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November 2, 2014, 11:53 am
Check out these 45 minutes of free training for DaVinci Resolve 11 from Mixing Light.com colorist Patrick Inhofer. Plus 34 days of tweeted tips from colorist Alexis Van Hurman. Edification on tap!
October 30, 2014, 4:44 am
My assistant editor is learning a valuable lesson in her young career. She’s learning that when she’s editing for others, it isn’t necessarily about her sense of creative expression. It’s more about what the producer/client/director wants.
October 29, 2014, 9:38 am
When Alejandro Gonzalez Inarritu approached longtime editor Stephen Mirrione about shooting a wholly different movie—one that looked as if it were filmed in one take—Mirrione assumed Inarritu’s reputation as a control freak would quash the project quickly.
October 29, 2014, 9:37 am
The BBC, working with Karmarama and Redbee Media, has brought together some of the world's most revered artists to officially launch BBC Music, creating a truly spectacular 'Impossible Orchestra' for their pan-channel broadcast of 'God Only Knows,' an extraordinary re-working of The Beach Boys' classic song.
October 29, 2014, 9:37 am
The key to working quickly in Pro Tools, or any DAW, is using various shortcuts and quick keys. There are many workflow enhancers often underutilized by producers because there are so many to remember. Plus, you may not use them all of the time, and thus, they slip the mind. The list below features some of the simple, but valuable Pro Tools features I use while composing and editing.
October 29, 2014, 4:50 am
KIP THORNE LOOKS into the black hole he helped create and thinks, “Why, of course. That's what it would do.” ¶ This particular black hole is a simulation of unprecedented accuracy. It appears to spin at nearly the speed of light, dragging bits of the universe along with it. (That's gravity for you; relativity is superweird.) In theory it was once a star, but instead of fading or exploding, it collapsed like a failed soufflé into a tiny point of inescapable singularity. A glowing ring orbiting the spheroidal maelstrom seems to curve over the top and below the bottom simultaneously.
October 29, 2014, 4:48 am
Like a lot of people I know in the Digital Asset Management trade currently, my firm has been deluged with client work for a sustained period. Several times in recent weeks, I’ve been asked why I think that is. Some vendors advance the theory that it’s because their solutions have become more sophisticated and demand has increased as a result. A few consultants take the view that their educational efforts are bearing fruit (and not before time some of the older hands are keen to point out).
October 28, 2014, 9:55 am
Special effects makeup artists have historically been the driving force behind what makes a movie "magical." But, since the dawn of the digital age, makeup artists have had to adapt their style and technique to rediscover where they fit in the movie-making business.
October 28, 2014, 9:52 am
When ParaNorman opens on August 17, it will be the second feature from Portland stop-motion animation house Laika, which birthed Coraline, and only the third stop-motion animation feature to be made in stereoscopic 3D (Coraline and Aardman Animations' The Pirates! were the first and second, respectively). At Laika, 550 2D, CG and stop-motion artists painstakingly handcrafted and shot every frame of ParaNorman over a two-and-a-half year period.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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