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April 19, 2014, 2:26 pm
In the current design Rob says it will be 43cm (17inch) x 23cm (9inch) and the layout is based on what he believes is essential to have under your fingers when using synthesisers. As it is now, it is pretty well laid out. The only thing to consider is whether to have is a vector stick, instead of the X and Y control dials. One thing is for sure, it will not have endless rotary dials as he feels that only the waveform dial needs to be endless.
April 19, 2014, 9:32 am
One of the most common mistakes I come across with new users of Pro Tools is confusion around the difference between the Pro Tools session file and the Pro Tools project folder. People who misunderstand the role of the Pro Tools session file (.ptx file) will at some point open a session and be presented with a missing files dialogue and ultimately a session with no audio present, just grey blocks showing where your audio would have been if it were available.
April 18, 2014, 4:17 pm
This week the HitFilm landscape shifted dramatically with the release of HitFilm Plugins, bringing our technology to After Effects, Final Cut Pro X, Premiere Pro, Vegas and Motion for the first time.
April 18, 2014, 8:56 am
A tribute to Dede Allen, editor of such groundbreaking films as THE HUSTLER, BONNIE AND CLYDE and THE ADDAMS FAMILY, was long overdue. So on Saturday, April 5, the Motion Picture Editors Guild inaugurated its Dede Allen Seminar Room. The space is a perfect memorial for the late dean of New York editing, because she loved teaching her craft to others and she loved the guild. Local 700 president Allen Heim (ALL THAT JAZZ, VALMONT, AMERICAN HISTORY X) used a good old-fashioned splicer to cut the “ribbon,” a piece of 70mm. celluloid.
April 18, 2014, 8:50 am
Michael Carnes from Exponential Audio has set up a new professional networking group on Linkedin for those involved in 3D mixing and sound design formats like Dolby Atmos and Auro 3D. Michael told us…
April 16, 2014, 6:03 pm
Designing Sound is a run by a team of volunteers. The site does not have any commercial motives which is why there is no advertising, paid content or any sort of commercial promotional activities. The line can get blurry and it is important for us to follow a policy guideline. The website wouldn’t be what it is without the amazing community and all the great contributions we receive. This makes it all the more important for us to maintain standards and carefully curate the content that is published. Thankfully this can be a relatively painless process as all decisions are made democratically by the team of contributing and news editors.
April 16, 2014, 6:03 pm
HitFilm Plugins are now available to buy from HitFilm.com, bringing HitFilm tech to After Effects, Final Cut Pro X, Premiere Pro, Vegas and Motion for the first time. With over 130 plugins ranging from visual effects to compositing and color grading, there's something for every project.
April 16, 2014, 12:56 pm
Six personalized hybrid plugins created in collaboration with GRAMMY Award®-winning mixing engineer Manny Marroquin (Rihanna, Bruno Mars, Alicia Keys) and inspired by Manny’s own workflow.
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