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March 8, 2015, 3:58 pm
In 2013, Glenn Melenhorst had explained to us about his work on THE WOLVERINE. He then take care of the effects for the documentary DEEPSEA CHALLENGE 3D. Now he talks about the Iloura‘s work on THE SPONGEBOB MOVIE: SPONGE OUT OF WATER.
March 8, 2015, 9:11 am
Bruce Buecket reached out to let us know he has just released a new library on his site Bottle Rocket FX called The Cyborg Collection. This library containing an array of sci-fi sound effects. Everything from simple droids to powerful plasma rifles and futuristic transformations.
March 6, 2015, 11:10 am
Chuck Jones spent years working in the entertainment industry as writer, a director, an animator, a cartoonist and a producer. He’s probably most notable for his work with MGM on Looney Tunes, creating such iconic cartoon characters as Bugs Bunny, Daffy Duck, Porky Pig, Wile E. Coyote and his nemesis, Road Runner.
March 6, 2015, 7:26 am
If you've ever wondered what it's like to be a working DIT or on-set colorist then the interview with Duck Grossberg in this instalment of How To Be a DIT will give you a great insight into his working day. That plus a ton of info on DIT Gear, LUTS and colour management...
March 3, 2015, 5:34 am
Perhaps an off-the-wall alternative to Smoke, Nuke and Fusion is HitFilm (www.hitfilm.com). Now in its third release, Hitfilm is a surprisingly capable 3D compositing and VFX solution – with the added benefit of editing facilities.
March 2, 2015, 5:57 pm
Looking to rebound from the box office disaster that was After Earth, Will Smith is coming back with a role that helped restore his critical and box office mojo (it was the number one film this past weekend). In Focus, Smith plays a con man who grooms an attractive young woman into the art of the grift. While Smith is bound to shine doing what it he does best, it may be the post-production work, performed in Final Cut Pro X, that may steal the show.
The first day of NAB has wrapped and here's all the announcement highlights in a video that is less than 5 min.
There are so many types of comedies – slapstick, screwball, romantic, satirical, dark – but only one way to do it ...
Gordon sits down with Aaron Butler a film editor who has recently transitioned from feature documentaries to feature fiction ...
What do you do to unwind at the end of a long day in the cutting room?
What drives you nuts that you wish people on set would stop doing?
There are films we all recognize to have great sound but what ones have you seen that needs more recognition and why?
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