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August 3, 2015, 8:06 am
We're all familiar with creative sound design for narrative films—from the buzz of a lightsaber to the roar of a T. rex. But what about the sound in documentary films? Is there a role for abstract sound to play when your film depicts real events?
August 3, 2015, 8:06 am
Adobe has put a little more face tracking spice in you After Effects gumbo. But does it pass mustard? Find out in this tutorial and review of this new feature. It all started out quite well and really rambled as I had things to say about it as we went. The bottom line is: I”m not thrilled, but maybe it’ll surprise me, and you, as we all get to know it a bit better?
August 3, 2015, 8:05 am
Jacek Irzykowski – Selection of my dmp shots created during Fury Road production. Nearly all the sequences required Nuke 3d set up and camera projections. The usual workflow would start with simple geo created for projections in Maya.
August 1, 2015, 9:48 pm
Learn how to use Xpresso and other native Cinema 4D tools to create this ‘write-on’ effect and take advantage of the great array of tools Cinema 4D offers to work with splines. In many ways they surpass the abilities of Illustrator in simplicity and ease of use.
Two days ago, Adobe released a bug-squashing update for Premiere Pro CC 2015. What is your reaction? Did it fix any issues...
If you saw the article on Film School Rejects about The lazy backlash against CGI, I want to know your thoughts? Is the au...
In June 2015, Gordon hosted a panel for Manhattan Edit Workshop's "Sight, Sound and Story" event. The panel wa ...
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now ...
The latest film post production news in under 5 minutes. This week's news includes Sennheiser fiscal, Disney honours, Aa ...
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