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November 17, 2018, 1:23 pm
The Australian microphone manufacturer RØDE has just announced its new RØDECaster Pro audio integrated console for live or live-to-drive production, be it for radio or television, online or conventional. The device has several microphone inputs, virtual carts to play pre-recorded our opening, bridges, bumpers, jingles and spots, as well as mix-minus, a built-in audio recorder, APHEX aural exciter/compressor/limiter/gate and much more. While I await a review unit, I’ll cover everything I know about it so far.
November 17, 2018, 7:27 am
Breaking news! Last month ATT’s acquisition of Time Warner led to the announcement that FilmStruck, and the Criterion Channel thereon, would be discontinued. (Today I got my refund for the rest of my annual subscription.) But many film fans and filmmakers have kicked up a fine fuss. One especially robust bloc wrote directly to Warner […]
November 16, 2018, 10:06 am
John Altmann spent 20 years as a recording engineer, recording local San Francisco Bands and running his own studio in San Francisco, John Altmann Recording. He’s also the owner of Aircraft Records and has spent the last 36 years recording airplanes. DS: Hi […]
November 15, 2018, 2:20 pm
Apple today has updated Final Cut Pro X to 10.4.4, Motion to 5.4.2 and Compressor to 4.4.2. We take a look at the new features including the new third party apps that work within FCPX.
November 15, 2018, 2:20 pm
By Mel Lambert Key members of the post crew responsible for the fast-paced look and feel of director Fede Alvarez’s new film, The Girl in the Spider’s Web, came to the project via a series of right-time/right-place situations. First, co-supervising sound editor Julian Slater (who played a big role in Baby Driver’s audio post) met picture editor Tatiana Riegel at last year’s ACE Awards. Continue reading → November 15, 2018 The post The Girl in the Spider’s Web‘s immersive aud...
November 15, 2018, 10:03 am
Many content producers are excited about Adobe’s new Premiere Rush. That’s the final product name for the code-named Project Rush multiplatform production tool I covered in a prior article, an episode of BeyondPodcasting, and other ProVideo Coalition contributors have covered (links ahead). Now that Premiere Rush is out of beta and officially available for iOS (iPhone, iPad, iPod Touch), macOS and Windows (but still pending for Android and Chromebook), Cielo de la Paz of The Storyographist and I have been able to determine five issues that the Adobe Rush team must address immediately, or at least the first four of them.
November 14, 2018, 7:33 am
Director Antoine Fuqua has been selected as this year’s recipient of the Motion Picture Sound Editors (MPSE) Filmmaker Award. Fuqua will receive the award at the 66th MPSE Golden Reel Awards, scheduled for February 17 in Los Angeles. Previous recipients of the award have included Kathryn Bigelow, Guillermo del Toro, Sam Raimi, Darren Aronofsky, George Lucas, […] The post Motion Picture Sound Editors Give Filmmaker Award to Director Antoine Fuqua appeared first on Studio Daily.
November 13, 2018, 7:20 am
SANTA MONICA, CA — The bicoastal editorial and finishing boutique Exile (www.exileedit.com) recently added editor Kyle Brown to its team. He brings nearly a decade of experience in the editing suite, having honed his skills at NO6 and Arcade Edit.
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at A ...
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
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