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September 17, 2020, 1:12 pm
In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind color and how it plays into both the scene and the film as a whole. For his third entry, he analyzes Jane Campion’s In the Cut.
September 17, 2020, 1:12 pm
With the release of the buzzy Dune trailer last week, director Denis Villeneuve paid subtle homage to one of the past failed adaptations of Frank Herbert’s seminal sci-fi tome. The trailer featured a choral cover of the Pink Floyd song “Eclipse,” from the English band’s 1973 album Dark Side of the Moon.
September 15, 2020, 7:54 pm
How were the superpowered siblings over at The Umbrella Academy going to top season 1’s armageddon-causing shenanigans? How about by dropping the whole family in Dallas, in the early 1960s, and setting their family squabbles in the context of the JFK assassination? The second season of Steve Blackman and Jeremy Slater’s Netflix’s show, based on the comic book series by Gerard Way, managed to deliver on the promise of season one by forcing the super sibs to face not only their own demons but take stock of some of America’s demons to boot. It also gave them not one but two apocalypses to try and avert, a trio of Swedish assassins to deal with, and their many personal failings to try and work out.
September 15, 2020, 7:54 pm
It’s quite a busy season for Adobe right now. Adobe Video World has been ongoing this week, it was recently announced that Adobe MAX 2020 is free and open to all, and today we get the September release of Adobe Premiere Pro and After Effects. I don’t think these are huge releases but a few things of note.
September 15, 2020, 7:54 pm
Mysterious planets, iconic characters and lightsabers? Yep, you will find all of that in this really cool VFX Breakdown by Hybride about their work on STAR WARS – THE RISE OF SKYWALKER...
September 14, 2020, 4:44 pm
It’s always tricky to find where to start when you’re beefing up your home system, so that you can tackle 4K projects in your work from home/remote setup. For me, as I’ve mentioned before, portability is important.
September 11, 2020, 1:24 pm
The artificial intelligence based colour grading system Colorlab Ai certainly looks like it could transform the grading process. Colorlab AI advisor and investor Steve Bayes explains why he became involved and how this technology should eventually become available to Final Cut Pro X users.
September 11, 2020, 1:23 pm
The Oscar-nominated composer Mark Isham has dealt with vampires, surfers, and vicious clouds of mist during his three decades of film scoring, but his newest challenge is probably his biggest: saving the world while balancing score and songs in Bill & Ted Face the Music.
September 9, 2020, 4:00 pm
Maxon’s new Cinema 4D arrives with powerful enhancements to its animation and UV workflows, character animation toolset, and the inclusion of Magic Bullet Looks technology. Discover the R23! Breathe life into your characters and animations with outstanding new tools and workflow enhancements. That’s the clear invitation Maxon makes to creatives, announcing the new animation tools, [...]Read More...
September 9, 2020, 4:00 pm
Color Intelligence, a Hollywood-based startup, has announced a ‘Factory Driver Program’ offering early access to its groundbreaking software Colourlab Ai, a revolutionary color grading system. Try it now! Artificial Intelligence here, AI there. It’s everywhere, and while it is a marketing buzzword, it also reflects the changes AI brought to many industries. Color grading, for [...]Read More...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
Gordon sits down with Shawn Paper to discuss Crashing, editing, and the new film The Broken Hearts Gallery.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
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