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February 18, 2017, 4:42 pm
Oscar nominated for their labors on Marvel’s Doctor Strange, visual effects supervisors Stephane Ceretti and Richard Bluff are emblematic of the magic their craft can bring to big screen endeavors. Injecting magic into the Marvel Cinematic Universe with the Benedict Cumberbatch-starring film, the pair had an important part to play in the future of the studio, creating the looks for several mystical dimensions that may appear in future Marvel movies.
February 18, 2017, 4:56 am
Learn a little or a lot about the new features in Premiere Pro CC 2017. Up your editing game with tutorials on colour grading, compositing and 5.1 surround sound mixing - all in Premiere Pro!
February 17, 2017, 10:49 am
9In scooping a visual effects Oscar nomination, Travis Knight’s Kubo and the Two Strings became the first animated film to do so since 1993’s The Nightmare Before Christmas—a recognition due, in part, to the work of visual effects supervisor Steve Emerson, who also this month received the VES Award for Outstanding Visual Effects in an Animated Feature, alongside Knight, producer Arianne Sutner, and Brad Schiff.
February 16, 2017, 1:15 pm
If you do any compositing work in After Effects, you know how important it is to manage your project to ensure that the application continues to run at peak performance. After Effects definitely uses a lot of computer resources, and before you know it, the complexity of compositions, the number of applied effects, and the sheer volume of assets will start to slow down the software.
February 13, 2017, 6:06 pm
As a video production professional, it's important to maintain an ongoing collection of assets that you can pull from and use in various projects. Whether it's stock footage, sound effects, music, templates, or graphics, having a robust library is an invaluable resource.
February 9, 2017, 3:53 pm
For team projects to work, all of your collaborators will need access to the project assets. The easiest way to handle this is to have all of your project media available over SAN or NAS network volumes. Shared storage will still be an important part of this workflow. When you’re working in a shared environment, having centralized storage with enough bandwidth to support multiple editors, colorists, etc., is vital.
February 9, 2017, 8:07 am
How do you make the jump from assistant film editing to being the sole editor on a film? John Wick Chapter 2 Editor Evan Schiff shares his wisdom on doing just that, after 10 years as an assistant film editor.
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
Gordon sits down with Steven Rosenblum to discuss the editing of Birth of a Nation. They talk about lack of footage and how t ...
Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program i ...
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