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September 14, 2014, 6:14 am
After being locked in a dungeon on numerous Avid and Final Cut Pro projects, I’ve finally settled into spending some quality time with Premiere Pro CC 2014. Much to my surprise, it looks like the development team over at Adobe decided to remove the trim monitor panel shortcuts for “Focus Both Outgoing and Incoming”, “Focus on Incoming Side”, and “Focus on Outgoing Side”. After spending so much time with Media Composer’s trim mode, I started to hyperventilate thinking that Premiere’s trim mode would be crippled by the need to use the mouse.
September 14, 2014, 6:14 am
At IBC I have just had a personal extended demo of the new Avid S3L-X. When I saw the original announcement it didn’t seem to be a big deal, but now I have been given the personal tour of the Avid S3L-X I can see much more clearly what they have done.
September 13, 2014, 8:24 am
The All group is created by default in each new session. Its ID letter is “!” so in the mix window it can be toggled using shift+1. In a simple session it can be useful for freeing up headroom if your master fader has started to clip.
September 13, 2014, 8:22 am
Color models and character studies for “Peter and the Wolf” by Chuck Jones. It aired on ABC and won the Emmy for best children’s programming in 1996.
September 12, 2014, 4:44 am
Fewer and fewer large professional recording studios are being built and many more are being set up in spaces not designed for the purpose. Professional recording studios are designed with several considerations, of course acoustics are high up the list, after all they have to sound great. However some unseen essentials are there too and often overlooked in smaller ad-hoc or home studio set-ups, but these things are essential if you want to make trouble free recordings.
September 12, 2014, 4:40 am
Congratulations to the winners of the editing awards at the 2014 WA Screen Awards: Roderick MacKay for Factory 293 (Best Short Form) and Nick Dunlop for Comic Book Heroes (Best Long Form). Nick also picked up the Best Direction award and Best Television Production - Factual.
September 11, 2014, 12:34 pm
Lush, rich pads are probably my favorite type of patch to make when working with synthesizers. I love the fullness that they bring to a track, especially when I get to play huge, thick chords.
September 10, 2014, 4:06 pm
Last year, Simon Stanley Clamp talked to us in details about the Cinesite’s work on IRON MAN 3. He then supervised the visual effects of movies such as WORLD WAR Z, ROBOCOP and EDGE OF TOMORROW.
September 10, 2014, 9:49 am
Until recently, CGStudioMap CGSchoolMap and services, subsequently merged into a single site (CGStepInside), proposed a global map of 3D studios / VFX / Animation / Video Games / Schools. service inaccessible for several weeks now officially dead, as confirmed on Twitter Jordi Riera (co-founder of the company who published the service). Nevertheless, a new website with CGStepInside arm is placed on the same niche: VFX World Map . . Offers a global map of studios and sites teachings related to 3D, film and post-production still young, the site has quite a few studios for now; it is possible to offer companies to add.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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