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July 2, 2015, 12:41 pm
July 2nd, 2015, Cinesite and Image Engine today announced a merger of their two companies. The alliance gives the two entities a combined staff of over 525 artists worldwide, with capacity for 675 at their studios in London, Vancouver and Montréal. It ensures that both companies are well positioned to deliver world-class visual effects and animation services to their mutual global customer base.
July 2, 2015, 5:41 am
I’ve been writing for my friends over at ScreenLight for…well…a long time. It’s been over two years and in the Internet world that’s a really long time. Over that time I’ve been able to stockpile a bunch of writings that I want to share with you today. 23 of them to be exact.
July 1, 2015, 4:49 am
Recently a post came up on Twitter with my name mentioned and it was asking if FCPX supported AAF support yet. My guess is that this post won’t get much traffic because the VAST majority of my readers and followers don’t know or care what AAF is.
June 30, 2015, 5:19 pm
In this two-part interview from FMX 2015, Christopher Townsend, the overall VFX Supervisor on ‘Avengers: Age of Ultron,’ provides a detailed overview of the key components of the Marvel Studios tentpole.
June 29, 2015, 12:30 pm
We learned from Lars that “color” is actually an interplay of available light, colors, and the context in which we see them—all of which makes color subjective to a lot of different variables. We wanted to know, with such a deep topic, what ground rules can filmmakers and video enthusiasts derive from color science when it comes to basic color correction and color grading?
June 29, 2015, 9:58 am
This episode talks about the ways you can help improve your multitasking skills and prioritizing your tasks. From the macro (organizing larger feature projects into manageable steps) to the micro (prioritizing the minutes of your day), we could all afford to become better masters of multitasking to avoid being buried in work.
June 29, 2015, 4:39 am
There are only a few ways to get metadata into Media Composer - either it comes with the media (essence) and available via AMA or in the MXF wrapper, via AAF, or an ALE file. ALE has been the go-to format since the original Avid/1 as it was the interchange between Media Composer and MediaMatch, the film match-back program.
June 28, 2015, 7:42 am
Saturday, June 13th, 9:00 AM. The Manhattan Edit Workshop auditorium in New York was filled with people of all ages who had come to learn more about film editing. Many were students, laptops in hand. The woman sitting next to me had a flyer about a documentary she was working on; the man sitting on the other side showed us the projects he was doing.
I used to use a great piece of software to manage my time, my clients, projects and even invoice - but it is discontinued....
We all know the major ones, Murch, Rawlings, Ben Burtt... But there are a lot of film post professionals who we haven't he...
We all know multiple NLE's these days, if you have a choice on a project, what NLE do you choose and why?
This is an excerpt from London Edit Fest 2015 with Adrian Pennington interviewing Terry Rawlings, ACE. The excerpt focuses on ...
This weeks post news looks at Rick Baker's retirement and Adobe's CC 2015 Announcements.
We sat down for a chat with Jon Chappell, owner of digitalrebellion.com, about their plugins, apps, and the cloud service Kol ...
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