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January 31, 2015, 1:24 pm
In this video we show you how to properly set your 3D camera to match the real world camera, either by using the original sensor size or the crop multiplier in the focal length. This video is part of the CG Generalist Course.
January 29, 2015, 5:38 pm
What did you do last week? I mercilessly tore my living room apart and temporarily transformed it into a green screen (a.k.a. “chroma key”) studio in which I directed a short comedy called 2084. For as long as I can remember, my friends and I have joked about shooting 2084 on a massive soundstage with high-end gear and a huge crew — total overkill for this very silly, 3-minute short. Well, after ten years of that not happening, we finally decided to shoot 2084 with a tiny crew (four of us) and a budget just large enough to cover lunch.
January 29, 2015, 1:49 pm
Maybe you haven’t noticed, but in the past 20-or-so years there’s been a real catchy trend in major Hollywood movies to constrain the palette to orange and blue. The color scheme, also known as “orange and teal” or “amber and teal” is the scourge of film critics – one of whom calls this era of cinema a “dark age.”
January 29, 2015, 1:47 pm
Fiddlewax Pro is an intriguing app for iPad that’s designed to let you compose without necessarily needing too many conventional musical skills. Billed as a music sketchpad and MIDI controller, it is surprisingly lightweight and futuristic-looking and does a good job of packing almost all its functionality into a single screen.
January 29, 2015, 8:14 am
Grab yourself one of these 5 fine books to take your technical knowledge of digital cinematography, data management, post production workflows and DIT know-how to new heights. Plus 3 readers have the chance to win all 3 of the Focal Press books reviewed in the post, worth $140!
January 29, 2015, 8:12 am
If you want to know what it takes to be a professional DIT check out this epic round up of DIT resources, including insights from top DoP's, books for DIT's, discounted training on DCP creation and more!
January 27, 2015, 8:45 pm
Why does the colour of light get cooler as the colour temperature increases? If Lee 201 Full CT Blue converts 3200K tungsten light to 5700K daylight, why do two layers of 201 (or one layer of Lee 200 Double CT Blue) convert the same 3200K light to 26,000K? Is it actually possible to predict the outcome of combining correction filters?
Here’s part two of my interview with David Moritz, originally recorded during Editors Retreat 2015. David’s work ...
Here's the post production news for the past week. This includes Dreamworks News, Blackmagic News, Oscars, and more!
One thing I love to do is tinker with things. Because of this, I find myself adding things to my post production toolbox that ...
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