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March 6, 2016, 7:25 am
In the early years of work we are obsessed, so obsessed with tools that they become the focus of our attention. The desire to acquire the best tools, to master them and use them drives us forward. So much so that we over use them. We over process sounds in order to make them “ours.” We pan too many sounds, use too much artificial reverb, remove so much of the noise that we take the life out of what isn’t noise.
March 4, 2016, 10:45 am
Final Cut Pro X has gone through a lot of changes since it first debuted as a reboot back in 2011. Since then, the app has grown up significantly, but it’s been able to retain its relatively low barrier to entry in the process. Final Cut Pro X is remarkably simple to learn, but it has a fairly high ceiling for growth.
March 4, 2016, 5:31 am
As a filmmaker, you understand the impact that music and other audio elements have on your project. But how can you make your audio the perfect fit for your film? How can you make it sound professional and true to your film’s goals? You must edit your audio. Here are some of the most important things you should know before you embark on the editing process.
March 3, 2016, 2:42 pm
Spin VFX, which has created stunning visual effects for over 75 features and 15 television series, including Emmy award-winning work on HBO’s Game of Thrones and most recently work on Tim Kring’s dramatic fantasy mini-series Heroes Reborn for NBC is pleased to share their work on the sci-fi drama The Expanse.
March 3, 2016, 4:58 am
With so many online creative video review tools available to filmmakers, it can be tough to figure out which service will serve you best. Check out this comparison to see what each one has to offer.
March 2, 2016, 11:25 am
Charlie Tait began his career in visual effects in 1996 at Cinesite. He worked on films like EVENT HORIZON, TOMORROW NEVER DIES, or LOST IN SPACE. He joined Weta Digital in 2000 and worked on the LORD OF THE RINGS trilogy. He participates in many projects of the studio like AVATAR, PROMETHEUS or IRON MAN 3.
March 2, 2016, 11:24 am
Despite a steady onslaught of major technical VFX innovations, it remains a massive challenge to animate cold-weather breath digitally. A great example of this truth is found in the following clip from The Social Network.
February 29, 2016, 11:25 am
Recently announced by the SD Association, the new Video Speed Class adds to the current range made up of the Speed Class and UHS Speed Class, with capture rates of up to 90MB/s. As was the case with the previous two classes, there is certain overlapping between them, all of which are better illustrated in the table below.
February 28, 2016, 1:08 pm
Technicolor weaves visual effects techniques into the color-finishing suite, and a whole lot more, to help Alejandro González Iñárritu and Emmanuel Lubezki execute their natural-light aesthetic for the critically acclaimed survival epic.
Gordon sits down at NABShow 2016 to interview Matt Feury (Director - Pro Video) and Tony Cariddi (Marketing Director - Audio) ...
Gordon sits down with Bryce Button to discuss the U-Tap, Kona IP, and the new Helo!
Gordon Sits down with Blackmagic Design to discuss their announcements.
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