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September 16, 2013, 4:31 am
SanDisk announced the Extreme Pro CFast 2.0 memory card with read speeds up to 450MB/s and write speeds of up to 350MB/s. A pinless design, currently only one camera announced will be able to utilize this new format the Arri Amira. Press Release...
September 12, 2013, 6:32 pm
For the second straight year, French post-production house Xtrem Productions covered the 24 Hours of Le Mans endurance car race using Apple’s Final Cut Pro X video editing software on Thunderbolt-enabled Mac computers. Using footage from multiple trackside and handheld cameras, the company produced driver interviews, race highlights, and features for TV broadcast and theatrical release. “Things are easier to do in Final Cut Pro X, and they’re much faster, which means we can not only do...
September 12, 2013, 10:42 am
While the arts emphasize their open-ended process and sometimes vague articulations importance to define the natural sciences, although it has long been largely speculative act, is still considered the experiment based on inductive method. The concept of this seems to indicate an experimental origin of the two spheres, the distinction is essential to maintain.
September 12, 2013, 4:30 am
Apple detailed some of the specs, and even showed off prerelease versions of the hardware to attendees at its annual developers conference earlier this month, but there are still many unknowns as to just what Apple will put inside the machine -- details that have a dramatic impact on what it costs to buy one.
September 11, 2013, 10:40 am
Today we bring you part 1 of a 2-part series on editing and Final Cut Pro X. I bring back fellow podcaster and veteran editor Chris Fenwick as we discuss various editing and work philosophies.
September 10, 2013, 2:08 pm
The magic of stop-motion animation has enthralled audiences for over a century, but with the advent of CGI, many thought it was at risk of extinction. Yet despite these fears, animators all over the world continue to manually create unique stories out of physical materials, be it clay, sand or paint, puppets or people. The amount of time and meticulous effort...
September 10, 2013, 9:35 am
When I started playing around with Magic Lantern RAW video, two things came to mind: First, a camera called the “5D” was once again the nucleus of a low-budget cinematographic revolution — this time thanks to the Magic Lantern team; Second, how was I ever going to be able to edit what I’d shot? I’ve learned a lot since then, and it turns out an offline/online, proxy-based workflow is not only possible, but powerful. Check out the process that I’ve been using to round-trip Magic Lantern RAW between Adobe Premiere CC and DaVinci Resolve Lite below.
September 9, 2013, 4:41 am
Adobe revealed today, that Adobe Media Encoder will receive a few very worthwhile updates, including long awaited GPU acceleration, direct implementation of Premiere Pro engine, and a number of new features. There are two...
Jesse is a four time Emmy winning editor, affiliate member of ACE, and a rabid Star Wars fan. Here he talks about editing for ...
Gordon sits down with Jeffrey Greenberg to discuss the upcoming Editors Retreat 2015. The episode includes discussion of teac ...
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