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December 13, 2013, 5:25 am
DATELINE: Sunday 4th August 2013 THE MAIN EVENT: Editing Masterclass with Andy Canny The Australian Screen Editors Guild in association with MIFF Accelerator presented the Editing Master Class with Andy Canny on Sunday the 4th of August as part of the 2013 Melbourne International Film Festival. Editor Andy Canny’s most recent editing credit is the [...]
December 13, 2013, 5:25 am
The Hobbit: The Desolation of Smaug opens this Friday. To celebrate, Paul Ezzy teaches you how to create the opening title look with Avid FX/Boris RED. Stay tuned for a separate episode of Boris TV that shows you how to recreate … Continue reading →
December 13, 2013, 5:25 am
Nous venons de reprendre le montage du 90 minutes avec Anaelle. (Nous avons pris l’habitude de travailler avec des pauses en raison de nos diverses activités à toutes les deux). Récemment le film le vient d’obtenir l’aide au développement renforcé … Lire la suite →
December 13, 2013, 5:24 am
... “Turbo FAST” and the DWA shows that follow have been designed to serve as a marketing template on how to build a franchise. A hit show will help sell more mobile games, toys and other merchandise — all of which can lead to the greenlight of a film sequel. While the $135 million-budgeted “Turbo” earned only $82 million Stateside and $282 million worldwide, DWA CEO Jeffrey Katzenberg says the film is profitable for the company when toy sales and homevideo results are factored in.
December 12, 2013, 8:05 pm
The Book Thief is Brian Percival’s adaptation of the Markus Zusak brilliant novel, following the touching story of Liesel Meminger in Germany during the break out of World War II. RISE FX visual effects supervisor Florian Gellinger oversaw the film’s VFX work, hand in hand with RISE in-house supervisor Jonathan Weber and producer Kerstin Kensy. We asked Gellinger about some of the key shots.
December 12, 2013, 8:05 pm
Sam Richards at Sony Pictures Imageworks has been working away hard on coding and producing something so simple it is hard to believe we need it as an industry, and yet as most artists know, it is a vital part of production that is often lost: accurate on-set camera notes.
December 12, 2013, 8:05 pm
Michael Horton uploaded an informative video featuring Norman Hollyn - heads the Editing Track at the University of Southern California (USC) School of Cinematic Arts and Larry Jordan...
December 12, 2013, 8:05 pm
You gotta give Pixar credit — they never follow the easy path. Take Monsters University, the first prequel...
December 12, 2013, 8:04 pm
COMPANY: London-based Milk Visual Effects (www.milk-vfx.com, @MilkVFX) CAN YOU DESCRIBE YOUR COMPANY? An independent boutique visual effects company focused on creating innovative and complex sequences for TV (Doctor Who, Sherlock, Black Sails) and feature films (47 Ronin; Hercules). WHAT’S YOUR JOB TITLE? CEO/Executive Producer. WHAT DOES THAT ENTAIL? I run the business with our MD, Nick […]
December 12, 2013, 1:55 pm
The Vault, the licensed music collection from sonic branding experts Stephen Arnold Music, has announced several major additions to its offerings. Building on its partnership with H2U, a top European collective that excels in electronica, techno, rock and more, The … more »
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Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest NY pl ...
Editor Tom Haneke discusses the importance of cataloging using examples from "My Generation." For more information ...
Editor Robert Eisenhardt, A.C.E. discusses the importance of choosing the correct tone as seen in "Valentino: The Last E ...
In this episode, Dan Dome sits down and talks to Gordon about working with Conan O’Brien and posting a daily show. Chec ...
Dan Dome has been cutting since the 90′s and comes from an editing lineage choosing his destiny before he even knew it. ...
Here's the final part of our panel with Evan, Adele, and Oscar, talking about interactive media and building an audience.
