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April 17, 2017, 5:59 pm
The NAB Show again approaches and the various survival guides are being recycled into the Internet. I wasn't going to post one this year just because there are so many other completely comprehensive fully illustrated and hypertext marked up guides out there a Google search away. But I've gotten a number of requests to share my experience with newcomers again so I thought about it a bit, and I guess I do have something more to add to the conversation beyond just comfortable shoes and protein bars.
April 14, 2017, 9:19 am
A cult hit since its manga origins, Rupert Sanders’s live-action Ghost in the Shell has had to meet high fan expectations, particularly in regard to visuals. The film is as well known for its gritty, near-future post-cyberpunk aesthetic thanks to Mamoru Oshii’s 1995 animated film, and as Paramount Picture’s Scarlett Johansson-driven feature arrived in theaters, a legion fans were more curious about what the movie would would like than the cybernetic-focused science fiction plot. We chatted with VFX supervisor Axel Bonami about recreating the infamous future city.
April 13, 2017, 1:43 pm
What software can you download for free, right now, and get some editing work done with, especially if you're just a beginner? Which software should you learn first for a career in film and TV? Answers and more in this new post!
April 13, 2017, 7:40 am
Every Thursday, Chris Robinson takes a look at films from animation’s past. This week he screens a golden oldie from 1986, The Frog, The Dog, and The Devil.
April 12, 2017, 8:01 am
The Dreamsmiths Unleashed - Cinefex at VRLA 2017If you’re in Los Angeles this weekend, here’s your chance to meet us in person. Cinefex has a booth at the world’s largest immersive technology expo, VRLA Expo 2017. If you’re in the main hall, drop in and say hello – we’d love to meet you!
April 11, 2017, 12:37 pm
As a visual effects supervisor who works on a variety of film and TV projects (Some recent ones include Martin Scorsese’s The Wolf of Wall Street and Woody Allen’s Cafe Society), I am constantly aware of the dilemmas that filmmakers face when working with visual effects.
April 7, 2017, 10:04 am
Going through post-production on an independent film can be tough: editors are expensive and the process can drag on for months or even years, especially for documentaries. After reading that Particle Fever director Mark Levinson essentially made himself legendary editor Walter Murch's assistant on his own film's post-production, director Rain Perry decided to the same for her documentary The Shopkeeper, about a music producer in Texas.
April 6, 2017, 12:22 pm
Could artificial intelligence turn bad selfies into good portraits? Adobe Research thinks so — on Thursday, the team released a sneak peak at a current project developed by the company’s artificial intelligence framework, Adobe Sensei. While Adobe did not say how close the tech is to reality, the teaser video shows off a number of capabilities that could bring some serious selfie-editing power to smartphones.
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
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