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February 17, 2020, 4:08 pm
When working as a one-man band, you often need to take on all aspects of a production – this includes colour grading. Grading can be an especially time-consuming process. When building a look from scratch—and when you have a tight deadline to meet—you need a way to get your footage looking great as efficiently as possible, without skimping out and settling for a video that looks subpar in the colour department.
February 17, 2020, 4:08 pm
Accuracy without colour that isn’t fatiguing – that, says Sound Designer Matt McCamley, is exactly what he was looking for when he was choosing audio monitors for his studio in Australia.
February 17, 2020, 4:08 pm
Industrial Light & Magic go behind the magic of the visual effects for Star Wars: The Rise of Skywalker.
February 14, 2020, 1:39 pm
Avid has announced that the EUCON 2020.1 software update is now available for download, designed to bring improvements and fixes to the Avid S1 and Avid Control app, as well as bug fixes for other surfaces like the S3, S4, S6 and the Dock.
February 14, 2020, 1:38 pm
From its earliest iterations, art has captured humanity’s fascination with the future and the unknown. Today is no different, especially in film, and one genre truly captures our imaginations — science fiction.
February 14, 2020, 1:38 pm
One of the most memorable scenes in Quentin Tarantino’s Once Upon a Time in Hollywood sees veteran Hollywood actor Rick Dalton (Leonardo DiCaprio) being coached on how to use a flamethrower for a role in a World War II film.
February 14, 2020, 1:38 pm
It’s now 20 years since Danny Boyle’s The Beach was released. It wasn’t a huge VFX film, but there were some neat effects additions, including environmental augmentations to the Thailand lagoon setting, a video game hallucination, and some intense shark encounters.
February 13, 2020, 7:41 pm
If you're planning on getting a new MacBook Pro 16", or any Mac that's pre-loaded with macOS 10.15 Catalina, and plan on editing with Avid Media Composer, here are the limitations of running Avid Media Composer 2020.2 (beta).
February 13, 2020, 9:16 am
Black Mirror supervising sound editor Steve Browell talks about designing sound for the Striking Viper's VR game, UI sounds for the near-future tech, and using sound to support the uncomfortable subject matter the series is known for.
February 11, 2020, 8:13 pm
Everyone got in a good laugh about Cats during the 92nd Academy Awards ceremony Sunday night, but the Visual Effects Society had their claws out. The organization representing visual effects artists released a stern statement condemning the Oscars Cats segment, in which stars James Corden and Rebel Wilson poked fun at the Tom Hooper-directed big-budget catastrophe by dressing up as their characters from the film.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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