
Editor Kate Sanford, A.C.E. discusses the benefits of working with a good director, as seen in "The Wire." For more information on Editfest NY please go to editfestny.com.
Editor Tim Squyres, A.C.E. discusses the challenges of editing for different audiences using examples from "Lust, Caution." For more information on Editfest NY please go to editfestny.com.
Editor Craig McKay, A.C.E. discusses the technique of cutting to music using "Silence of the Lambs" as an example. For more information on Editfest NY please go to editfestny.com.
Acclaimed editor Jay Rabinowitz talks about a scene from the film "I'm Not There" at ProductionCONN 2011, as part of the "Inside the Cutting Room with Bobbie O'Steen" series. Produced by Manhattan Edit Workshop.
Editor Alan Heim discusses with author Bobbie O'Steen at EditFest NY 2010, about the importance of scene transitions...
Editor Alan Heim talks with author Bobbie O'Steen at EditFest NY 2010 about the art of "keeping the audience interested", using scenes from the feature film "Star 80". For more information on Editfest NY please go to editfestny.com.
Editor Alan Heim talks with author Bobbie O'Steen at EditFest NY 2010 about the art of "keeping the audience interested", using scenes from the feature film "Star 80". For more information on Editfest NY please go to editfestny.com.
Editor Jay Rabinowitz talks about the complexities of editing "Dead Man"
Editor Geof Bartz discusses the process of narrowing down hundreds of hours of footage into a feature length documentary, using examples from the film "Boy Interrupted." For more information on Editfest NY please go to editfestny.com.
Editor Milton Ginsberg discusses the many challenges he faced while editing "Catwalk." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
This is a section of the 2009 Edit Fest LA Television Panel titled: Editing Television, Small Screen Big Picture. The panelists include: Malcolm Jamieson, David Rogers, Karen Stern A.C.E., Chris Willingham A.C.E. and Lynne Willingham A.C.E.
This is a section of the 2009 Edit Fest LA Television Panel titled: Editing Television, Small Screen Big Picture. The panelists include: Malcolm Jamieson, David Rogers, Karen Stern A.C.E., Chris Willingham A.C.E. and Lynne Willingham A.C.E. and moderated by Bobbie O'Steen.
Kate Williams talks about here early career, getting into to editing and cutting here first feature, Trees Lounge for director Steve Buscemi. She also talks in detail about her early mentors, working with Jill Billcock and Fred Schepisi. Finally she outlines her techniques and methods during the editing of Fred Schepisi's.
Editor Mark Warner (Driving Miss Daisy, Big Trouble in Little China, Sanctum) talks about how he got into the industry, working with director Bruce Bersford, and encourages those starting out in the post production industry.
Editors Mark Atken ASE, Andy Canny, and Sound Designer Craig Carter talk about about the challenges of editing episodic TV as well as the different approaches from the directors and how this affects the editing style for each episode. Craig talks about the differences doing sound design for TV as appeased to Big Budget films.
Rosie, Jane and Phil talk about the challenges editing The Triangle Wars, shot over four years and edited from over 400 hours of footage. The editors talk about the challenges faced in trying to find the story hidden in such a vast amount of fooatge.
First time feature editor Sasha Dylan Bell and assistant editor Adam McKenzie talk about working with DSLR footage, and the creative workflow when dealing with a large amount of rushes on Michael Rymer's low budget feature Face to Face.
A discussion with Melbourne editor Caitlin Spiller and producer Daniel Cregg about their film "Chong World" and about working in the format of short film. Recorded at the St Kilda Film Festival 2011.
Covering editing and post production on popular Australian television series "Offspring". Editors Peter Carrodus A.S.E., Denise Haratzis A.S.E., series director Kate Dennis, post production supervisor Maryjeanne Watt and assistant editor Patrick McCabe in discussion.
Discussions on editing the Australian western feature film,"Red Hill" starring Ryan Kwanten. Co-editor/Director Patrick Hughes, editor Ben Joss and composer Dmitri Golovko talk about the process.
A discussion with Melbourne director/editor Alethea Jones on post production for short films. Recorded at the St Kilda Film Festival 2011.
A discussion with Melbourne director/editor Thomas Baricevic on post production for short films. Recorded at the St Kilda Film Festival 2011.
2010 AFI Award nominated Editor Marcus D'Arcy discusses editing and his film "Tomorrow When The War Began".
2011 AFI Award nominated Editor Alexandre de Franceschi discusses editing and his film "Bright Star".
Karen Pearlman discusses a part of her theory of Editing Rhythms, part of her book Cutting Rhythms.
Karen Pearlman discuss Rhythmic Patterns in editing. This is part of Karen's theories she developed and expressed in her book Editing Rhythms.
Karen Pearlman is Head of Screen Studies at the Australian Film, Television and Radio School. She is also a freelance film editor who cuts drama, documentary, and experimental projects. In this interview she discusses her theories of editing and timing.
2011 AFI Award nominated Editor Dany Cooper discusses editing and her film "Beneath Hill 60".
The Australian Screen Editors held a panel to discuss the art of editing documentaries.
