampling algorithms, Krush combines the crispy taste of the digital realm with the warmth of its drive stage and analog modelled resonant filters. A modulation section allows you to quickly add extra life to the sound by modulating any parameter.
October 19, 2018, 9:27 am
In this week’s podcast, Russ, Dan and Julian discuss ask whether bug fixes should only be availble to current Pro Tools subscribers, they talk about the choices at the inexpensive end of the monitor market, they share community feedback, and their finds of the week. Also in this week's Podcast, there is an opportunity to get an exclusive discount of an Exponential Audio plug-in, but you have to listen to the podcast to get the discount code!
October 19, 2018, 5:37 am
In this interview, Ben Minto, who worked as sound director on Star Wars Battlefront, tells about what sets Dice apart from the typical triple A studios and what his responsibilities are as a sound director. He also talks more generally about his sound design process; for example how he uses sound libraries to create new […]
October 19, 2018, 5:37 am
Everyone needs to add some footstep sound design to their video and film projects at some point. Adding foley sound effects can bring more convincing realism to your work, and using sound design effectively can help you guide your audience’s attention and enhance certain aspects of your scene.
October 18, 2018, 11:18 am
This massive post will help you improve you film editing abilities purely through strengthening your ability to leverage sound in your cut.
- Film Editing Pro: Secrets of Creative Editing Review
- Three Simple Tips to Improve your Audio
- A Quiet Place Sound Design Case Study
- Sound Design Resources and Inspiration for Film Editors
October 18, 2018, 8:43 am
Whenever we add some sort of lo-fi effect to a sound we usually get two things, the removal of some details of the sound and the addition of artifacts. This can be a bunch of different things, like aliasing and quantization error in the case of bit crushing, distortion, speaker emulation, or the more complex […]
October 18, 2018, 8:43 am
In this free video extract from the pureMix.net exclusive, "Brian Lucey: Mastering Philosophy & Techniques" Grammy Award Winning Mastering Engineer, Brian Lucey, discusses his philosophy to mastering, where it fits in the production process and how he approaches his art to establish a connection between the artist and the audience that has an immediacy and timeless result.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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