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June 25, 2017, 3:04 pm
Though his nomination for a Best Editing Oscar for Moonlight wasn’t as monumental as his co-editor Joi McMillon’s—she was the first African-American to receive a nod for the award—Nat Sanders’ collaboration with director and former classmate Barry Jenkins was equally instrumental in achieving the film’s breezy cutting style that offsets even its most brooding moments.
June 24, 2017, 3:09 pm
From rising YouTube stars to big Hollywood blockbusters, Adobe Premiere Pro has long been an industry standard when it comes to video editing. But like any piece of professional software, the list of advanced features comes with big potential and a steep learning curve. Because navigating the program can be both exciting and nerve-wracking for the unfamiliar, we asked the pros to share a few Premiere Pro tips.
June 22, 2017, 6:30 am
Why should an editor consider taking Hans Zimmer's Composing Masterclass?
Because editing is inherently musical and music interwoven with successful storytelling...
Plus 5 Things Hans Zimmer can Teach Film Editors
June 21, 2017, 5:31 pm
AI has won at Go and done a few other cool things, but so far it's been mighty unimpressive at harder tasks like customers service, Twitter engagement and script writing. However, a new algorithm from researchers at Stanford and Adobe has shown it's pretty damn good at video dialogue editing, something that requires artistry, skill and considerable time. The bot not only removes the drudgery, but can edit clips using multiple film styles to suit the project.
June 21, 2017, 4:53 am
Internationally acclaimed visual effects studio leverages proprietary virtual anatomy and biophysics simulation platform co-founded by SciTech Academy Award winner James Jacobs for character and creature work.
June 20, 2017, 9:11 am
Last month saw the release of the poster for Spider-Man: Homecoming. The design was – well – pretty crowded to say the least. Featuring Peter Parker, Tony Stark as himself, Tony Stark as Iron Man, new baddie Adrian Toomes and the Vulture twice, plus both fireworks and lasers, and the Manhattan skyline and the Washington Monument squished in for good measure.
June 15, 2017, 2:04 am
Discover the free tools you need and the essential advice to heed on what it takes to correctly create and deliver a DCP (Digital Cinema Package) for viewing in a film festival or cinema screening.
June 14, 2017, 4:04 pm
The world’s first blogger started his journey only a couple of years after non-linear editing ignited the film editing industry. Avid 1, the first modern non-linear editor, brought an incredibly innovative improvement to film editing only a few years before the creation of the first blog in 1994. This was just the beginning. With all of these new non-linear innovations, a story began to build, one that needed telling. We created a list of the top ten film editing blogs you should bookmark right now to keep up with this incredible story.
June 14, 2017, 10:35 am
During a wide-ranging discussion at Saturday's Sight, Sound & Story panel in New York, Academy Award-nominated editor Dylan Tichenor, ACE revealed to moderator Bobbie O'Stein that he first began to comprehend film editing while watching classic films like Nosferatu with his father. It was during these formative viewing experiences—including holding a piece of film from Orson Welles' The Magnificent Ambersons up to the light—that Tichenor realized movies were composed of different shots.
June 12, 2017, 1:18 pm
CalDigit's Tuff line of rugged USB-C external drives have been a great option for those looking to take extra storage or backups on the go for a while now, but in addition to the existing 2 TB model using a 5400 rpm spinning hard drive, the company recently expanded the line to include a 1 TB solid-state drive option.
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
In this episode of The Cutting Room, we explain just where we have been for the past four months. We'll begin regularly ...
Joe Walker joins Gordon to discuss the editing of Denis Villeneuve's film Arrival. They focus on Time and manipulating t ...
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