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December 14, 2018, 10:13 am
This interview was originally conducted for inclusion in our “experimentation” theme. Mac Smith is a Sound Designer and Supervising Sound Editor at Skywalker Sound, who has been working on films since 1999. Mac has worked on Toy Story 3, Tron: Legacy, Dawn of the Planet of the Apes, Little Evil, and Transpecos, as well as […]
December 14, 2018, 10:13 am
Fabricio Chamon Shows How Best to Simulate a Dynamic Chain Using Sphere Collisions and the Bullet Solver. Houdini is a dynamics powerhouse. Still, with a wide range of tools at your disposal, simulating dynamic elements
December 14, 2018, 10:13 am
It has been a busy week for codec news. We try to sift through the information, dispel the FUD and come out the other side in one piece.
December 14, 2018, 10:11 am
Terrence Malick is well known and widely celebrated for being one of the medium's most visually conscious filmmakers. Ethereal and light, natural and nature-dependent, Malick's films show the beauty of the world and, in doing so, his filmography remains timeless.
December 14, 2018, 6:14 am
Come have a look at the work of Mr. X on HOW IT ENDS...
December 14, 2018, 6:13 am
The Netflix drama 22 July chronicles the 2011 Norway massacre hat left 77 dead when a far-right extremist detonated a car bomb in Oslo before carrying out a mass shooting at a teen leadership camp on the nearby island of Utoya. During Deadline’s The Contenders Los Angeles recently, editor William Goldenberg discussed how he and director Paul Greengrass adapted the real-life tragedy and its aftermath while taking care not to exploit the incident and those involved.
December 13, 2018, 2:49 pm
Mobox Dissects a Simple Method for Creating an Abstract Waves Effect in Ae Using Animated Gradients. Mobox’s Mike Ridolfi takes us through an interesting technique that has a lot of promise. Mike shows how you
December 13, 2018, 11:06 am
Blackmagic Design today announced that the company’s production and post products were used to complete many of the fall 2018 season’s new and returning television shows and streaming series. More than 55 shows rely on Blackmagic Design’s digital film cameras; Fusion visual effects (VFX), compositing, 3D and motion graphics software; and DaVinci Resolve editing, color correction, VFX and digital audio software; as well as its switchers, routers, monitors and capture and playback devices.
December 13, 2018, 10:19 am
Why does ADR get a bad reputation especially amongst actors and directors who say “it just doesn’t work” or “it is never as good as the original”? In my experience, bad ADR primarily comes down to the performance of the actor in the studio on the ADR record day but there are other factors that can play a part. Are the correct mics being used? It is a properly sized room and a good team of people present on the record day? These will always help make sure bad ADR won’t happen as long as the talent is on form.
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
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