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June 23, 2016, 10:14 pm
A filmmaker-to-filmmaker event Getting Real is a unique gathering of filmmakers and industry professionals that brings the documentary community together for three unforgettable days of: inspiring keynotes vital conversations practical workshops dynamic presentations insider knowledge structured networking Unlike any other event on the documentary calendar, Getting Real is designed to inspire filmmakers and give them the skills, information, and networks they need to push their careers to n...
June 23, 2016, 9:49 pm
From innocence (pink) to erotism (purple), editor Lidia Mtz-Seara takes a shot at identifying the states of mind signaled by different color choices in scenes from 61 different movies. Some moments NSFW (depending, of course, on where you work)! The post Color Psychology appeared first on Studio Daily.
June 23, 2016, 9:47 pm
By Jennifer Walden When I heard that Seth Rogen and Evan Goldberg developed a TV series for AMC based on the comic book series penned by Garth Ennis, I was immediately hooked. Would Preacher be like Pineapple Express? Or more like This Is The End? Continue reading →June 23, 2016
June 14, 2016, 9:36 am
“A symphony must be like the world; it must embrace everything.” So Gustav Mahler famously expressed to Jean Sibelius, and his own symphonies bear out this expansive vision: vast musical assemblages that often turn from ecstasy to despair at the turn of a dime.
June 6, 2016, 5:44 am
The Kuleshov Effect is a film editing (montage) effect demonstrated by Russian/Soviet filmmaker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which the audience derives more meaning from the interaction of two sequential shots than from a single shot in isolation.
June 2, 2016, 12:17 pm
As we go about our daily lives, we tend to assume that our perceptions—sights, sounds, textures, tastes—are an accurate portrayal of the real world. Sure, when we stop and think about it—or when we find ourselves fooled by a perceptual illusion—we realize with a jolt that what we perceive is never the world directly, but rather our brain’s best guess at what that world is like, a kind of internal simulation of an external reality. Still, we bank on the fact that our simulation is a reasonably decent one. If it wasn’t, wouldn’t evolution have weeded us out by now? The true reality might be forever beyond our reach, but surely our senses give us at least an inkling of what it’s really like.
May 25, 2016, 5:01 am
Paintings are rarely included in a movie without having a purpose. Sometimes they point out the social status of a family or the historic period of the story. Sometimes they provide a kind of commentary on the main characters that reveals aspects of their personalities. In this montage we can see many examples of how a story can be set, and how hints are available for the curious who want to know more about the symbols hidden between the story and the paintings. A video essay by Candice Drouet.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
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