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September 3, 2014, 4:42 am
When asking your editor for an OMF or an AAF of their sequence to import into Pro Tools, also ask for a vision EDL (cmx 3600) if exporting from an Avid, and an XML if exporting from FCP.
September 2, 2014, 12:38 pm
Whether you're recording your voice for video, radio, music albums or your own pleasure, these five tips from pro voiceover recording artist, Jonathan Slater, will get you up and running in no time.
September 2, 2014, 4:49 am
LOS ANGELES, CA and VANCOUVER, BC – Character effects company MastersFX unveiled its dMFX (Digital Make-Up) Division in conjunction with Season Four of the Amblin Television/TNT series "Falling Skies,” which premiered in late June.
September 2, 2014, 4:46 am
Last week in part 9 of this series on Audio Post Production Workflows Using Pro Tools, we finished our look at foley with Barnaby Symth. This week we move onto sound effects with Bernard O’Reilly….
August 31, 2014, 7:32 am
There was a discussion on the Avid Community forums as to what the different field based motion effect types do when working with progressive footage in a progressive project. I thought that was a great question and set out to do a quick test using Job te Burg’s excellent digital countdown leader available here.
August 28, 2014, 9:42 am
Of all our modern directors, there is perhaps none with a more eidetic memory than Martin Scorsese; defined as an ability to recall precise images, sounds and objects, three of the main elements of motion pictures, Scorsese seems to remember every shot in every film he has ever seen, and probably some films he hasn’t seen yet. It’s what makes him such a complete filmmaker; he’s a master of technique, able to conjure any cinematic effect he likes, and yet he never makes a film that feels less than his. Of course, this is to ignore the efforts of his editor, Thelma Schoonmaker, with whom he has worked for nearly his whole career. Check out this (of course, incomplete) list of key editing moves in Scorsese films, as well as a look at the power of influence in film.
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Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest NY pl ...
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Christopher and Gordon discuss Moneyball and Capote.
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