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May 6, 2013, 11:17 am
Designers and video editors used to ‘need’ Mac computers to get the job done. Now, they’re getting the job done equally well on both platforms. Macs have been the preferred tool of visual designers and video editors for decades. They’ve also been an outcast of PC-centric corporate networks. Over the years, an epic battle raged between network administrators and corporate creative groups over which machines were best for the company.
May 3, 2013, 5:37 pm
He’s the honcho of a department that edits hundreds of films each year for broadcast on TV and airlines, re-cutting films to address time constraints and Standards and Practices issues, all while preserving the asset as it travels through the many versions that are created in post-theatrical life.
May 1, 2013, 2:39 pm
The buzzword at this year's NAB was "4K," and technology is pointing the way to our 4K future by increasing the speed, the capability, and the efficiency of the tools relied on by filmmakers and other content creators. Here are...
May 1, 2013, 5:59 am
Check out this anatomy of a grade with colorist Chris Hall in DaVinci Resolve as he walks you through creating a 'magenta swing' look. Also some great primer tutorials on color correction in FCPX and Avid Media Composer.
April 30, 2013, 5:42 pm
Late April saw a full house at the French Institute in New York City, as the Manhattan Edit Workshop and author Bobbie O’ Steen hosted a conversation with Oscar, Emmy and Eddie Award-winning editor Stephen Rotter. With her “Inside the Cutting Room” seminars, O’Steen is known for guiding insightful discussions on the craft of editing, and this evening was no different. Rotter has cut 35 films in as many years, so there was a lot to draw from.
April 30, 2013, 5:41 pm
Both Autodesk and Adobe presented applications that more closely integrate traditional 3D creation with editing and compositing. Autodesk Smoke, which has been an extended public beta for nearly a year, debuted in its final configuration. Developed for Macs only, the program was completely rewritten around a traditional NLE timeline.
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Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest NY pl ...
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Bryan Atkinson and Gordon Burkell sit down to discuss his article on the making of Hannibal.
Christopher and Gordon discuss Moneyball and Capote.
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