Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
June 1, 2017, 12:38 pm
With the upcoming release of “Off the Tracks,” a documentary that chronicles the seismic shift that Final Cut Pro X introduced to the video industry in 2011, there been some chatter, even here on Fstoppers, about the video editing software’s place in history. I don’t have any qualms about its place in history: Simply put, it deserved better than what it got, which was heaps of shame, blame, and ultimately denial.
May 27, 2017, 1:12 pm
If you've got a project you're working on that includes some gunfire, one of your biggest obstacles is making sure that those gunshots look believable. If using squibs and blanks isn't really an option for you, you can always try to sell the effect in post, but you'll want to know a few techniques before you start dropping a bunch of smoke, spark, and blood spatter elements into your timeline.
May 26, 2017, 5:02 am
LOS ANGELES -- The British Academy of Film and Television Arts has announced the nine finalists for the 2017 BAFTA Student Film Awards. Following the recent international expansion of the Awards, this year’s finalists have been selected from over 400 submissions by students at film schools in 15 countries across the world, including Argentina, Austria, Canada, China, Germany, India, Israel, Lebanon, South Africa and the United Kingdom.
May 26, 2017, 2:11 am
Check out my review and tutorials of LUT Gallery, a new plugin for Resolve and FCPX that lets you see your LUT library as real-time previews instead of long text lists. A huge timesaver for any colorist or editor!
May 23, 2017, 4:16 pm
For Alien: Covenant, Ridley Scott’s newest deep dive into his Alien universe, Luma Pictures was called upon to create visual effects for several sequences. The studio researched and realized the tiny spores that inhabit some of the characters, including via ear canals – just getting that right required some pretty grotesque reference. Luma also delivered some other-wordly lamps inside the lab of the synthetic David. They rounded out the work with set extensions and graphics. And they killed James Franco.
May 22, 2017, 3:42 am
In most cases, indie filmmakers don't have the budget to hire someone to score their films. This means that you miss out on the benefit of having a score specifically designed to match what's going on up on screen, so you will have to figure out a way to do it with a piece of music that already exists. Though this is challenging, Kris Truini gives you a few helpful tips on how to pull it off, even if you don't have much experience working with music, scores, and soundtracks.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.