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May 29, 2016, 12:22 pm
The title of this series, “The Video Essay As Art,” isn’t meant to be facetious. I think that there really is room for artistry in the field of video essays. In my last piece I outlined a wide range of video essay categories, and the disparities between these videos suggests that the term “video essay” lacks a sense of cohesion. This is similar to a problem facing the video essay’s spiritual forebear, the essay film.
May 26, 2016, 9:06 am
Use Color to Signify a Change in Narrative or Emotion
May 26, 2016, 5:55 am
We all know the big Marvel films rely heavily on visual effects to help tell their superhero stories - and with great results. But you might be surprised how much one particular sequence in CAPTAIN AMERICA: CIVIL WAR, the opening battle in Lagos, was achieved with a mix of stunt work, practical effects and digital enhancements. One Perfect Shot goes behind the scenes to find out how the sequence was made from multiple locations, how stunt work was augmented with VFX from German studio RISE FX and how fully digital characters and particle simulations were also required.
May 25, 2016, 5:12 pm
Check out this behind-the-scenes look at the legendary studio's VFX work on Star Wars and Indiana Jones in the '80s.
May 25, 2016, 5:00 am
Shooting in ProRes or DNxHD has several benefits if you’re working with Final Cut Pro X or Avid Media Composer. Of course you can always encode or transcode from a different codec to either of these in post-production, but that costs time — which may be valuable.
May 24, 2016, 5:02 pm
In an earlier post I shared a video about a PremierePro CC to Davinci Resolve workflow; a workflow I adopted for my latest short film project Final Hit. The video gives an overview about how to use H.264 proxies to edit with inside of Premiere, then linking those proxies back to the original CinemaDNG files for color correction and grading inside of Resolve.
May 24, 2016, 12:38 pm
Crispin Green has edited some of the top TV shows in recent times. It was a pleasure to site down with him to talk about the craft of editing and his career.
May 23, 2016, 6:59 am
Virtual and augmented reality are making quite a comeback. Indeed, VR made an impression in the 1990s, perhaps even in spite of its role in the creepy science-fiction/horror film Lawnmower Man. In the real world, however, VR applications were limited by the available computer power (or lack thereof) and became mainly the domain of those that could afford it: military, medical, automotive, and aerospace. Often the applications played out in CAVES, with users tethered to cumbersome devices.
Gordon sits down with Federico Brusilovsky to discuss the editing of commercials and rebuilding older brands. He cuts in LA f ...
With the release of FRONTLINE'S latest 360 project, "Night of the Storm", Kenzie Audette reveals the post prod ...
Gordon sits down with Nicholas Monsour to discuss the editing of Keanu. They talk about the films timing and how tone shifts ...
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