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April 26, 2017, 8:08 am
Acclaimed sound designer and re-recording mixer Niv Adiri has chosen NUGEN Audio’s Halo Upmix to create surround 5.1 versions of the music and sound effects on a wide range of cinema projects. Adiri most recently used Halo Upmix on the current film “T2 Trainspotting.” With Halo Upmix, he was able to work from stereo source tracks to deliver a 5.1 mix that was true to the original sound of the music, but also sounded ideal in a range of surround listening environments.
April 26, 2017, 5:16 am
3 years after their controversial removal the Tony Awards have announced that they will be reinstating the categories of “Best Sound Design of a Play” and “Best Sound Design of a Musical” starting season 2017-2018. Starting next season, Best Sound Design of a Musical and Best Sound Design of a Play will be reinstated to the list of […]
April 25, 2017, 5:12 pm
NUGEN Audio has expanded its award-winning Halo line at NAB 2017 with the launch of the new Halo Downmix for precision downmixing of feature and 5.1 mixes. Here are some highlights from NUGEN...
April 25, 2017, 5:12 pm
For years I’ve been wondering why Sound Devices didn’t make something like my MixPre – which is an amazing little mixer – but with recorder built right in. Maybe to protect their high-end recorder mixers? Maybe too hard to fit everything into such a small package? But as more and more companies like Zoom began offering affordable versions of such a device, it because pretty apparent that Sound Devices was leaving a LOT of small filmmaker dollars on the table that other manufacturers were only too happy to grab.
April 25, 2017, 9:18 am
Already popular among broadcast journalists, musicians, front of house engineers, theatres, churches, television and film productions, DPA Microphones continues to diversify its product offerings with its new d:vice MMA-A Digital Audio Interface.
April 25, 2017, 4:56 am
Just minutes before the official opening of NAB 2017, Blackmagic Design unveiled DaVinci Resolve 14. It features a whole new audio tab, thanks to the company’s acquisition of Fairlight last year. There are also many other improvements throughout the application. Let’s dive in!
April 25, 2017, 4:43 am
Davinci Resolve se postula como la herramienta de postproducción total: edición, corrección de color y […]
April 25, 2017, 4:42 am
Blackmagic Design set its sights on the market for Avid Pro Tools in post-production, releasing a public beta of DaVinci Resolve 14 that incorporates the Fairlight audio technology it acquired last year. That’s right — Resolve now includes a full-fledged post-production audio mixing engine on a new Fairlight page (top). It can be controlled by […] The post DaVinci Resolve 14 Is Now an Audio Console, as Blackmagic Adds Fairlight Technology appeared first on Studio Daily.
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
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