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February 21, 2020, 2:57 pm
Here, director Bong Joon Ho's go-to for sound supervision and mixing, Ralph Tae-Young Choi, talks about his approach to designing the contrasting worlds of the wealthy Park family and the working-class Kim family who latches onto them:
February 21, 2020, 1:43 pm
Explore five methods for filming innovative and creative music videos with real-life examples from hits across genres and decades.
February 21, 2020, 1:42 pm
The Academy of Scoring Arts is the leading community dedicated to the art of scoring. The Academy was founded in 2009 from brilliant composer, orchestrator Ron Jones. The list of accomplishments by Jones includes Star Trek: The Next Generation, Family Guy, American Dad, DuckTales, and Fairly Odd Parents. The legend wanted a space that he […]
The post The Academy of Scoring Arts appeared first on Below the Line.
February 21, 2020, 1:42 pm
Filmmaker and director James Tonkin shares learnings from his recent experience shooting and editing a concert and documentary for Pink Floyd drummer, Nick Mason.
Davinci ResolveNick MasonPink FloydHangman FilmsBlackmagic Design
February 21, 2020, 1:41 pm
While I prepare an unusual review and test of the new VideoMic NTG camera-mountable shotgun mic with technology borrowed from the NTG5 (which I recently reviewed), you can try to win a new RØDE NT-USB Mini microphone. The NT-USB Mini is a smaller, more modern version of the original NT-USB mic I reviewed years ago. According to RØDE, “The NT-USB Mini is a sleek, compact USB microphone that offers studio-quality recording direct to a computer or tablet.” Ahead is more information about the NT-USB Mini (including a video) as well as the rules, deadline and link to participate.
February 20, 2020, 2:35 pm
In this video from NAMM 2020, Avid’s application specialist, Jeff Komar takes an in-depth look at working on music projects with Dolby Atmos natively, in Pro Tools, with the power of HDX, Avid S4, and MTRX.
February 18, 2020, 2:11 pm
Audio Design Desk, also called add.app, is a new audio post-production tool that completely reinvents how sound designers and filmmakers can implement sounds to a video. With a streamlined user interface, over 20.000 built-in sounds, and a touch of artificial intelligence, let’s take a look at why this software seems to be quite revolutionary for content creators.
February 17, 2020, 4:08 pm
Accuracy without colour that isn’t fatiguing – that, says Sound Designer Matt McCamley, is exactly what he was looking for when he was choosing audio monitors for his studio in Australia.
February 15, 2020, 2:48 pm
FULTON, MD — Impact Soundworks (https://impactsoundworks.com) has released the Cinema Sound Foley Library, a new library that helps audio pros match realistic sounds to their visuals. The release was created in collaboration with Cinema Sound, a comprehensive resource of audio-for-film education. The Cinema Sound Foley Library makes the sound editing and Foley process much easier by providing a ton of carefully-edited and categorized samples that are ready to be triggered via a MIDI contro...
February 15, 2020, 2:47 pm
Molinare has officially opened a new ADR suite in its Soho studio in anticipation of increased ADR output and to complement last month’s CAS award-winning ADR work on Fleabag. Other recent ADR credits for the company include Good Omens, The Capture and Strike Back. Molinare sister company Hackenbacker also picked up some award love with a a BAFTA TV Craft and an AMPS award for Killing Eve. Continue reading →
February 14, 2020
The post London’s Molinare launches new ADR suite appear...
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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