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December 18, 2014, 6:08 am
The team at Source Elements decided to demonstrate a live vocal overdub with a vocalist in Chicago being recorded on the AES trade show floor in Los Angeles, using cellphone data paths and a clever aggregating device. Check out the video.
December 16, 2014, 6:07 am
Following on from our previous post on how and why we are doing our Pro Tools Expert VO Mic shoot out (including the signal path) here is the second part of our blind listening tests. If you missed the first set of mics then you can find them here.
December 16, 2014, 6:07 am
Our friends at Quiet Art have announced their latest plug-in Defaulter, a Pro Tools clip gain normalizing plug-in. Quiet Art already make the popular Wave Rider plug-in. Defaulter is compatible with both ProTools 10 & 11.
December 15, 2014, 8:47 pm
Work in music scoring in Los Angeles has plunged 68% to $15.5 million in 2013 from nearly $50 million in 1998, a new report shows.
December 15, 2014, 1:53 pm
White wine goes with fish and red wine goes with meat. But some new research from the Crossmodal Research Laboratory at the University of Oxford has apparently unearthed evidence of an implicit relationship between what we eat and what we hear -- between taste and pitch, as Scientific American reports.
December 15, 2014, 1:52 pm
At the PGA East's Produced By Conference in October, former Focus Features CEO James Schamus offered up a treasure trove of wisdom about the film industry. Moderated by producer William Horberg (The Talented Mr.
December 14, 2014, 10:40 am
In that respect, two of this year’s films — “Birdman” and “Boyhood” (pictured) — presented some of the greatest challenges ever faced by this group of artisans. One story was told in what appeared to be a kinetic and continuous single take while the other unfolded over 12 years.
December 13, 2014, 3:17 pm
Last week I had the opportunity to sit down with some of the team from G-Tech who wanted to know my thoughts on product design. One question they asked me was what features could they add to make their drives more useful.
December 13, 2014, 8:17 am
In a very open Oscar race for Best Original Score, Marco Beltrami's compositions for Tommy Lee Jones' western "The Homesman" may well find themselves in the final five. He has earned two previous nominations somewhat unexpectedly ("3:10 to Yuma" and "The Hurt Locker") and his latest endeavor very much set the mood of Jones's progressive period piece.
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