The evening focused on the changing role of the assistant editor: the increased amount of VFX and colour correction work that the position now entails, the technical work flow and typical post schedules, as well as discussion on how to get a job, how to make the move to Editor positions and how an assistant editor can be creatively vital.
Part 2 of the Bass Talk. Stuart Bass, A.C.E., visited the Canadian Cinema Editors Vancouver branch to discuss his work and the art of film editing. Here is part 1 of the talk. His work includes, The Office, Arrested Development and The Wonder Years.
Stuart Bass, A.C.E., visited the Canadian Cinema Editors Vancouver branch to discuss his work and the art of film editing. Here is part 1 of the talk. His work includes, The Office, Arrested Development and The Wonder Years.
Editor Mike Lee, C.C.E. and Director Jeff Woolnough discuss the cutting process of "Keep Your Head Up Kid: The Don Cherry Story."
Editor Mike Lee, C.C.E. and Director Jeff Woolnough discuss the cutting process of "Keep Your Head Up Kid: The Don Cherry Story."
Splice: Pt. 2 - Michele Conroy and the Post team of the film Splice discuss their editing process, workflow and approach to integrating effects.
Michele Conroy and the Post team of the film Splice discuss their editing process, workflow and approach to integrating effects.
Editor Teresa Hannigan talks about the process of editing Cairo Time with Director Ruba Nadda and D.O.P. Luc Montpellier. Learn the importance of working as a team especially when on a world wide production.
Julian Clarke, editor of District 9 discusses his work and approach to cutting District 9. This is a part of the Canadian Cinema Editors screening and discussion events they put on in Toronto, Canada.
Julian Clarke, editor of District 9 discusses his work and approach to cutting District 9. This is a part of the Canadian Cinema Editors screening and discussion events they put on in Toronto, Canada.
Part 3 of Julian Clarke's discussion. Julian Clarke, editor of District 9 discusses his work and approach to cutting District 9. This is a part of the Canadian Cinema Editors screening and discussion events they put on in Toronto, Canada.
Editor Jean Tsien talks about the usefulness of working with multiple editors on films such as "Shut Up & Sing." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
Editor Geoffrey Richman discusses the challenges of combining multiple story lines in the award winning documentary "The Cove." For more information on Editfest NY please go to editfestny.com.
Editor Josh Diamond discusses the use of multiple timelines as seen in "Blue Valentine." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
Editor Sabine Hoffman discusses how the use of flashbacks can impact a multi-tiered story as seen in "The Thin Red Line." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
Editor Anne McCabe, A.C.E. discusses how great editing can build empathy with a character. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.
Editor Adam Bolt talks about the vast about of research that went into making "Inside Job." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
Editor Aaron Yanes, A.C.E. discusses the process of getting inside of Mike Tyson's head for the documentary Tyson. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Dan Jamieson.
Editor Brad Fuller discusses the importance of order with the documentary "Two Hands." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Dan Jamieson.
Editor Barbara Tulliver, A.C.E. talks about the importance of match cuts and rhythm with a scene from "Homicide." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.
Editor Tina Hirsch, A.C.E. discusses how an experimental decision influenced a scene from "Twilight Zone: The Movie." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
Manhattan Edit Workshop Artist in Residence Alan Heim discusses the art and craft of editing.
Editor David Zieff talks about editing the film Metallica: Some Kind of Monster at EditFest NY 2011. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.
Editor Malcolm Jamieson talks about a complex scene from the critically acclaimed movie "Down to The Bone". For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.
Editor Harry Keramidas, A.C.E. talks about the famous skateboarding scene in "Back to the Future" and the art of filmmaking from storyboard to post-prodution. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.
Editor Peter Frank, A.C.E. talks about his experiences editing a scene in "Cadillac Records". For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by John Schlirf.
In this segment, editor Andrew Mondshein discusses the last scene of "Bonnie and Clyde" edited by Dede Allen at EditFest NY 2010. For more information go to editfestny.com.
Editor David Salter discusses the intricacies and differences of being an editor on an animated film. In this video he describes his experiences editing "Finding Nemo" at EditFest NY 2010. For more information go to editfestny.com.
Writer, Producer and Editor Allan Title describes how he crafted a dramatic story out of limited footage for a pilot reality show called "Arctic Roughnecks". For more information on Editfest NY please go to editfestny.com.
Editor Sabrina Plisco discusses how editors must shift gears and adapt to reactions from preview audiences, as she demonstrates with "Beverly Hills Chihuahua" at EditFest NY 2010. For more information go to editfestny.com.
Editor Dan Katz talks about starting a career in editing and his personal inspirations on his editing techniques. He has been a freelance editor in New York City for more than a decade, with international clients including: Sports Illustrated, Sundance Channel, @Radical.Media, MTV, Euro/RSCG, Apple, Canon, A&E, Speed Channel, Toyota, Ralph Lauren, Tiffany & Co, Harley-Davidson, Tommy Hilfiger, Microsoft, FUSE among others.
Mark Livolsi discusses his experiences with the toughest scene he cut in "Almost Famous"at EditFest NY 2010. For more information go to editfestny.com.
Thelma Schoonmaker discusses her experiences in editing an improvisational scene from "Raging Bull" at EditFest NY 2010. For more information go to editfestny.com.
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