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February 25, 2021, 1:47 pm
At the beginning of 2019, Aurélie Lajoux explained CGEV‘s work on The Emperor of Paris. She then worked on many shows such as The Mustang, Vernon Subutex and Comment je suis devenu super-héros. Today, she talks us about her work on the Netflix series, La Revolution...
February 24, 2021, 8:31 pm
FiLMiC Cubiform technology, which just received a patent, generates real time color look-up tables for images, or series of images, with minimal GPU or CPU utilization.
February 24, 2021, 2:10 pm
In 1997, I had started studying law at university in Australia. But actually I was more interested in filmmaking and ‘special effects’. One day, I was in the main street of the Sydney CBD when I randomly walked into one of the comic book stores there.
February 22, 2021, 1:47 pm
Heads up: this Thursday 25th February at 1pm UK time, I’ll be hosting a panel at the Vertex conference called ‘Virtual Production: The Latest Tech From VFX Studios and Indie Creators’. It includes the following expert guests...
February 22, 2021, 1:47 pm
There’s a lot of talk about the M1 Mac mini. Apple says they are going to revolutionize their computers! This isn’t totally the truth, but there have been some impressive improvements and demos showing the M1 chip blazing through some tough applications and workflows.
February 22, 2021, 1:47 pm
This month of February marks a double celebration for The Art of VFX:it’s first of all its 11th year and the 900 interviews mark has been passed!
February 20, 2021, 1:35 pm
When editor Kirk Baxter boarded labyrinthine, Old Hollywood drama Mank, he was met with multiple timelines, and rapid-fire dialogue from a vast assortment of real-life characters.
February 20, 2021, 1:35 pm
Film and television visual effects company VFX Legion delivered all of the effects for ‘Nocturne,’ director Ze Quirke’s feature film debut, for ‘Welcome to Blumhouse.’ Amazon Studios joined forces with Blumhouse Television to create the theme-related series showcasing emerging filmmakers who bring a fresh perspective to the horror genre. Legion’s team produced a mix of complex computer-generated effects that helped elevate the visceral fear and foreboding evoked by the thriller’s untraditional occult theme.
February 20, 2021, 1:34 pm
Today I’m talking with Arthur Schmidt, ACE. Arthur won an Emmy and an ACE Eddie for his editing of Michael Mann’s film, The Jericho Mile back in 1979 and has been winning awards and cutting iconic films ever since. He was nominated for an Oscar and an ACE Eddie for Coal Miner’s Daughter. Nominated for [...]Read More...
February 19, 2021, 1:45 pm
#postproduction #COVID #NiceShoes #Senior Post #Flaborlab #Break + EnterVFX
Our expert panel included Nice Shoes DI’s Katie Hinsen, Senior Post’s Josh Senior, FlavorLab’s Glenn Schloss and Break + Enter’s Dave Zeevalk.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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