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September 11, 2014, 12:34 pm
Lush, rich pads are probably my favorite type of patch to make when working with synthesizers. I love the fullness that they bring to a track, especially when I get to play huge, thick chords.
September 10, 2014, 4:06 pm
Last year, Simon Stanley Clamp talked to us in details about the Cinesite’s work on IRON MAN 3. He then supervised the visual effects of movies such as WORLD WAR Z, ROBOCOP and EDGE OF TOMORROW.
September 10, 2014, 9:49 am
Until recently, CGStudioMap CGSchoolMap and services, subsequently merged into a single site (CGStepInside), proposed a global map of 3D studios / VFX / Animation / Video Games / Schools. service inaccessible for several weeks now officially dead, as confirmed on Twitter Jordi Riera (co-founder of the company who published the service). Nevertheless, a new website with CGStepInside arm is placed on the same niche: VFX World Map . . Offers a global map of studios and sites teachings related to 3D, film and post-production still young, the site has quite a few studios for now; it is possible to offer companies to add.
September 9, 2014, 9:30 am
Animography Monthly is a monthly recurring animation project to explore the use of animated typefaces. Joe Donaldson teamed up with Jay Quercia to take on number 8 in this series, which resulted in a film noir style short.
September 8, 2014, 9:39 am
Last week in part 10 of this series on Audio Post Production Workflows Using Pro Tools, we looked at sound effects with Bernard O’Reilly. This week in the first of two articles Howard Bargroff, eho mixed the award winning Sherlock series, concludes this journey through the audio post production workflow bringing all the separate parts we have looked at throughout this series from the dialog editing, ADR, foley, and sound effects with mixing. Over to you Howard….
September 6, 2014, 8:12 am
“For decades critics of modern classical music have been derided as philistines for failing to grasp the subtleties of the chaotic sounding compositions, but there may now be an explanation for why many audiences find them so difficult to listen to.
September 6, 2014, 8:11 am
One of the things which first attracted me to Pro Tools was that it doesn’t do things for you. Everything in your session is there because you made it, and if you made it hopefully you understand it, and its exactly the way you want it to be.
September 4, 2014, 5:17 pm
It is no small irony that a new film by Ken Burns, the director who has done more than any other to infuse life into the past, gets treated, by some, like an already-ossified product upon release. Whereas so much buzz surrounds the latest film festival darling — I haven’t seen it yet, but I’m hearing (and believing) that Joshua Oppenheimer’s "The Look of Silence" may be the greatest documentary ever — many of us give the latest work by Burns the same attention as the year’s edition of the Old Farmer’s Almanac.
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