May 20, 2013, 11:16 am
These are some quick tips for more precise audio work in Premiere Pro ... Setting up your workspace and switching your sequence to Audiounits so you can line up audio clips better in your sequence.
May 16, 2013, 9:00 am
Dan Lebental is renowned for his work on Iron Man 1 and 2, Cowboys and Aliens and of course Elf. Now he brings the editing room to the iPad with TouchEdit, a professional editing app that has become an important part of his editing experience.
May 1, 2013, 12:32 pm
Were you at NAB? Well, here's something you didn't get to see there. Josh Weiss from Retooled.net joins me to talk about their first product. ReLink ReTooled. If you have had trouble with conforming projects this is your product. You can follow Retooled on Twitter (@retoolednet) or on Facebook (facebook.com/retooled.net).
April 22, 2013, 5:58 pm
AOTG got a hold of Al Mooney durning NAB to discuss how Adobe designed and integrated Premiere Pro’s new features, the usefulness of Adobe Story and the use of a script as metadata, and the future of interactivity with Adobe Premiere and Adobe Edge.
April 22, 2013, 12:10 pm
Last week I met with Al Mooney and we discussed Premiere Pro, however, we also diverged into the area of Adobe Edge and the future possibilities of editing. Definitely, something you don’t want to miss.
April 22, 2013, 9:41 am
When I was at NAB I met with Leigh F. Herman who is Director of Business Development in the Sony Creative Software division. We discussed Sony Vegas Pro 12 and Sync Link, unfortunately we were limited by time so we didn’t get to go into Spectral Layers Pro and Sound Forge Pro but, I’ve used Spectral Layers Pro before and loved it.
April 5, 2013, 2:17 pm
In this episode we are prepping for NAB so we've pulled from our Edit Fest Archives and have posted this interview with Christopher Tellefsen discussing his approach to editing Metropolitan. The interview is conducted by Bobbie O'Steen and this was recorded by the A.C.E.
April 2, 2013, 7:03 pm
In this interview, I’m talking with Markus Loeffler, the developer of Technicolor Color Assist, and Asif Ahmed, Technicolor product specialist and filmmaker who is also an experienced film director. March 22, 2013.
March 28, 2013, 10:57 am
“OZ The Great and Powerful” was recently released in theaters nationwide and there’s a lot of buzz about the “look” of the film. Stephen Nakamura, of Company 3. one of the most sought-after DI (digital intermediate) colorists in the industry, is one of the key people responsible for the look of this film. In addition to Oz, his work has been seen on countless features, including Prometheus, Zero Dark Thirtyand the upcoming Spring Breakers, from director Harmony Korine.
March 25, 2013, 11:32 am
In this episode Steven and Gordon discuss editing the first feature on Avid back in the 1990's and his book that he wrote initially for friends called Avid Agility. You can check out his book at splicenow.com and of course learn more at aotg.com