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April 3, 2019, 1:54 pm
NAB 2019 is here and Adobe just announced the latest updates to Creative Cloud. One of the biggest features is the addition of Content-Aware Fill to After Effects. That’s right—you can now use the popular Photoshop feature on videos.
April 3, 2019, 1:54 pm
Dear Sleek Elegant Refined and Untouchable Nagra 4.2, I remember well a time in my youth when I was poor, innocent and unworthy, and I wanted you.
April 3, 2019, 1:54 pm
With tight production and delivery schedules, the ability to repair or re-purpose a shot can make a big difference. First introduced and evolved in Photoshop, Content-Aware Fill for Video is now available to editors and visual effects artists allowing you to remove unwanted elements from video clips, such as production equipment, boom microphones, vehicles, signs, logos, or special effects wires that have inadvertently been included in a shot.
April 3, 2019, 6:08 am
In this free video tutorial, brought to you with the support of Waves, we show you a cool little production trick, which you may not have used in your vocal mixes. Have you ever tried inserting a hard and fast Auto Tune effect before a delay plug-in on an effects return? If you’ve yet to try this, watch this free video tutorial to learn how to set this up and to hear how this effects chain sounds in a mix.
April 3, 2019, 6:08 am
Welcome to the 4th installment in our Sound Success series; a series dedicated to helping you to grow - or kickstart - your audio business, learn new areas of audio-related work, and give you multiple revenue streams to insulate you from the ups and downs of the audio industry.
April 3, 2019, 6:08 am
In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to toggle all the plug-ins on a track between engaged and bypassed.
April 3, 2019, 6:08 am
Visual effects veteran with film credits including ‘Iron Man 2,’ ‘Mission Impossible: Ghost Protocol,’ ‘Downsizing’ and ‘Pacific Rim’ currently serves on the Executive Committee for the Academy’s VFX Branch.
April 2, 2019, 9:17 am
Everett Burrell began his career in visual effects in 1993 on BABYLON 5. He then worked on many films such as BLADE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and THE PASSION OF THE CHRIST. As a VFX Supervisor, he took care of the effects of projects like PAN’S LABYRINTH, MAX PAYNE, A GOOD DAY TO DIE HARD and ALTERED CARBON.
April 2, 2019, 6:33 am
Forty years ago this spring, Walter Murch (on far right in photo), Mark Berger, and Richard Beggs were mixing Apocalypse Now in a small studio on Pacific Avenue in San Francisco. The dark figure lurking on the far left is me. Though I had done lots of sound work before Apocalypse, it was the first…
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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