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February 20, 2017, 6:17 am
Every year, five films are nominated for an Academy Award in the “Visual Effects” category. Each of the projects nominated this year offer a unique, inside look at the amazing tricks filmmakers and their talented effects teams use to pull off the visual spectacles that make for a big-screen blockbuster. In recognition of these five films — and one of our favorite Oscar categories — we’re putting the spotlight on one “Visual Effects” nominee each day leading up to Sunday’s broadcast, and taking a closer look at what made them stand out.
February 17, 2017, 10:53 am
Editors groan about the fact that only one user can access a given Apple FCP-X library at a time. This makes collaboration a challenge. But in this video tutorial, you’ll learn how to integrate Final Cut Pro into an efficient team workflow with Avid NEXIS | PRO in just a few steps.
February 17, 2017, 5:23 am
Our FX simulation team won a VES award for their beautiful “Naturalistic effects’ work on Disney’s The Jungle Book. In computer graphics, FX artists simulate physical phenomena such as fire and water, as well interactive elements such as debris, dust and atmospheric effects.
February 15, 2017, 4:50 am
Filmmaking is about to experience its Money Ball moment, where big data will begin to inform our creative decision making processes. Misha Tenenbaum, CEO of EditStock.com explained how data will shape the way we teach editing in the future.
February 14, 2017, 8:24 pm
Vertical Video Syndrome was something people laughed at when the first videos appeared in YouTube, but even YouTube had to bow to the power of portrait mode video. The future is – also – 9:16. When, in 2015, the app YouTube for Android allowed users to view portrait mode videos properly with their smartphones, it The post Vertical video: a video editing solution for smartphone users appeared first on ProVideo Coalition.
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