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May 24, 2018, 6:48 pm
Crappy audio can ruin your film. You’ve been there. You get back, import your footage. It looks amazing. But your interview audio sounds AWFUL. There’s all this background noise and feedback. That’s why finding the best lavalier mic is so important.
May 22, 2018, 6:19 am
Gigantic Studios, a post-production house in New York City, recently built a dual-purpose room for both sound mixing and colour correction. When the room is in sound mixing mode, it is a dual-operator 5.1, 7.1 and Dolby Atmos cinema mixing studio, nothing revolutionary there, the innovation comes in the form the floor sliding away to reveal a pit, allowing the mixers to work standing up whilst retaining an unobstructed view of the screen for both editors and clients alike.
May 18, 2018, 9:13 am
For those filmmakers and other creatives who are on the outside and looking to get in, talent agents have traditionally been thought of as the gatekeepers to the kingdom, the ones who, with a word, can deliver a career. Of course, it's not that simple, and while they're becoming increasingly more influential in the film business, many people still don't have a great idea of what an agent's role actually is.
May 16, 2018, 8:58 am
Which colour profile should you set your monitor to for video editing? What’s the difference between sRGB, Adobe RGB, DCI-P3 and others? What colour space is my NLE using? How do I correctly colour grade for internet delivery?
May 14, 2018, 1:51 pm
MotionArray.com just launched not one, but two new services - an online video Review platform and an easy to customise Portfolio website builder. I take a look at their all-in-one offering in this detailed review.
May 10, 2018, 4:26 pm
HitFilm Express is one of the best entry level visual effects tools a filmmaker can use to cut their teeth on. It’s very powerful, and can do just about anything the big boy visual effects apps like After Effects can do. And what I really like about them, is every time a blockbuster film like Avengers: Infinity War comes out, you can bet that HitFilm is going to come out with a new tutorial on how to create the same kind of visual effects.
May 9, 2018, 9:29 am
Think about the last movie you saw. Whether action, comedy or romance, it was a carefully mixed blend of sight and sound. Every line of dialogue, song and sound effect that came through the speakers was crafted by a professional sound editor to complement the images on the screen.
Gordon Burkell sits down to talk Punk Rock, documentary editing and directing with Shaun Colon. Check out his film A Fat Wrec ...
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
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