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Hosted by Gordon Burkell
The Cutting Room is the official podcast of Aotg.com. Each week we interview post professionals about their strategy to crafting the films we love.
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December 12, 2012, 2:06 pm
In this episode, Gordon interviews the team at B-Reel about Interactive projects and post. B-Reel is a hybrid production company, specialized in the field of advanced digital production for web, mobile, physical installations and other media.
November 21, 2012, 9:28 am
Comedy editing is one of the more difficult styles of editing. If the actors delivery is off, the timing is off and as an editor, you need to "Try" to fix it for pacing and timing in the overall film. Not everyone is meant to cut comedy films and shows, editors who may excel in one style of comedy editing might not excel in another.
October 13, 2012, 4:00 pm
Paul Day C.C.E. and the Canadian Cinema Editors host a discussion with Don Cassidy C.C.E. in which the two discuss the editing process of The Hatfields and McCoy's Miniseries presented on The History Channel. Cassidy won an Emmy for his editing work on this show.
October 4, 2012, 4:44 pm
Jeffrey will humbly state that it is the actors timing that inspire the cuts but there is more to his skilled cuts than comedic timing there is a sense of years of experience and wisdom that younger editors should take note of. In this episode Jeffrey and I discuss comedy timing and working with comedic actors.
September 27, 2012, 5:09 pm
Jeff is the editor of such comedies as Life, Billy Madison, Holes and the recent Bachelorette. In this episode we discuss editing for time constraints and working with directors.
August 27, 2012, 5:35 pm
In this episode Lindsay and I discuss how to handle characters who make themselves look bad. How do you make things fair in this type of situation. Lindsay's work began as a new media producer and she transitioned into editing as she found herself desiring a more artistic area and less business focused job.
August 20, 2012, 1:34 pm
Lindsay and I met just prior to Edit Fest NY 2012 in the Director’s Guild of America basement while people set up for the event. We talked for a little over an hour and ranged topics from new media producing to documentary editing. Lindsay's work began as a new media producer and she transitioned into editing as she found herself desiring a more artistic area and less business focused job.
July 31, 2012, 4:43 pm
This episode we play some stuff from Edit Fest NY with Lewis Erskine discussing the cutting of Freedom Riders. Afterwards, Lauren and Gordon discuss the upcoming Edit Fest LA and the PubNight.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.