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March 16, 2014, 9:53 pm
All too often people dismiss factory-supplied plug-ins in preference for purchased plug-ins; in some cases the free ones are just as good. Whilst Avid may have a reputation for being misers when it comes to giving stuff away with Pro Tools, there are some gems that ship with Pro Tools that I reach for on a regular basis. Here are 5 factory plug-ins that you should no ignore.
March 16, 2014, 10:43 am
Pixel Film Studios™ released Transmoke™ today. A smoke transition pack for Final Cut Pro X. With 30 different presets, TRANSMOKE™ gives editors plenty of adjustment controls to change each style to match their project! Works seamlessly in Final Cut Pro X with on-screen placement controls, professional looking smoke transitions are only a few clicks away!
March 15, 2014, 3:36 pm
CinemaPlugins.com posts a free tool for C4D. Think of the Multi-Deformer plugin for Cinema 4D as a “layered shader” for deformers. You can place one or more deformers into the Multi-Deformer and then hide the original deformers in a different hierarchy. Multi Deformer will allow you to re-use deformers in the same manner.
March 15, 2014, 11:44 am
We are thrilled to announce the forthcoming launch of Ableton Live Expert, a community for users of Ableton Live. I’m a committed user of Pro Tools and proud to be, but my son and all his mates are using Ableton Live and he asked me when there would be a community like Pro Tools Expert for them. Ableton Live Expert is the Ableton Live Community offering news, reviews, tips and tricks.
March 14, 2014, 3:46 pm
If you put a group of software engineers in a room with a directive to develop an application, they will competently write millions of line of code that will trigger every feature, bell and whistle you ask them to. And that’s fine.
March 14, 2014, 11:51 am
Scott Simmons attended the 2014 Editors Retreat and came back with a whole tool box full of new tools. The Gearheads session provided a nice list of useful tools for editors and filmmakers alike.
March 13, 2014, 7:50 pm
James Cameron called on his fellow filmmakers to be bolder in their use of format on day two of the international 3D Creative Summit in London. The “Avatar” director was the two-day event’s biggest draw taking part via an exclusive pre-recorded interview to talk about his upcoming 3D docu “Deepsea Challenge” and the current state of the format.
March 13, 2014, 7:49 pm
Walter Murch was deep in Tomorrowland when I called, and it seems to be a very comfortable place for the Academy Award-winning editor of Apocalypse Now, as well as the resurrection of Orson Welles’s Touch of Evil.
March 13, 2014, 3:37 pm
I decided at age 19 that I would be a Director of Photography. Having been raised by very cool and artistic parents, I was surrounded by art, film, music, advertising, theater, books and understood each as a possible career. However, it wasn’t until I took Amos Vogel’s film theory class at the University of Pennsylvania and dissected “Taxi Driver” to the minutest detail that I realized it was cinematography specifically that enchanted me.
March 13, 2014, 3:37 pm
When I set about putting together a list of some of the best tools for mixing electronic music I thought it would be easy… how wrong I was. There are so many cool products out there that being limited to ten entries started to become a very challenging prospect.
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