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Hosted by Gordon Burkell
The Cutting Room is the official podcast of Aotg.com. Each week we interview post professionals about their strategy to crafting the films we love.
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October 27, 2015, 6:28 am
In this episode we share an excerpt from the Sight, Sound, and Story panel Gordon hosted for MEWShop.com titled: The Great Unscripted: The “Real” in Reality Television. The panelists include: Alanna Yudin (Ink Master, Mob Wives), Joe Schuck (Alaskan Bush People, Best Funeral Ever), and Julie "Bob" Lombardi (Teen Mom, Town of the Living Dead). They discuss the use of music, issues of authenticity and more.
October 2, 2015, 9:27 am
Gordon and Michael sit down to discuss Straight Outta Compton. They touch on bringing the film down from 3+ hours to 2 1/2 hours, the complexity of cutting five key storylines, and working with the footage to get the most out of the acting.
August 25, 2015, 12:24 pm
Gordon sits down with Wyatt Smith, editor of Nine, Ricki and the Flash, Into the Woods, Thor II, and more! They discuss how he entered the industry through music, approached editing Into the Woods and then discuss comic books and editing Thor II (Approximately 22:00 Mark).
July 28, 2015, 9:38 am
In June 2015, Gordon hosted a panel for Manhattan Edit Workshop's "Sight, Sound and Story" event. The panel was titled: The Great Unscripted: The “Real” in Reality Television and included: Alanna Yudin (Ink Master, Mob Wives), Joe Schuck (Alaskan Bush People, Best Funeral Ever), and Julie "Bob" Lombardi (Teen Mom, Town of the Living Dead).
July 23, 2015, 7:31 am
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now have the podcast transcribed as well so you can now read it or listen to it. Check it out!
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.