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May 18, 2017, 5:04 am
Is it really accurate to talk about production when the theme is TV? For production, it smells of fixed procedures, known milestones, and defined requirements - while TV is being developed according to a plan that is constantly changing as one learns from its TV production.
May 3, 2017, 4:52 am
Red (1994). Jeff Smith here: FilmStruck’s latest installment in our Observations on Film Art series presents me talking about Krszystof Kieslowski’s late masterpiece, Red (1994). In the film’s final scene, chance and fate combine to bring a couple together. My comments trace how a cluster of cinematographic techniques has indicated the couple’s connectedness long before they become aware […]
May 2, 2017, 2:18 pm
The Digital Asset Symposium (DAS), presented by the Association of Moving Image Archivists (AMIA), has added several panel discussions to its exciting 2017 program lineup. DAS brings together top experts in various fields to address the ongoing challenges facing digital asset management practitioners. The event takes place May 5 at the Museum of Modern Art (MoMA) in Manhattan.
March 30, 2017, 9:23 am
Learn a thing or two about editing short films in this interview with EditStock founder and editor Misha Tennenbaum. Also learn how you can win over £10,000 worth of filmmaking gear in LaCie's short film competition.
February 27, 2017, 6:26 am
Here is Production Hero's basic guide that we have created based upon both our successes and failures in the industry
December 5, 2016, 5:35 pm
Over the years, I have blogged several times about Walter Murch (see links below) whose work as a sound designer and film editor is notable in such movies as Julia, Apocalypse Now, Ghost, The English Patient, and The Talented Mr. Ripley. In my view, Murch has written one of the best screenwriting books — “The Blink of an Eye” — only it’s not about screenwriting, but rather film editing. However since screenwriting is so much about scene construction, perspective, and transitions between scenes, I find Murch’s insights profoundly beneficial to our craft.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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