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Resolve Training - Grade a Short Film in Class
ArticleMay 6, 2013, 11:17 am
Patrick Inhofer from the TaoOfColor.com has scheduled a training in Austin to teach color correction and color grading a short film. Here is even better
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My Tapeless Workflow Backup and Archive Strategy
ArticleMay 6, 2013, 11:17 am
Update May 6, 2013: This article will give you a good foundation to start with. However, since the original writing of this post in 2011, I've updated my workflow to fit FCPX.
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Mac vs PC? Meh. We've grown up
ArticleMay 6, 2013, 11:17 am
Designers and video editors used to ‘need’ Mac computers to get the job done. Now, they’re getting the job done equally well on both platforms. Macs have been the preferred tool of visual designers and video editors for decades. They’ve also been an outcast of PC-centric corporate networks. Over the years, an epic battle raged between network administrators and corporate creative groups over which machines were best for the company.
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Terman, Sony Pictures’ Supervising Editor
ArticleMay 3, 2013, 5:37 pm
He’s the honcho of a department that edits hundreds of films each year for broadcast on TV and airlines, re-cutting films to address time constraints and Standards and Practices issues, all while preserving the asset as it travels through the many versions that are created in post-theatrical life.
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Just What is Aframe?!
ArticleMay 2, 2013, 9:36 am
Being a cloud-video-asset-management-software-service-with-API-platform isn't as easy to explain as you might think, you know.
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Just What is Aframe?!
ArticleMay 2, 2013, 4:33 am
Being a cloud-video-asset-management-software-service-with-API-platform isn't as easy to explain as you might think, you know. So to answer that age old questio
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First look at Lightworks beta for Linux
ArticleMay 1, 2013, 5:00 pm
It's finally possible to download and run an awards-winning non-linear video editor Lightworks on Linux, for free.
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Eight Trends Spotted at NAB 2013
ArticleMay 1, 2013, 2:39 pm
The buzzword at this year's NAB was "4K," and technology is pointing the way to our 4K future by increasing the speed, the capability, and the efficiency of the tools relied on by filmmakers and other content creators. Here are...
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Color Correction in Resolve, FCPX & Avid
ArticleMay 1, 2013, 5:59 am
Check out this anatomy of a grade with colorist Chris Hall in DaVinci Resolve as he walks you through creating a 'magenta swing' look. Also some great primer tutorials on color correction in FCPX and Avid Media Composer.
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Transition Tips For Final Cut Pro X
ArticleApril 30, 2013, 5:42 pm
If you want to make light work when creating and editing transitions in Final Cut Pro X to this is the article for you! Ben Balser delves into his box of tricks
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