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October 20, 2017, 5:27 am
In this exclusive video profile we feature the sound team behind Director Denis Villeneuve's, Blade Runner 2049 featuring supervising sound editor Mark Mangini, sound designer Theo Green, re-recording mixer Doug Hemphill and Ron Bartlett, picture editor Joe Walker and Composer Hans Zimmer and Benjamin Wallfisch.
October 11, 2017, 4:30 am
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios.
March 17, 2017, 4:42 pm
In this episode René and Timothy talk to Nia Hansen about her career at Skywalker Ranch. She has worked on blockbuster films including Captain America: Civil War (& The Winter Soldier), Thor: The Dark World, War Horse, Dr. Strange, Jurassic World, Big Hero 6 and many more. She tells us about life at Skywalker and what it is like to work in high pressure audio post production environments. Lots of great stories about what it is like in the trenches of some of Hollywoods biggest productions.
January 11, 2017, 5:57 pm
Pete Lee is a location recordist that specializes in recording in extreme environments. He has recorded on volcanos and the frozen tundra, in rain soaked jungles, steep mountain sides and alligator filled swamps just name a few. As Bear Grylls' go to sound man Pete has travelled the world with a mic on his shoulders. He has some great gear advice and crazy stories - so listen up!
November 30, 2016, 5:22 am
This week we are celebrating the 1-year anniversary of Star Wars Battlefront by talking with the sound team including Audio Director Ben Minto, Sound Designer David Jegutidse and Sound Designer Martin Wohrer.
October 21, 2016, 5:45 am
Attention soldier! In this episode we talked with Lead Sound Designer Andres Almstrom and Audio Director Bence Pajor from EA Dice studios located in Stockholm, Sweden who recently finished work on Battlefield 1.
October 11, 2016, 5:15 am
In this episode, we talk about wasted Render farms, and better data plans. We talk about how to keep learning and pivot to making things that work, and we talk about why Whirlyball is way better than Paint Ball.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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