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June 17, 2009, 2:05 pm
At CineGear 2009, a group of top-notch ACE editors—Mark Goldblatt, Michael Tronnick, Maryann Brandon, Maysie Hoi and Tina Hersch—got together to showcase some of their more challenging editing sequences and describe what’s going on in the business today.
June 15, 2009, 2:04 pm
Star Trek took the editorial team on a wild, sometimes bumpy, adventure that included battling workflow bottlenecks, alliances with visual effects outfits, warp-speed sync issues and fighting off intergalactic pirates. We spoke with first assistant editor Julian Smirke about boldly going to the final editorial frontier.
June 15, 2009, 2:01 pm
The first ACE EditFest New York kicked off tonight at the Directors Guild Theater in New York City with a panel discussion featuring six editors sharing their best advice for getting that first gig as a film editor. The five panelists, along with moderator (and ACE President) Randy Roberts (One From the Heart), swapped stories about breaking into the business that occasionally dated back to those bygone days of linear film editing. The understanding throughout the evening was that, while some...
June 8, 2009, 1:52 pm
BURBANK — For those of you who might not have pre-teens, teenagers, children of any age, a television set or computer, Hannah Montana is a Disney Channel show featuring Miley Cyrus as a teenage girl who leads a secret life as a rock star when not attending school and hanging out with her friends.
June 6, 2009, 1:50 pm
David Rennke has been an editor for more than 20 years and has used every editing system imaginable—but always finds himself gravitating back to Avid. On his latest project, editing King Hollis’ independent film Pearl, Rennke used Avid Media Composer 3.0.5. He edited most of Pearl’s dailies on his laptop, on set, which made the process convenient and efficient. For finishing, he used Avid DS v.10 with DNxHD 220x. This allowed everything to work seamlessly and without any crashes—something...
June 2, 2009, 1:48 pm
Recently, I worked on a show where the budget allowed me to stay on as the stage editor. The mixer on the show occasionally used a de-click/de-crackle program during pre-dubs. I knew about a few of these plug-ins, but seeing one in action piqued my interest to find out just how much they can do.
June 1, 2009, 1:47 pm
PCI attachment (based on the PCIe architecture) provides maximum bandwidth at minimum cost per storage unit by eliminating the secondary bus bridges required for all other connection methods. Since the host server already has a PCI (peripheral connection interconnect) bridge included to provide communications between the frontside (system) bus and its attached CPU(s), connecting storage systems directly to that creates the closest, widest-bandwidth interface possible — giving way to wide...
May 15, 2009, 1:31 pm
Crazy Heart, a recently completed low-budget indie feature, marks the feature film directing debut of actor and writer Scott Cooper. It also features a rarely tried, cost-efficient post-production workflow that provided some challenges for editor John Axelrad and first assistant editor Tom Cross. Shot in and around Santa Fe, New Mexico, Crazy Heart stars Jeff Bridges, Maggie Gyllenhall, Colin Farrell and Robert Duvall. The Tender Mercies-like plot (enhanced by the presence of that 1981...
May 12, 2009, 1:30 pm
Convergence, a slogan used for a previous NAB (National Association of Broadcasters) show, might have been more appropriate for this year’s event, held at the Las Vegas Convention Center in late April, which was replete with examples of technology designed to merge production with post.
Gordon sits down to discuss the VFX of The Lion King with VFX supervisor Rob Legato
In this bonus episode, Gordon sits down with Dan Deleeuw, the visual effects supervisor for Avengers: Endgame.
Gordon sits down with Jinmo Yang to discuss the editing of Parasite, the hit Korean film and a must see for everyone.
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