Be a part of a unique online community that connects post production professionals and film academics worldwide.
You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.
November 8, 2013, 5:33 am
Asia-Pacific, notably, China, is expected to lead 4K (or Ultra HD) TV unit shipments. However, the North American market is anticipated to be the first region to eclipse 5% (in 2017) and 10% (by end of 2018) of TV households. Despite limited 4K content, declining 4K TV prices will facilitate the expansion of the installed base through normal upgrade cycles.
November 8, 2013, 4:52 am
In this round up you can check out the post production work on Captain Philips, learn what Parallelism and Simultaneity are and hear from a fistful of feature film editors on their craft, including Oscar winning editor Steven Mirrione. That and a whole lot more.
November 7, 2013, 8:14 pm
With 1500 VFX plates, 900 final VFX shots and 350,000 R3D source VFX frames spread across more than a year's work and a hundred different people, Light Iron colorist and co-founder Ian Vertovec and CEO Michael Cioni needed to create an efficient data management and color pipeline for Ender's Game. In this case study, Light Iron takes you step by step through the collaboration and innovation that fueled this demanding project.
November 7, 2013, 2:24 pm
Hans Zimmer’s two late-2013 films couldn’t possibly be more different: “Rush,” a driving, in-your-face rock score for a competing pair of 1970s Formula One race car drivers, and “12 Years a Slave,” a quiet, melancholy string accompaniment for the tale of an educated, free African-American forced to endure the brutality of slavery in the antebellum South.
November 7, 2013, 11:18 am
Final Cut Pro X has been around now for over two years, and in that time many developers have been writing plug-ins to help enhance the editing process. The goal of this article is to share with you some of the amazing tools that have been developed to help speed up your workflow and bring some much needed tools back into the application. As we all continue to sharpen our editorial skills with FCP X there are some plugs-in that you just don't want to live without.
November 7, 2013, 5:39 am
Citing the Eastwood Scoring Stage at Warner Brothers Studios, producer Peter Macgregor-Scott said, “If Clint Eastwood can have a have one, then Donald Mitchell should have a dubbing room -- the Mitchell Room.”
When we discuss editing style we generally end up having one of two conversations. Either we talk about the very very old, th ...
The first day of NAB has wrapped and here's all the announcement highlights in a video that is less than 5 min.
There are so many types of comedies – slapstick, screwball, romantic, satirical, dark – but only one way to do it ...
What do you do to unwind at the end of a long day in the cutting room?
What drives you nuts that you wish people on set would stop doing?
There are films we all recognize to have great sound but what ones have you seen that needs more recognition and why?
Choose what Post News gets sent directly to your E-Mail, daily or weekly.
Get your post news on your favourite Apple device, when you want it where you want it.
Get your post news on your favourite Android device with the AOTG Android App.