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October 15, 2015, 4:15 pm
Steven Woloshen, the acclaimed animator, writer, and teacher, and I were sitting and talking in the cafeteria at the National Film Board of Canada. He was surrounded by his colleagues, but I was surrounded by luminaries of animation. My attention drifted from talking to him as a person, to talking to him as an award-winning animator.
October 13, 2015, 7:32 am
Recently the so called “LTO” Technology Provider Companies HP, IBM and Quantum announced the LTO Ultrium format generation 7. LTO is a system that has gone through many changes, in security, ease of use and increase in data storage. Many have been waiting for this update and now finally it is at your doorstep.
October 13, 2015, 5:12 am
Throughout the fall of film and the rise of digital, Quentin Tarantino (Inglourious Basterds) has firmly stuck with film. Tarantino has discussed his plans to retire at 60, but he’s even gone as far to say, if theaters can’t show 35mm anymore, he “won’t even make it to 60.” Tarantino shot his upcoming film, The Hateful Eight, on 70mm. To make sure people experience the film in all its beauty, not only will there be roadshow screenings of the western, there will also be two different versions of The Hateful Eight. Learn more after the jump.
October 13, 2015, 5:11 am
Nico Ilies is Head Colourist at Technicolor in Montreal, which recently joined the New York, Los Angeles and London Technicolor facilities with Baselight as part of their DI pipeline. Nico started his career as a colourist in Munich 20 years ago and brings an impressive portfolio. Most recently he graded the BBC television production, Jonathan Strange & Mr Norrell.
October 9, 2015, 4:32 pm
Framestore recently delivered 338 shots for The Martian, directed by Ridley Scott and starring Matt Damon. The sequences follow Mark Watney (Damon) and his fellow astronauts in outer space environments that are synonymous with the Framestore name, thanks to 2013’s Oscar-winning Gravity. The post Framestore Completes VFX Work on The Martian appeared first on Below the Line.
October 6, 2015, 1:19 pm
While directors, cinematographers, and other manufacturers of the image hog the mystique, there are relatively few “name” editors. Thelma Schoonmaker is one exception who proves the rule. This is in part because of the unprecedented plaudits that Schoonmaker has received in her field, winning three Academy Awards, out of a total of seven nominations. This recognition has come through the single most vital artistic relationship of her career, with director Martin Scorsese. Their collaboration began in 1967 with Scorsese’s feature debut, Who’s That Knocking at My Door, became habitual with 1980’s Raging Bull, and has continued fruitfully through last year’s The Wolf of Wall Street.
October 6, 2015, 5:20 am
Framestore delivers 338 out-of-this-world visual effects sequences for Ridley Scott’s ‘The Martian,’ including the space ship Hermes, CG environments on Mars, and a dazzling ending sequence.
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