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October 23, 2020, 12:43 pm
So far in befores & afters’ Body of Work series, we’ve looked at creatures, robots, fluid sims and face replacements. Now we’re diving into crowds with Rodeo FX, and their particular challenges faced on the projects Now You See Me, Game of Thrones and Fantastic Beasts: The Crimes of Grindelwald.
October 23, 2020, 12:43 pm
This week we are featuring Dirty Filter from Bedroom Producers Blog. It features a pair of resonant filters and emulated analogue tube circuitry. You can use the BPB Dirty Filter in your favourite DAW to add some subtle colouration or to crush the audio signal into pieces.
October 21, 2020, 4:03 pm
Yesterday marked the first day of Adobe MAX 2020, this year taking place entirely online and free to access for all. I’ve been lucky enough to be invited to cover the event the past two years and this time was no different (although obviously, from the comfort of my apartment).
October 21, 2020, 12:26 pm
With these FREE animated motion graphics templates for Premiere Pro, you can add some eye-catching animated titles to your edits — quickly and easily.
October 20, 2020, 12:45 pm
VIEW Conference has just announced that its 2020 Visionary Award is being presented to Industrial Light & Magic senior VFX supervisor and creative director, Dennis Muren, who will participate in his own keynote Q&A on the conference’s final day. Part of the core visual effects team that worked on the original Star Wars, Muren was at the forefront of the digital effects revolution with his groundbreaking work on The Abyss, Terminator 2: Judgment Day and Jurassic Park. At ILM, the nine-time Oscar winner continues to steer the evolution of the company while championing new effects techniques and technologies.
October 20, 2020, 12:45 pm
Industrial Light & Magic’s Dennis Muren will receive the VIEW Conference’s 2020 Visionary Award during this year’s event, which is taking place both in-person in Turin, Italy, and virtually.
October 15, 2020, 12:31 pm
Home studios today are somewhat limited in gear, especially when it comes to microphone selection. That means that many of the tracks end up getting recorded by the same mic sometimes, which isn’t ideal when it comes to fitting mix elements into the mix. Choosing the right microphone for the job can be a crucial decision when it comes to not only a good recording, but having the element fit into the mix later.
October 15, 2020, 12:31 pm
This category typically correlates to best picture but as we’ve seen with past winners like “Birdman,” that’s not always the case. Plenty of usual suspects in the mix like Kirk Baxter and the still unrewarded Tariq Anwar. There have been only four women who have won this category in the last 20 years and (for the moment) Chloe Zhao looks to be the best shot but there are six more months to go.
October 14, 2020, 5:53 pm
EXCLUSIVE: Global VFX house DNEG has bolstered its offering in Los Angeles with the appointment of visual effects supervisor Bryan Godwin.
October 14, 2020, 12:30 pm
As part of my efforts to share the experience of some veteran film editors, this week I’m honored to interview editor Steve Rotter, who was nominated for a BAFTA for sound editing on Dog Day Afternoon – a film edited by his mentor, Dede Allen. He won an Emmy and an ACE Eddie for editing [...]Read More...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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