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April 24, 2018, 12:41 pm
Color Match is new in the April, 2018, update to Adobe Premiere Pro CC. What it does is allow you to compare two shots side by side, then automatically select color and gray-scale data from a reference image and apply it to the current shot.
April 19, 2018, 12:48 pm
For those that stopped by the Digital Production Buzz booth in South Lower, it was great to see you. I just wish our production schedule allowed me more time to visit. I always enjoy chatting with you.
April 19, 2018, 9:10 am
It doesn’t matter if you’re short on time, lack design skills, or just plain hate creating graphics — Premiere Pro has you covered with motion graphics templates. Whether you need a credit roll, lower thirds, titles, slates, captions, transitions, looping backgrounds, or logos, Adobe has plenty of available options. The good news? You don’t even have to leave the program to use them.
April 19, 2018, 4:59 am
Much of Steven Spielberg’s Ready Player One is set in the Oasis, a virtual reality world full of digital avatars, game and film characters, and expansive cg environments. To produce that world, the director relied heavily on a virtual production methodology overseen by Digital Domain where actors were filmed in motion capture volumes and where shots could be designed and tweaked live with a simul-cam or ‘v-cam.’
April 18, 2018, 5:29 am
We’ve picked out a variety of amazing free projects including simple logo reveals, beautiful photo slideshows, corporate promotions and kinetic text – all in glorious high definition. So, if you’re in a pinch and need a bespoke video sequence, pronto! – save our list of 10 totally free After Effects templates.
April 18, 2018, 4:30 am
There have been very few attempts at hero suites in the film industry. The most notable have been SGO's Mistika and Quantel's Rio. Neither have ever been particularly accessible to independent filmmakers, primarily due to their price tags. Mistika, until very recently, was available either as a single-shot compositor in the form of MambaFX or as part of a turn-key workstation with starting prices in the six-figure range. Rio's pricing was similar.
April 17, 2018, 5:11 am
If there is one thing RedShark Editor in Chief David Shapton took away from NAB 2018, it is a reinforcement that 8K really does have true benefits to our viewing experience, and it will become normal far faster than any of you think.
April 13, 2018, 5:03 am
Many components are used to determine the quality of a film; the screenplay tells the story, the cinematography paints the picture and the editing ties everything together. However, what elevates the film is the musical score. The musical score provides film with an essence, allowing the movie to tell its story in its own unique way.
April 12, 2018, 5:24 am
Learn all about DaVinci Resolve's new features in this extensive round up of tutorials. Also learn how to get started in Fusion for the first time and download some free title templates.
April 11, 2018, 5:07 pm
Over the years, several high profile directors have started out in visual effects, including James Cameron, David Fincher and Neill Blomkamp. A number of well-established visual effects supervisors have also transitioned to directing, including Stefen Fangmeier (Eragon), Eric Brevig (Journey to the Center of the Earth, Yogi Bear) and Hoyt Yeatman (G-Force).
Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
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